‘한국영화 르네상스’(1997~2006)의 동역학에 대한 연구 = 영화 산업의 ‘하이 모더니즘’과 ‘미적 르네상스’의 탈구를 중심으로

다국어 초록 (Multilingual Abstract)

In this paper I attemt to identify the dynamic of the Korean cinema renaissance(1997~2006). Firstly, it is important to rocognize the Korean cinema renaissance as the complexive cultural phenomenon which is consisted and overdetermined by ‘the industrial renaissance’ and ‘the aesthetic renaissance’. Secondly, I propose the periodization of the contemporary Korean cinema history, which are three phaes that are the period of the depression(1970s~1980s early), the period of the modernization(1980s middle ~ 1990s middle), and the period of the advanced modernizstion(1997~2006). And I analyze the the complexive cultural phenomenon of the Korean cinema renaissance as the dislocation of ‘the industrial renaissance’ and ‘the aesthetic renaissance’. Thirdly, I analze the dynamic of ‘the industrial renaissance’ as the combination of the the high modernism and the financial capital in the film industry. Fourthly, I analyze the dynamic of the the aesthetic renaissance as the discursive transcoding(Michael Ryan) of the late democracy(Dipesh Chackrabarty) in contemporary Korean society. The charateristric of the aesthetic in Korean cinema renaissance are the radical experiment of the film form, the desire which deconstruct the authority as the threating of the power, the proliferation of the rebellious film genre, the creative appropriation of film genre that is the deconstructive rewriting. Those are the transcoding the discursive formation of the Korean society in late democracy. Consequenty the Korean cinem renaissance is the various effect of the constellation, that is driven by the collision between the industrial renaissnce as the finanscape and the aesthetic renaissance as the ideoscape in Korean society.

목차 (Table of Contents)

• 1. 복합적 문화현상으로서 ‘한국영화 르네상스’
• 2. 한국영화산업의 ‘하이 모더니즘’과 〈괴물〉의 탄생
• 3. ‘후기 민주주의’ 시대의 문화 논리와 ‘미적 르네상스’
• 4. 자본과 이념의 탈구 그리고 ‘충무로 메티스’
• 참고문헌
• Abstract