流配歌辭의 作品構造와 現實認識

다국어 초록 (Multilingual Abstract)

This study is intended to illustrate the structural features of Kasa(歌辭) and writer's consciousness in the structure through the Exile-Kasa (流配歌辭).

Until now studies of Exile-Kasa are leaned to study of social background and explanation of text excessively. Then this study is intended to research text through the synthetical consi-deration of analysis of textual structure, writer, reader and social background. The discussion of this kind is able to make clear the peculiar character of Kasa that is distinguished from other genres. The results of such discussion are as follows.

First, the relationship of writer and reader was researched. The writer of Exile-Kasa was Sadaebu (土大夫), but the reader was the woman and the common people as well as Sadaebu. The reader of Sadaebu received Exile-Kasa as verse of loyalty, on the other hand the reader of the woman and the common people received Exile-Kasa as verse of difficult life and love which was removed poli-tical factors. But the text which had supported only authority and standpoint of Sadaebu was not readed by the woman and the common people as well as Sadaebu pleasingly. Sadaebu supported authority and standpoint outwardly, but they took pleasure in verse which recite genuine emotion of human inwardly.

Second, plot was researched. There are episodic plot and organic plot in plot. Epsodic plot is general in Kasa, but organic plot is exceptional. Only 'Samiingok' (思美人曲) and 'sokmiingok' (續美人曲) chose organic plot. Episode in episodic plot performs its function which enbodies and objectifies tex-tual content.

Third, relationship of experiential fact and fiction was researched. Here text of Exile-Kasa is divided into two groups. One is the text which expresses experiential fact directly, the other is the text which fictionalizies experiential fact. The former is general text in Kasa, which expresses some experiential facts outwardly and communicates writer's mind to the reader directly. The latter conceals the experiential fact and creates fictional situation which is love of man-and-woman and fictional time-and-space which is Heavy and Earth, and communicates writer's mind to the reader roundaboutly. An order of 'Samiingok' belongs to the latter. The latter has lyric and epic character. Because the latter was unsuitable to didactic Kasa, it could not be sustained.
It died away at 'Pyelsamiingok' early.

Fourth, the period transfiguration and the meaning of Exile-Kasa in literary history was researched. Through the discussion of these kinds, it was discovered that Kasa was two groups. One is the text which expresses experiential fact directly. Texts of this order communicate experiential facts to reader directly.

The other is the text which fictionalizies experiential fact. Texts of this order has out-meaning and inward-meaing. The majority of Kasa is the former, but 'Manbunga' (英憤歌) 'Samiingok' (思美人曲) 'Sokamiingok' (續美人曲) 'Jadosa' (自悼詞) 'Pyelsamiing-ok' (別思美人曲) 'Maneansa' (만언사) 'Pukcheanga' (北遷歌) are the latter. Awkward plot of 'Manbunga was developed elegantly by 'Samiingok' and 'Sokmiingok'. But 'Maneansa' and 'Pukcheanga forsook the lyric and fictional factor, and realized the latter in new directions by moral-and-reality and style. Literature of Choson(朝鮮)-dynasty was divided two extreme groups which were literature of Sadaebu and literature of the common people. Then Exile-Kasa performed function which interchanged and put together two groups.

The discussion of 'textual structure and recognition of reality' relationship of writer and reader, plot, relationship of experiential fact and fiction is work that integrates Struc-turism, Rezeptionsasthetic and Reflection. In this point, it is significant that this study shows a method of study about general Kasa and general literature as well as Exile-Kasa.