야담사 김진구의 야담운동 연구

다국어 초록 (Multilingual Abstract)

This thesis will examine Kim Jingu's Yadam movement from the late 1920's to 1930's. He supervised the Yadam movement, and published many adams in newspapers and magazines.
Kim Jingu's life is divided into three parts; misfortune in his childhood; enlightened activism in his young adulthood; and NaeSeonIlChe activist in the prime of his life. He admired Kim Okgyun. He insisted on the civilization of culture. The limitation of NaeSeonIlche activity felt during the Yadam movement brought about a consciousness of change through enlightened activism.
The Yadam movement in the late 1920's claimed to stand for the edification and amusement of people. It focused on <Joseon Yadam Sa>. It tried the people's history education as a sound amusement. The early Yadam movement, received an exuberant welcome from people. However, it changed character and focused on the amusement in the early 1930's, due to the oppressive measures of Japan and the amusement tastes of the public.
Kim Jingu's Yadam movement is the Yadam of history focused on the historical characters. The content greatly emphasizes the royal spirit of devoting their lives for the conquest of a national crisis, such as the Japanese Invasion of Korea in 1592. Other critical issues include a semi-feudalistic idea satired in the social system of eccentric people in the late Joseon period, the civilization and enlightenment sprit of a modern reformer. It set fire under the people's interests on their stories colored by the amusements in various ways.
Kim Jingu tried the popularization of the Yadam movement in various narration techniques. He described Yadam in Korean mark and in an oral narration, so the people could easily approach it. The introduction of Yadam described 'Damnoe' and improved the meaning. Also, he induced the public interest through scene description, conversation expansion, double title establishment, and irregular sequence development.
Yadam movement in the late 1920's has given a correct understanding of Yadam to the people. Kim Jingu also restored Yadam's oral narration. On the other hand,
the Yadam movement used a means of making Kim Okgyun as a hero. Yadam's purpose was the edification and amusement. It was described through anecdote, so it raised narration. It expanded the detailed descriptions borrowed from the original form of the previous Yadam. In this point, it showed that the previous Yadam succeeded.
Yadam's literal meaning in the late 1920's was that a change from nobleman's literature to public arts; the affect of the history novel, a new creation and recording in books.

목차 (Table of Contents)

• Ⅰ. 서론 = 1
• 1. 문제 제기 = 1
• 2. 연구사 검토 = 2
• 3. 연구 방법 및 범위 = 7
• Ⅱ. 김진구의 생애와 작품 개관 = 10
• 1. 김진구의 생애와 의식의 변화 = 10
• 1) 김진구의 생애 = 10
• 2) 의식의 변화 = 18
• 2. 작품 개관 = 21
• Ⅲ. 1920년대 후반 야담 재등장과 야담운동 = 28
• 1. 1920년대 후반 야담 재등장 배경과 의미 = 28
• 1) 야담의 자기 갱신과 일본 강담의 영향 = 28
• 2) 역사의식 확산과 민중교화 = 35
• 3) 취미 문화 형성과 민중오락 = 39
• 2. <朝鮮野談社>의 야담운동 전개 양상 = 43
• 1) <조선야담사>의 창립과 野談師 = 43
• 2) 야담운동 전개 양상 = 52
• 3) 야담운동의 성격 변모와 원인 = 65
• Ⅳ. 김진구 야담의 유형 특성 = 73
• 1. 국난 극복의 주체들에 대한 관심과 형상화 = 73
• 1) 역사와 허구의 결합과 개연성 = 75
• 2) 민중 영웅의 충의 정신과 계몽성 = 91
• 3) 서사의 장편화와 흥미성 = 99
• 2. 기인적 능력의 주체들에 대한 관심과 형상화 = 103
• 1) 奇에 대한 관심과 奇人 발굴 = 103
• 2) 개인의 긍정과 반봉건적 가치관 = 111
• 3) 일화 나열식의 골계성 = 119
• 3. 좌절한 주체들에 대한 관심과 형상화 = 125
• 1) 갑신정변의 의미와 주변 정세 = 126
• 2) 좌절한 주체들에 대한 재인식과 추앙 = 130
• Ⅴ. 김진구 야담의 서사 기법 특성 = 144
• 1. 국문 사용과 구연 서술 = 144
• 1) 국문 사용 = 144
• 2) 구연 서술 = 147
• 2. 서사 기법의 다양한 실험 = 156
• 1) 서두의 ‘談腦’ 기술 = 156
• 2) 장면 묘사와 대화 확장 = 160
• 3) 이중 표제 설정과 비순차적 전개 = 165
• Ⅵ. 1920년대 후반 야담운동의 野談史적 위치 = 170
• 1. 야담운동의 성과와 한계 = 170
• 2. 김진구 야담의 전대 야담 계승 면모 = 172
• 3. 김진구 야담의 문학사적 의의 = 179
• Ⅶ. 결론 = 183
• 참고 문헌 = 187