김수악의 진주교방굿거리춤 연구 = A Study on Jinju Gyobang Guteory Dance of Kim Su-ak

다국어 초록 (Multilingual Abstract)

This study aims to investigate both the aesthetic consciousness of Jinju Gyobang Gutgeory Dance which has be designated as No. 21 of intangible cultural properties in Gyeongsangnam-do and the characteristic of dance with focusing on the cultural properties holder Kim Su-ak (1925˜2009) who was a well-known Korean traditional dancer in Jinju.
This researches focused on the aesthetic consciousness of dance are as follows:
First, this study examines the creation and a progress of development about Jinju Gyobang Gutgeory Dance.
Second, it investigates the dancing constituents such as the dancing motion, the dancing costume, tools, the accompanying music and the composition of space, etc.
Third, with based on the former studies, it researches the aesthetic shape about the Jilbakmi(質朴美), the beauty of freshness and vividity (生動美), the Hanami(閑雅美) and the Pungryumi(風流美).
This dance was a basic curriculum at the Jinju Gyobang in Joseon Dynasty and the Jinju Kwonbeon since 1910. Today, it is a representative dance in Jinju with the deep native art.
All dancing skills and motion were handed down to Kim Su-ak from Choi Wan-ja who was the dancer in Jinju Gyobang, the royal dancer of Emperor Gojong in Joseon Dynasty and the dancing teacher in Jinju Kwonbeon. After the breakup of Kwonbeon, this dance was constantly performed by Kim Su-ak. At the result of cultural activities, Kim Su-ak was intangible cultural properties holder of the Jinju Gyobang Gutgeory Dance in 1997. At that time, the costume with a blue skirt, an ivory Jeogori and a blue string was also designated. And the dancing tool is a Sogo. The accompanying music is the Janggu rhythm and an oral sound played by Kim Su-ak.
The composition of space with dancing which makes a Taegeuk line is constantly connected from beginning to end.
Gyobang Gutgeory Dance is made up of widely two parts as a Gutgeory dance with Gutgeory rhythm and a Sogo dance with the Jajinmori rhythm. Special dancing motions at the Gutgeory dance are Pyeongsawi, Whiyeongcheongsawi, Haniljasawi, Holmoksawi, Saseonhakche, Jebiche and Ggotbongorisawi, etc. And Sogo dancing motions are Hoemu, Yeonpungdae, Sogopyeongsawi, sitting-sawi, Taegeuksawi and kicking Sogo back and forth, etc.
This dance shows the Jilbakmi with the beauty of Korea which means inartificial skills, natural motions and unaffected actions. The beauty of freshness and vividity of dance represent four seasons and the power of freshness and vividity of Kim Su-ak's oral sound and Janggo rhythm give us a live feeling. Also, Kim Su-ak's oral sound lyrics create breadth of mind and Hanami with relaxing feeling. Lastly, the specific characteristic of Gyobang Gutgeory Dance contains the beauty with the characteristic and shape in Pungryumi, an easygoing flavor and a freewheeling pleasure.
At the result of a study on the aesthetic consciousness of Jinju Gyobang Gutgeory Dance, we know that it is a excellent dance with sticking to almost dancing motions in Jinju Kwonbeon, which has had influenced on the basic dancing motions of today. And we know this dance has Korean spiritual values and artistic merits, too. I hope this study is helpful in correct complete transmission and development of Jinju Gyobang Gutgeory Dance. So study data to be helpful for researches of this dance had better work in the future.

목차 (Table of Contents)

• I. 서론 1
• 1.연구 목적 1
• 2.연구 방법 3
• II.춤의 형성 5
• 1.춤의 발생 5
• 2.춤의 전승 10
• III.춤의 구성 15
• 1.복식과 소도구 15
• 2.반주음악 18
• 3.공간구도 21
• 4.중요 춤사위 30
• IV.춤의 미적양상 61
• 1.질박미(質朴美) 61
• 2.생동미(生動美) 65
• 3.한아미(閑雅美) 73
• 4.풍류미(風流美) 77
• V.결론 83
• 참고문헌 87
• 부록:진주교방굿거리춤 무보 90