영화연기 고유성 측면에서 바라본 할리우드 메소드 연기의 반작용

다국어 초록 (Multilingual Abstract)

This paper will concentrates on the comparative analysis between ‘Method acting’ and ‘Non-method acting’ in terms of Hollywood film acting style. Hollywood film acting, or screen acting has been considered as a ‘emotional acting’ which was loosely based on so called ‘American Method acting’, which was created by American Film acting teacher Lee Strasberg. Because of his fame and his famous hollywood actors and actresses including Marlon Brando, James Dean and other many method acting Stars. However Lee Strasberg’s so called Method acting has been harshly criticized for its concentration on the ‘inner emotional acting’. In terms of ‘real traditional hollywood film acting’, this paper will also investigate the ‘physical film acting skills’, which can be defined as ‘Non-Method acting’.
In fact, many hollywood traditional film stars did not use Method acting techniques. Even famous directors like John Ford criticized and pointed out the weakness and faults of American Method acting skill. While the Actors Studio became the leading flm acting institute in hollywood in terms of film acting teaching because of Strasberg’s famous film actors, most of traditional film actors like John Wayne or Humphrey Bogart did not trust at all any kinds of ‘Method acting’ but only their own but traditional, unique hollywood ‘physical film acting skills.’ In addition to the evolution of physical hollywood film acting techniques, we will also try to discover true essence of hollywood’s traditional screen acting skillsin this paper. Also this paper will deal with many practical but specific physical film acting skills like ‘Creating Pictures with actors’ bodies’, ‘Standing still in the frame’ and other many practical skills used in Hollywood traditional genre films.
In conclusion, the true aim of this paper is to analysis and investigate the real method of hollywood traditional film acting skills. In fact, nowadays most famous film acting skill and teaching books consist of many ‘physical film acting techniques’.

목차 (Table of Contents)

• 1. 서론
• 2. 할리우드 신체연기술의 변화 : 무언극에서 정교한 제스추어 기술로
• 3. 할리우드 영화연기의 전통 : 장르연기술
• 4. 할리우드 영화연기의 전통적 신체연기술 : 프레임 속 ‘피사체’의 연기술
• 5. 메소드 연기의 제스추어 및 템포 기술 : 즉흥적 충동의 연기술
• 6. 결론 : 신체연기술 중심의 할리우드 영화연기
• 참고서적
• Abstract

참고문헌 (Reference)

1 패트릭 터커, "스크린 연기의 비밀" 시공사 2004

2 마이클 케인, "마이클 케인의 영화수업" 시각과 언어 1994

3 Peter Bogdanovich, "Who the Hell’s in It: Conversations with Hollywood’s Legendary Actors" Ballantine Books 2004

4 Aaron Taylor, "Theorizing Film Acting" Routledge 2012

5 C. Courtney Joyner, "The Westerners: Interviews with Actors, Directors, Writers and Producers" Mcfarland 2009

6 John Fawell, "The Hidden Art of Hollywood: In Defense of the Studio Era Film" Praeger Publisher 2008

7 Karen Hollinger, "The Actress : Hollywood Acting and the Female" Routledge 2006

8 Cynthia Baron, "Sharon Marie Carnicke, Reframing Screen Performance" The University of Michigan Press 2011

9 Leo Verswijver, "Movies Were Always Magical, In Interviews with 19 Actors, Directors, and Producers from the Hollywood of the 1930s through the 1950s" McFarland Company 2003

10 Pamela Robertson Wojcik, "Movie Acting, The Film Reader" Routledge 2004

11 Aissa Wayne, "John Wayne: My Father" Taylor Trade Publishing 1998

12 Randy Roberts, "John Wayne: American" University of Nebraska Press 1997

13 Cathy Haase, "Acting for Film" Allworth Press 2003