萬海 韓龍雲 漢詩硏究 = A Study on Han Yong-Un's Korean-Sino poetry

다국어 초록 (Multilingual Abstract)

This thesis is to look into all the aspects of Han Yong-Un's Korean sino-poetry. In this study the methodologies of positivism and of the history of mental intelligence have been used. The contents of this thesis are summarized as follows:
The structural characteristics of Han Yong-Un's Korean sino-poetry are enumerated as the following.
1. The main current of this poetic form is the Ku˘nchesi(近體詩), especially, Chinese quatrains (絶句).
2. In his poetry the traditional Korean sino-poetic words are used repetitively: for example, the moon, ume blossoms, snowy hair, snow, flowers, rivers, water etc. Through the interrelationships of these words the poet has found, he expresses his emotion.
3. The dominant metaphor of his poetry is epiphor which of the basis is the identity principle rather than the non-identity.
4. Through using appropriately the Chinese poetry, Chinese historica episodes and idiomatic phrases, not being restricted by the chinese classics and historical texts, he enriches poetic images and meanings.
The developmental phases of his poetic themes are as follows:
1. The themes of the poems in the early period are the meditation on nature, the religious asceticism and a yearning for hometown.
2. The theme of the poems in the middle period is a Buddhistic world view obtained from his ascetic life.
3. The themes of his later poems are the national spirit and the prison life.
The form and theme of Han Youn-Un's Korean sino-poetry are well expressed in Love Silence (님의 沈默) and his Sijo (時調). Also the processes of the life and the aspects of the person as a Zen priest, a noble-minded patriot and a person are revealed in his Korean sino-poetry.
In conclusion, the form and contents of Han Yong-Un's about 170 Korean sino poems, founded upon the traditional literature, pictures the processes and thoughts of the life which are well expressed in his Sijo(時調) and Love Silence. (님의 沈默)

목차 (Table of Contents)

• 목차
• I. 緖論 = 1
• 1. 硏究史 槪觀과 問題提起 = 1
• 2. 硏究目的과 方法 = 3
• II. 漢詩形成의背景 = 6
• 1. 傳統漢詩 繼承 = 6
• 2. 傳記的 背景 = 8
• III. 漢詩의 構造的 特質 = 11
• 1. 詩體 = 11
• 2. 詩語 = 15
• 가. 詩語의 結合과 類型的 情緖 = 15
• 나. 否定的 語辭의 詩語 = 22
• 다. 常套的 表現 = 27
• 3. 心象 = 30
• 가. 어둠의 心象 = 30
• 나. 밝음의 心象 = 36
• 다. 雨面性의 心象 = 41
• 4. 比喩 = 48
• 가. 直喩 = 48
• 나. 隱喩 = 51
• 5. 用事 = 55
• IV. 主題意識의 樣相 = 74
• 1. 思鄕과 自然觀照 = 74
• 가. 故鄕意飜 = 74
• 나. 自然玩賞 = 81
• 다. 佛門交遊 = 92
• 2. 禪世界와 佛敎恩想 = 98
• 가. 禪世界 志向 = 99
• 나. 佛敎恩想 實現 = 105
• 3. 自由와 民族精神 = 115
• 가. 自由와 獨立 渴求 = 116
• 나. 現實超克 = 122
• 다. 民族精神 實踐 = 126
• V. 漢詩의 相關性과 文學史的 意義 = 131
• 1. 詩調와의 關係 = 131
• 2. 「님의 沈默」과의 關係 = 143
• 3. 文學史的 意義 = 148
• VI. 結論 = 151
• 參考文獻 = 155
• ABSTRACT = 160