30~40대 기혼 여성의 우울성향 자기서사 연구 : 설화에 대한 반응의 문학치료학적 분석 = (A) study on the epic of self of married women in the age of 30's and 40's depressive disposition : literary therapeutic analysis of response to folktales

다국어 초록 (Multilingual Abstract)

Due to the fact that our modern life due is already deeply involved in a depressive disposition, pertinent medical diagnoses are required not only to those who are experiencing clinical melancholic symptoms, but also to those who as the majority of people who are used to say that they continually suffer from this pathological problem are excluded from a medical check-up. At this juncture, literary therapy could be an alternative as the working through for fundamental and continual therapeutic effect by transferring normal people into this practice without any negative feelings. My study as the groundwork for this therapeutic journey aims to unravel a depressive disposition with the epic concept in terms of a literary therapeutic analysis : how melancholic symptoms are related to epic characteristics, and to what epic narratives, the symptomatic acts are returned.
In this thesis, I used clinical research methodology in order to accomplish this aim. Primarily, designing literary therapeutic programs by means of folktales, I applied this practice to each analysand who shows melancholic symptoms, and then excerpting epic features from various responses of the participants, I did the special task of re-organizing feedback of every participator's self-epics.
As a result of analysing all the analysand's respondence, they are classified as four epic categories as follows:
The epic of a analysand A, can be condensed like this: in son and daughter epic, the mother did not disown her child; in man and woman epic, the man did not betray his beloved; in husband and wife epic, the former did not abandon the latter; in father and mother epic there is no fault in children. It can be restructured through this analytic observation and investigation that the analysand A, makes a story about which he does not neither forsake nor deceive anybody in all circumstances. Therefore we can assume that he makes narrative that denies relationship rupture.
The epic narrated by the analysand B, can be epitomized as: in a mode of son and daughter epic, mother devoted herself to her children; of man and woman epic, to fall in love with is too foolish; of husband and wife epic, being forsaken from one's own other half by not keeping one's promise; of father and mother epic, children are always with own's parents. Analysing these narrative information, we can suppose that the partaker B, makes continual narrative in terms of relationship in case of both son and daughter and father and mother epic, whereas in either case of man and woman and husband and wife epic, the analysand's description refuses relationship formation of itself or unable to overcome a relation crisis, he/she produces a relation-rupture version.
The epic narrative epitome of other person C, who takes part in this analytic procedure unveils a yarn as follows : in son and daughter epic, mother did not disown her children; in that of man and woman, due to impure and unchaste, one is punished; in that of husband and wife, being forsaken from other half by not keeping one's promise; in that of father and mother, there is no fault in children.
Judging from the study of these discourse levels, the analysand C's narrative can be reorganized like this: the participant C spawns the denying story of relationship fracture in case of both son and daughter epic and father and mother epic, whereas the person constructs a tale to rupture relationship by disallowing relation-formation of itself and by being unable to master this juncture both in man and woman epic.
Through the outcome derived from analysing each analysand's narrative, the epic features involved in a depressive disposition can be selected, and by using these information, we can categorize the symptomatic participants as four groups on the basis of degrees of a depressive disposition. Our findings show as follows:
The epic particularities in the analysand A, overall consist not only of bowdlerizing contents related in feelings of being abandoned in order to unveil deficiency of relationship crisis, but also of compensating that crisis by superseding contents related in abandonment with carefulness and protection.
This is not only derived from son and daughter epic of the analysand A, but also generated between the experienced mother rejected from her son and desire to be cared heartfully from him. Therefore the participator's self epic is regarded as the schema of Konggyi-Potgyi that omitted the Konggyi's revenge plot towards her step-mother.
The characteristics of the analysand B, makes the epic not only of compensating relation crisis by superseding the contents related between son and daughter epic and father and mother epic, but also of enforcing relation crisis by augmenting the story of emphasizing weakness or of poetic justice. This springs from father and mother epic of the partaker B's telling and originates from negative prejudices to females such as daughter and ladies as parents. Therefore, the participator's(B) self epic can be illustrated with Fox's Marbles that narrates a similar story line.
The epic distinction of the analysand C, not only makes narrative of counterpoising relation crisis by replacing the contents related in being abandoned with constituents related in carefulness and protection, but also produce the epic of enforcing relation crisis in both man and woman epic and husband and wife epic by increasing the story of emphasizing weakness and that of poetic justice.
This stems from both son and daughter epic and husband and wife epic, and also derives from desire to fulfill affection that was deficient in childhood from one's parents. And it also springs from negative feelings to the feminine sexuality as a feminine gender. The self epic of the partaker C can be explained from interconnection between the story of Konggyi-Potgyi that omitted the Kongyi's revenge narrative and the forms of Spilt Water.

