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      소통 언어로의 치환, 춤의 탈커뮤니케이션에 관해 - 살풀이춤을 중심으로 = Study on Replacement of Dance with Communication Language and its De-communication - With Salpuri Dance as the Central Figure

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      https://www.riss.kr/link?id=A104680156

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      부가정보

      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      The kernel of this study is coding process of dance and its communication through a dance. I think that communication process of dance as art language is different from other non-verbal messages.
      Communication channel of Korean dance that has continuous vagueness and does not consider techniques important was right inside of human body.
      Dancer’s breath does not mean simple flow of time that tying and untying processes are repeated in, but fight against himself/ herself and outer world. Its communication with wide meaning, not about an individual, was impressive.

      This means de-communication over fixed form of the signifier and the signified by analyzing data about dance.
      Generation of newly-changed code escaped from existing code is an element to play core part on leading dance art to virtual world.
      Dance’s meaning of de-communication was contributing to formation of collective and ideological myth with message of universe and communication that was more than simple mixture of divided meanings consisted of individual moves.
      Nowadays loads of analysises are performed and artistic definitions are established about dance moves. But it was the Salpuri Dance that made me realize what kind of form and artistic ideology the communication with stage, audience, himself/ herself, and world could be sublimated in.
      번역하기

      The kernel of this study is coding process of dance and its communication through a dance. I think that communication process of dance as art language is different from other non-verbal messages. Communication channel of Korean dance that has continuo...

      The kernel of this study is coding process of dance and its communication through a dance. I think that communication process of dance as art language is different from other non-verbal messages.
      Communication channel of Korean dance that has continuous vagueness and does not consider techniques important was right inside of human body.
      Dancer’s breath does not mean simple flow of time that tying and untying processes are repeated in, but fight against himself/ herself and outer world. Its communication with wide meaning, not about an individual, was impressive.

      This means de-communication over fixed form of the signifier and the signified by analyzing data about dance.
      Generation of newly-changed code escaped from existing code is an element to play core part on leading dance art to virtual world.
      Dance’s meaning of de-communication was contributing to formation of collective and ideological myth with message of universe and communication that was more than simple mixture of divided meanings consisted of individual moves.
      Nowadays loads of analysises are performed and artistic definitions are established about dance moves. But it was the Salpuri Dance that made me realize what kind of form and artistic ideology the communication with stage, audience, himself/ herself, and world could be sublimated in.

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      The kernel of this study is coding process of dance and its communication through a dance. I think that communication process of dance as art language is different from other non-verbal messages.
      Communication channel of Korean dance that has continuous vagueness and does not consider techniques important was right inside of human body.
      Dancer’s breath does not mean simple flow of time that tying and untying processes are repeated in, but fight against himself/ herself and outer world. Its communication with wide meaning, not about an individual, was impressive.

      This means de-communication over fixed form of the signifier and the signified by analyzing data about dance.
      Generation of newly-changed code escaped from existing code is an element to play core part on leading dance art to virtual world.
      Dance’s meaning of de-communication was contributing to formation of collective and ideological myth with message of universe and communication that was more than simple mixture of divided meanings consisted of individual moves.
      Nowadays loads of analysises are performed and artistic definitions are established about dance moves. But it was the Salpuri Dance that made me realize what kind of form and artistic ideology the communication with stage, audience, himself/ herself, and world could be sublimated in.
      번역하기

      The kernel of this study is coding process of dance and its communication through a dance. I think that communication process of dance as art language is different from other non-verbal messages. Communication channel of Korean dance that has continu...

      The kernel of this study is coding process of dance and its communication through a dance. I think that communication process of dance as art language is different from other non-verbal messages.
      Communication channel of Korean dance that has continuous vagueness and does not consider techniques important was right inside of human body.
      Dancer’s breath does not mean simple flow of time that tying and untying processes are repeated in, but fight against himself/ herself and outer world. Its communication with wide meaning, not about an individual, was impressive.

