카라바조 硏究 = Caravaggio

다국어 초록 (Multilingual Abstract)

This thesis is written in order to study, that lived 17C Baroque period mysterious and revolutionary meaning of caravaggio (1571~1610)
Michelangelo Merisi is born in Bergomum's city caravaggio in 1571and 'Titian's disciple' caravaggio went over to Rome after do an apprentice life at workroom of Simone Peterzanor's that was. Caravaggio was a Vigorously interview painter in mannerism which 34 is balmy wind of seniors for the first time at last Rome that Michelangelo died. He thought that this balmy wind artificial and sentimental and stale. Following and method that express religious subject perfectly to inclination of neoclassicism of mannerism of 17C Italy were being in fashion. Hereupon,〈St.Matthew〉that refuses idealize Firenze conversation and is consisted of realism and excessive light and darkness contrast to subject through picture〈St. Matthew's martyrdom〉, 〈The Calling of St Matthew〉,〈St. Matthew's angel〉(about 1597~1602 year), it is Rome San Luigi dei Francesi church of 13piece of work at that time on conversation line of big revolution draw.
Age that he lived is baroque. American art critic Bernard Berenson baroque last modifier that I use explaining be. Of course, there are many people who attach modifier that is baroque to him. However, in his occasion the most suitable modifier is word that is class baroque justly that criticize.
If count clear characteristic of his conversation
First, mannerism of typical and a patterned icon's God if created new language that is play enemy realism by appearing actuality people models in picture because exuviate in materialized style and used excessive chiaroscuro(Chiaroscuro).
Art critic Roberto Longhi in 20th century compared in importance of that perspective is sighted importance of that collar note F uses light at Renaissance time. His light is not it of nature. It takes away delicate change of color like metachromy of skin being mysterious light pouring fully almost always at shoulder agency of spectators over and changes system of color and it is light which seem to be used in the play stage that make cordage. Light was whole lighting to Renaissance or Mannerism and light of collar note F divides member to emphasize on jar shadow that do not clear disclose the source and member that must hide if it was means to emphasize only light shadow.
Second, his access takes off value and denied inclination of sophisticated mannerism esthetics enemy who have hardened excessively of Renaissance. Then artists who immerse in mannerism actually could be cut from past by caravaggio.
1920, Longhi might no be Vermeer, Latour, Rembrant Liebe if he was absent. Also, Delacroix, course hemp cloth, Manet's picture might change. However, is paned in prejudice of his roller-coaster life history and because that he is reviewed as a genuine painter reaches in late 19th century that 300 passes after he dies.
Thus, effects that he shudders to 17C conversation four is immense but he is not evaluated properly and I have encountered estrangement. Certain research materials about him unprepared and is not conformable even his birth year. However, his art world, works that he leaves wish to make this paper by gist that eternal and right estimation should be achieved.

목차 (Table of Contents)

• Ⅰ. 들어가는 말 1
• Ⅱ. 회화사적 배경 3
• Ⅲ. 카라바조의 생애 - 빛과 그림자 8
• Ⅳ. 카라바조의 회화세계 14
• 1.카라바조의 회화사적 의미 14
• 2.카라바조의 명암 대조법 22
• 3.Chiaroscuro에 의한 작품들 28
• ⅴ. 맺음말 55