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    사진 예술에서의 페르소나적 표현 연구 = Study of expression persona in photograph

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    https://www.riss.kr/link?id=A99795288

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    The aspect of picture that it can be used as a tool to express persona became the main factor which inspires modern artists. On the contrary to early artists in the history of photography who had tried to express the internal of the image from just taking one`s picture and recording it , modern artists cognize that the inner of oneself expressed in photograph has been manipulated. And inversely, by analogizing the outcome those kind of manipulations and directions can bring or by analogizing the motive why those manipulations have been made , they try to explore about relation between photograph and society and relation between photograph and individual. The next five artists that would be introduced try to explore peculiarity of persona in their own way. On this thesis, by examining how property of persona has been used in each artist`s work through various artworks, defines the relationship between photograph and persona and contemplates the role of modern photography. In introduction, verbal contents such as background and necessity of this study and range and method has been mentioned. In main body of the thesis, there are contents of progress and development of portrait photograph, definition of persona and study of photograph expression of persona which is seen through five artists. In conclusion, these processes are estimated and synthesized to propose inspiration for various expression of photography and significance of this study.
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    The aspect of picture that it can be used as a tool to express persona became the main factor which inspires modern artists. On the contrary to early artists in the history of photography who had tried to express the internal of the image from just ta...

    The aspect of picture that it can be used as a tool to express persona became the main factor which inspires modern artists. On the contrary to early artists in the history of photography who had tried to express the internal of the image from just taking one`s picture and recording it , modern artists cognize that the inner of oneself expressed in photograph has been manipulated. And inversely, by analogizing the outcome those kind of manipulations and directions can bring or by analogizing the motive why those manipulations have been made , they try to explore about relation between photograph and society and relation between photograph and individual. The next five artists that would be introduced try to explore peculiarity of persona in their own way. On this thesis, by examining how property of persona has been used in each artist`s work through various artworks, defines the relationship between photograph and persona and contemplates the role of modern photography. In introduction, verbal contents such as background and necessity of this study and range and method has been mentioned. In main body of the thesis, there are contents of progress and development of portrait photograph, definition of persona and study of photograph expression of persona which is seen through five artists. In conclusion, these processes are estimated and synthesized to propose inspiration for various expression of photography and significance of this study.

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    참고문헌 (Reference)

    1 소피 칼, "진실된 이야기" 마음 산책

    2 칼 구스타프 융, "인간과 상징" 열린 책들 2009

    3 캘빈 S. 홀저, "융 심리학 입문" 문예출판사 2004

    4 칼 구스타프 융, "원형과 무의식(Grundwerk C. G. Jung Archetyp und Unbewubtes" 솔출판사 2002

    5 수잔 브라이트, "예술사진의 현재" 월간 사진 출판사 2010

    6 정훈, "아놀드 뉴만(1918.3.3~2006.6.6) 위대한 자취를 쫓아" 2006

    7 이성록, "사회적 인간의 본성" 미디어 숲 2007

    8 Beaumont Newhall, "사진의 역사" 열화당 2009

    9 김석원, "사진, 미술을 초대하다" 아트북스 2007

    10 "http://www.zabriskiegallery.com/Sawada%202003/ID400.htm"

    1 소피 칼, "진실된 이야기" 마음 산책

    2 칼 구스타프 융, "인간과 상징" 열린 책들 2009

    3 캘빈 S. 홀저, "융 심리학 입문" 문예출판사 2004

    4 칼 구스타프 융, "원형과 무의식(Grundwerk C. G. Jung Archetyp und Unbewubtes" 솔출판사 2002

    5 수잔 브라이트, "예술사진의 현재" 월간 사진 출판사 2010

    6 정훈, "아놀드 뉴만(1918.3.3~2006.6.6) 위대한 자취를 쫓아" 2006

    7 이성록, "사회적 인간의 본성" 미디어 숲 2007

    8 Beaumont Newhall, "사진의 역사" 열화당 2009

    9 김석원, "사진, 미술을 초대하다" 아트북스 2007

    10 "http://www.zabriskiegallery.com/Sawada%202003/ID400.htm"

    11 "http://www.luchaloco.com/biography.htm"

    12 "http://www.galerieperrotin.com/artiste-Sophie_Calle-1.html"

    13 "http://www.e-sawa.com/menu/news.htm"

    14 "http://www.artnet.com/magazineus/reviews/davis/davis10-24-06.asp"

    15 "http://100.naver.com/100.nhn?docid=182360"

    16 Yamaguchi, Yumi, "Warriors of Art (Hardcover) (最前線の40人)" Kodansha Amer Inc 2007

    17 "Program of the festiva Centre Pompidou in the State Hermitage Museum"

    18 "Paris as place of birth: "Andre Adolphe Eugene Disderi" at the Getty"

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    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2026 평가 재인증평가 신청대상 (재인증)
    2020-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2017-01-26 학회명변경 한글명 : 예술과 미디어학회 -> 예술과미디어학회 KCI등재
    2017-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2016-10-28 학회명변경 한글명 : 한국영상미디어협회 -> 예술과 미디어학회
    영문명 : Council for Advanced Media & Moving pictures -> The Korean Society of Art and Media
    KCI등재후보
    2016-01-01 등재 등재후보학술지 유지 (계속평가) KCI등재후보
    2015-01-01 등재 등재후보학술지 유지 (계속평가) KCI등재후보
    2013-01-01 등재 등재후보 1차 FAIL (등재후보1차) KCI등재후보
    2012-01-01 등재 등재후보학술지 유지 (기타) KCI등재후보
    2010-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
    2009-07-01 등재 등재후보 탈락 (기타)
    2008-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.25 0.25 0.26
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.23 0.23 0.531 0.04
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