      This means de-communication over fixed form of the signifier and the signified by analyzing data about dance.
      Generation of newly-changed code escaped from existing code is an element to play core part on leading dance art to virtual world.
      Dance’s meaning of de-communication was contributing to formation of collective and ideological myth with message of universe and communication that was more than simple mixture of divided meanings consisted of individual moves.
      Nowadays loads of analysises are performed and artistic definitions are established about dance moves. But it was the Salpuri Dance that made me realize what kind of form and artistic ideology the communication with stage, audience, himself/ herself, and world could be sublimated in.

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      참고문헌 (Reference)

      1 J, 메춰, "헤겔미학 입문" 종로서적 1984

      2 이규동, "한을 희석, 표백하려는 정신력동" (50) : 1978

      3 김지원, "한국춤에 빠지다" 한양대학교 출판부 2006

      4 김지원, "춤의 언어적 의미기능에 관한 연구"

      5 김말복, "춤을 통해본 한국적 움직임커뮤니케이션의 특성" 한국무용예술학회 18 (18): 1-28, 2006

      6 김지원, "춤 언어의 소통에 관한 기호학적 해석 연구" 한국기호학회 23 : 331-352, 2008

      7 채희완, "집단연희에 있어서 예술체험으로서의 신명" 호서문화연구소 2 : 1983

      8 M, 뒤프랭, "예술의 세 얼굴" 중앙신서 1979

      9 강여주, "안무가와 무용수 및 관객과의 커뮤니케이션과 의미생성 과정에 관한 연구" 연세대학교 2006

      10 김영순, "신체 언어 커뮤니케이션 기호학" 커뮤니케이션 북스 2001

      1 J, 메춰, "헤겔미학 입문" 종로서적 1984

      2 이규동, "한을 희석, 표백하려는 정신력동" (50) : 1978

      3 김지원, "한국춤에 빠지다" 한양대학교 출판부 2006

      4 김지원, "춤의 언어적 의미기능에 관한 연구"

      5 김말복, "춤을 통해본 한국적 움직임커뮤니케이션의 특성" 한국무용예술학회 18 (18): 1-28, 2006

      6 김지원, "춤 언어의 소통에 관한 기호학적 해석 연구" 한국기호학회 23 : 331-352, 2008

      7 채희완, "집단연희에 있어서 예술체험으로서의 신명" 호서문화연구소 2 : 1983

      8 M, 뒤프랭, "예술의 세 얼굴" 중앙신서 1979

      9 강여주, "안무가와 무용수 및 관객과의 커뮤니케이션과 의미생성 과정에 관한 연구" 연세대학교 2006

      10 김영순, "신체 언어 커뮤니케이션 기호학" 커뮤니케이션 북스 2001

      11 신웅순, "시의 기호학과 그 실제" 문경출판사 2007

      12 유영옥, "상징과 기호의 정치행정론" 학문사 2007

      13 정병호, "살풀이춤의 미적 구조론" 대한민국예술원 21 : 1982

      14 김우룔, "비언어적 커뮤니케이션" 나남출판 2004

      15 김지원, "바르뜨 기호학을 통한 지전춤의 신화적 의미 분석" 한국언어문화학회 (31) : 232-256, 2006

      16 김지원, "무용의 기호현상에 대한 연구" 대한무용학회 52 (52): 69-90, 2007

      17 최경란, "무용예술의 커뮤니케이션에 있어서 춤 언어 개발에 대한 고찰" 이화여자 대학교 1991

      18 장지원, "무용에 있어서 상징의 중요성에 관한 연구" 이화여자대학원 1993

      19 김열규, "맺힘과 풀림으로 이루어지는 우리 춤" 금연재 1982

      20 D, Buck, "The Dance of Life" PARAGON HOUSE 1987

      21 R, Barthes, "Mythologies" Paladin 1973

      22 F, Poyatos, "Man Beyond Words" N.Y. State Univ. 1976

      23 Winfried Nöth, "Handbook of Semiotics" Indiana Univ. Press 1990

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가 재인증평가 신청대상 (재인증)
      2021-01-01 등재 등재학술지 유지 (재인증) KCI등재
      2018-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2008-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
      2007-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2006-01-01 등재 등재후보학술지 유지 (등재후보2차) KCI등재후보
      2005-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2003-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.23 0.23 0.22
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.24 0.29 0.471 0.18
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