谿谷 張維의 雜體詩 硏究 = A Study on the Various Style Poetry(雜體詩) by Jang Yu(張維)

다국어 초록 (Multilingual Abstract)

The purpose of this thesis is to focus on the characteristics of the Japche poetry(雜體詩) by Jang Yu(張維), one of famous scholars in Choseon dynasty, and its literary historical meaning. ‘The Japche poetry(雜體詩)’, a special form of chinese poetry, was composed in the middle of Choseon period vigorously and Jang Yu(張維) was the person who remained a number of ‘Japche poetry(雜體詩)’ with diverse styles. This study therefore brings light on the stream of chinese poetry history through the Japche poetry(雜體詩) by Jang Yu(張維). This also shows how his works, which his poetry point of view were graft onto, were composed in that stream of the period. The features of his Japche poetry(雜體詩) and its literary historical meanings as well.
In brief, this thesis can be summarized as follows.
1. There are two aspects in the writing background of his Japche poetry(雜體詩). The first is the situation of chinese poetry field from the 17th century and the other one is the writer's attitude in writing poetry. The main stream of the poetical arena in the 17th century can be summarized as two things, ‘the pursuit of diversity’ and ‘recognizing on the old style poetry(古詩) which is related to learn old style’. The 16th century's world of chinese poetry was biased to Song's poetry(宋詩), which attached excessively importance to form & arguments and used crabbed ancient Chinese Prose(典故), and free emotional expressions were restricted. Later on, writers from 16th's century started focusing on Tang's poetry(唐詩), which emphasized on the outflow of the emotional expressions naturally. Unlike 16th's century, from 17th's century, writers started focusing on ‘the old style poetry(古詩)’ with much skepticism on writing method of Geunche poetry(近體詩) such as ‘characterized by the paired contrast(對偶)’, ‘rhyme(押韻)’, ‘long and short sound(平仄)’ and so on. These kinds of atmosphere in the world of chinese poetry are hooked up to the spirit of creation of Japche poetry(雜體詩) and brought into Jang Yu(張維)'s ones.
Jang Yu(張維) claimed getting out of academic climate in uniformity with open and practical attitude in studying. He independently accepted studies coming from abroad and followed the example of various poems without sticking to only one special school. With these kinds of poetic tendencies, his Japche poetry(雜體詩) was composed accepting strong points of various poetic styles such as the imitation of ancient style from Tang's poetry(唐詩), active experimental mind on words, practice on verses from Song's poetry(宋詩) the imitative inclination and usage of proper nouns from Myeong's poetry(明詩), open system and strong spirit from the old style poetry(古詩).
2. In chatper Ⅲ. this thesis shows aspects of Jang Yu(張維)'s Japche poetry(雜體詩) and its characteristics. His works are classified 4 types of styles, Japmyoung poetry(雜名詩), Japsu poetry(雜數詩), Hyuihai poetry(詼諧詩), and extra Japche poetry(雜體詩). Japmyoung poetry(雜名詩) is classified as three forms-Geonje poetry(建除詩), Seongmyeong poetry(星名詩), Inmyeong poetry(人名詩)- and Japsu poetry(雜數詩) is also classified three forms-Paleum poetry(八音詩), Sibyijin poetry(十二辰詩), Su poetry(數詩). Hyuihai poetry(詼諧詩) can classified as Geumeon poetry(禽言詩)& Jeeon poetry(諸言詩) and the extra Japche poetry(雜體詩) involves Cheung poetry(層詩), Hyuimun poetry(回文詩), Ocheuk style(五仄體), Yihap poetry(離合詩), Jangdu style(藏頭體).
Most of forms at Japche poetry(雜體詩) which is based on Xian Qin(先秦) period, were apt for representing an antique style(古風) when his days required. Those reflect the ancients' consciousness, which checked the beauty of perfect form according to how much the usage of words polish putting suitable words in proper place. Jang Yu(張維) was well-known for the old style poetry(古詩) and pursued an antique style(古風) in contents of his works. For that, he extracted authentic precedents of his poetry from these books like <Sagi(史記)>, <Jangja(莊子)>, <Hanseo(漢書)>, <Jeongukchaek(戰國策)>, which existed as models of ancient Chinese Prose at JinHan period.
3. In chapter Ⅳ, this thesis makes reference to the writing meaning of Jang Yu(張維)'s Japche poetry(雜體詩) in literary history. First, he used Japche poetry(雜體詩) as a way of showing his poetic talents and wits. In other words, his open mind in studying made himself learn far and wide about various verses. It made him be expert at right form(正格), deformed form(變格), humorous style. Secondly, it contributed to connection to the writing of Japche poetry(雜體詩) from the end of the koryo dynasty period to the end of the choseon dynasty period. This can be shown through the truth that 17th century's Japche poetry(雜體詩) spits images of the tendency of Mungaek(門客)'s writing for amusement, a group of high ranked politicians during Koryo's military group control, and scholars' solecism & disorganization in poetry during the end of the choseon dynasty period.

목차 (Table of Contents)

• Ⅰ. 서론 = 1
• Ⅱ. 계곡 잡체시의 창작배경 = 4
• 1. 17세기 시단의 흐름 = 4
• 2. 계곡의 作詩태도 = 13
• Ⅲ. 계곡의 잡체시 = 28
• 1. 雜名詩의 多樣性 = 34
• 2. 雜數詩의 定型性 = 40
• 3. 詼諧詩의 重義性 = 45
• 4. 기타 잡체시 = 52
• Ⅳ. 계곡 잡체시 창작의 문학사적 의의 = 68
• Ⅴ. 결론 = 82
• 참고문헌 = 86
• (Abstract) = 93