도상학적 해석을 통한 최승희의 「보살춤」 창작기법 연구 = The Study on the Choreographic Method of Ch`oe Sung-Hui`「Bosal Chum」 through Iconological Interpretation

다국어 초록 (Multilingual Abstract)

The purpose of this study was to find the choreographic and expressional method of <Bosal Chum> that was created by Ch`oe Sung-Hui who lead cultural exchange with other countries. This study especially viewed how she communicated the oriental movement image of the bodhisattva statue to Europians. For this study, the image of a bodhisattva statue and the movement image of <Bosal Chum> were analyzed through Laban`s BESS theory and were compared and evaluated. The results of the image analysis and comparison of the two are as follows: Using body: a bodhisattva statue used two-dimensional sitting body posture and hand gesture whereas <Bosal Chum> used three-dimensional standing posture and gesture of the legs and hands. From the Effort point of view: the image of a bodhisattva statue showed a two-dimensional combination of Indirect Space Effort of gaze and Indirect/Light Effort of hand gesture whereas <Bosal Chum> showed three-dimensional combination of Direct/Strong Space Effort of gaze and Direct/Quick/Light of hand gesture. From the Space point of view: a bodhisattva statue created tetrahedron image of posture and gesture which gives illusion of stability whereas <Bosal Chum> created Cube image of posture and gesture which gives expressional dynamic and forward-looking. From the Spatial Tension point of view: a bodhisattva statue represented feeling of concentration through using Central Tension whereas <Bosal Chum> represented dream-like feeling of four-demensional space through using Periphral Tension. Evaluation of analyzing results of this study, Ch`oe Sung-Hui recreated not only a new theme and variation of body movement through interpretation of image in traditional and oriental antiquities but also she expressed her own cultural identity through new body rhythm and Effort and Spatial form which shows a mercy of Buddhism. In conclusion, choreographic methods of Ch`oe Sung-Hui embodied movement symbolism through crystallization of dynamic movement phrase which bring out image of a bodhisattva statue`s static posture and gesture.

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