목차 (Table of Contents)

• 1. 서론 = 1
• 1.1. 문제 제기 = 1
• 1.2. 연구사 = 5
• 1.3. 연구 방법 = 13
• 2. 설화를 활용한 자기서사 진단의 설계 = 20
• 2.1. 자기서사와 설화 = 20
• 2.1.1. 설화 활용의 근거와 의의 = 20
• 2.1.2. 자기서사 진단의 방법 = 23
• 2.2. 설화의 선정과 활동의 설계 = 28
• 2.2.1. 자녀서사 관련 <콩쥐팥쥐>·<해와 달이 된 오누이>·<효 불효 다리> = 28
• 2.2.2. 남녀서사 관련 <상사뱀>·<여우구슬>·<신립장군과 원귀> = 42
• 2.2.3. 부부서사 관련 <엎질러진 물>·<구렁덩덩 신선비>·<도량 넓은 남편> = 53
• 2.2.4. 부모서사 관련 <낳은 불효자 얻은 효자>·<명당 훔친 딸>·<거짓장례로 개가시킨 딸> = 67
• 3. 참여자별 자기서사 분석 = 78
• 3.1. 참여자A - 가족들에게서 거리감을 느끼는 주부 = 78
• 3.1.1. 어머니에 대한 분노 : 어머니는 자식을 버리지 않았다. = 79
• 3.1.2. 사랑의 결핍 : 남자는 내 사랑을 배신하지 않았다. = 90
• 3.1.3. 남편에 대한 불신 : 남편은 아내를 버리지 않았다. = 98
• 3.1.4. 자식에 대한 자신 없음 : 자식에게는 잘못이 없다. = 112
• 3.2. 참여자B - 자식 때문에 우울한 주부 = 121
• 3.2.1. 어머니에 대한 의존 : 어머니는 자식을 위해서 살았다. = 122
• 3.2.2. 사랑에 대한 거부 : 사랑에 빠지는 것은 바보 같은 짓이었다. = 132
• 3.2.3. 부부간 애정의 결핍 - 배우자와의 약속을 어겨서 용서받지 못했다. = 140
• 3.2.4. 자식에 대한 의존 : 자식은 언제나 부모 곁에 있다. = 152
• 3.3. 참여자C - 어머니와 남편에게 화가 나 있는 주부 = 159
• 3.3.1. 어머니에 대한 분노 : 어머니는 자식을 버리지 않았다. = 159
• 3.3.2. 사랑의 결핍과 성(性)의 거부 : 순수하지 않은 사랑 때문에 벌을 받았다. = 169
• 3.3.3. 부부간 애정의 결핍 : 배우자와의 약속을 어겨서 용서받지 못했다. = 176
• 3.3.4. 자식에 대한 자신 없음 : 자식에게는 잘못이 없다. = 179
• 4. 우울성향 자기서사의 종합적 분석 = 183
• 4.1. 우울성향 자기서사의 특성 = 184
• 4.1.1. 관계 형성의 강화 : 선함과 희생 = 186
• 4.1.2. 관계 위기의 결핍 : 버려짐 = 188
• 4.1.3. 관계 위기의 보상 : 돌봄과 지킴 = 194
• 4.1.4. 관계 위기의 무화 : 여성에 대한 편견과 선입견 = 202
• 4.1.5. 관계 위기의 강화 : 응징과 악함 = 206
• 4.1.6. 관계 회복의 강화 : 열정과 너그러움 = 214
• 4.1.7. 관계 회복의 지연 : 완고함과 냉정함 = 216
• 4.2. 우울성향 자기서사 진단결과와 의의 = 219
• 4.2.1. 참여자A : 어머니로부터 사랑받고 싶은 콩쥐 이야기 = 220
• 4.2.2. 참여자B : 위험한 여우로부터 아이를 구하고 싶은 부모 이야기 = 231
• 4.2.3. 참여자C : 사랑 받고 싶은 콩쥐가 좌절한 이야기 = 241
• 5. 결론 = 254
• 참고문헌 = 259
• Abstract = 266