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      『만세보』의 〈독자투고란〉과 근대 대중문학의 형성 = 이인직의『혈의 누』와『귀의 성』을 중심으로

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      The goal of this paper is to find the relationship between the readers in early modern era and the modern media. There were lots of readers in Chosun when the modern readers were brought into existence. Since people who were commoners by birth grew up, they had become the readers of novels. However, they were not to be able to read novels themselves, but to be able to listen and understand by professional readers. The readers in Chosun had been revealed themselves before the modern media turned up.
      The newspaper, 〈Manse-bo〉 was very public media. It had published a public attraction, serial novels that was very popular. The newspaper, 〈Manse-bo〉 was where the modern readers were showed. The modern media, for example, newspaper, magazine, and so on, had strategy to lead readers of modern newspapers into temptation. Novels were associated with the policy of the newspaper, 〈Manse-bo〉. The readers had started to read novels in the newspaper, and they had been talking about novels in the newspaper. “Reading readers” had turned “writing reader”.
      By the way 〈Pyunpyungidam; such as 〈readers’ storytelling〉〉 was used to bring newspaper-readers over to 〈Korea daily news〉. At the first place, 〈Pyunpyungidam〉 was where readers summarized old stories and contributed them to the newpaper 〈Korea daily news〉. By the way, since Feb 19th in 1908, they had advertised 〈Pyunpyungidam〉 extensively. Namely all of contributors as readers must write in their names and addresses. They had warned several times if readers had contributed same stories, they would not have publish their stories. It was very important point. It was very first time when a modern concept, copyright was appeared in Chosun.
      At the first time, Modern readers were to imitate the text in the newspaper. The next, they were to talk novels each other. Thereafter they wrote the text again, added to story and wrote the new story. In conclusion, “listening readers” turned to be “reading readers”, and “reading readers” turned to be “writing reader”. It is the modern readers that appeared at modern era, Chosun. Therefore 〈Manse-bo〉 was a very important place where modern readers could have a new birth in Chosun.
      Therefore Lee In-jik’s novels, Tears on Blood and the Sound of Ghost were very first the serial story in a newspaper. At the same time they were very first popular novels. It is very important to describe the mass culture and the popular novels in modern Literature.
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      The goal of this paper is to find the relationship between the readers in early modern era and the modern media. There were lots of readers in Chosun when the modern readers were brought into existence. Since people who were commoners by birth grew up...

      The goal of this paper is to find the relationship between the readers in early modern era and the modern media. There were lots of readers in Chosun when the modern readers were brought into existence. Since people who were commoners by birth grew up, they had become the readers of novels. However, they were not to be able to read novels themselves, but to be able to listen and understand by professional readers. The readers in Chosun had been revealed themselves before the modern media turned up.
      The newspaper, 〈Manse-bo〉 was very public media. It had published a public attraction, serial novels that was very popular. The newspaper, 〈Manse-bo〉 was where the modern readers were showed. The modern media, for example, newspaper, magazine, and so on, had strategy to lead readers of modern newspapers into temptation. Novels were associated with the policy of the newspaper, 〈Manse-bo〉. The readers had started to read novels in the newspaper, and they had been talking about novels in the newspaper. “Reading readers” had turned “writing reader”.
      By the way 〈Pyunpyungidam; such as 〈readers’ storytelling〉〉 was used to bring newspaper-readers over to 〈Korea daily news〉. At the first place, 〈Pyunpyungidam〉 was where readers summarized old stories and contributed them to the newpaper 〈Korea daily news〉. By the way, since Feb 19th in 1908, they had advertised 〈Pyunpyungidam〉 extensively. Namely all of contributors as readers must write in their names and addresses. They had warned several times if readers had contributed same stories, they would not have publish their stories. It was very important point. It was very first time when a modern concept, copyright was appeared in Chosun.
      At the first time, Modern readers were to imitate the text in the newspaper. The next, they were to talk novels each other. Thereafter they wrote the text again, added to story and wrote the new story. In conclusion, “listening readers” turned to be “reading readers”, and “reading readers” turned to be “writing reader”. It is the modern readers that appeared at modern era, Chosun. Therefore 〈Manse-bo〉 was a very important place where modern readers could have a new birth in Chosun.
      Therefore Lee In-jik’s novels, Tears on Blood and the Sound of Ghost were very first the serial story in a newspaper. At the same time they were very first popular novels. It is very important to describe the mass culture and the popular novels in modern Literature.

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      목차 (Table of Contents)

      • 1. 서론- 근대매체와 근대독자
      • 2. 『만세보』의 개화 의지와 대중지향성
      • 3. 『만세보』의 〈독자투고란〉과 한글 독자
      • 4. 신문연재소설과 독자층의 성향
      • 5. 『都新聞』의 경향과 신문연재소설의 시작
      • 1. 서론- 근대매체와 근대독자
      • 2. 『만세보』의 개화 의지와 대중지향성
      • 3. 『만세보』의 〈독자투고란〉과 한글 독자
      • 4. 신문연재소설과 독자층의 성향
      • 5. 『都新聞』의 경향과 신문연재소설의 시작
      • 6. 결론 : 근대 대중문학 독자의 기원
      • 참고문헌
      • [Abstract]
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      참고문헌 (Reference)

      1 大谷森繁, "조선조의 소설독자 연구" 고려대학교 1984

      2 이민희, "조선의 베스트셀러-조선후기 세책업의 발달과 소설의 유행" 프로네시스 2007

      3 田尻浩幸, "이인직 연구" 고려대학교 2000

      4 대중문학연구회, "신문소설이란 무엇인가" 국학자료원 1996

      5 "만세보 한글판"

      6 서순화, "독립신문의 독자투고 연구" 충남대학교 1996

      7 "대한매일신보 한글판"

      8 Fiske, John, "대중문화의 이해" 경문사 2002

      9 대중문학연구회, "대중문학이란 무엇인가" 평민사 1995

      10 천정환, "근대의 책읽기" 푸른 역사 2003

      1 大谷森繁, "조선조의 소설독자 연구" 고려대학교 1984

      2 이민희, "조선의 베스트셀러-조선후기 세책업의 발달과 소설의 유행" 프로네시스 2007

      3 田尻浩幸, "이인직 연구" 고려대학교 2000

      4 대중문학연구회, "신문소설이란 무엇인가" 국학자료원 1996

      5 "만세보 한글판"

      6 서순화, "독립신문의 독자투고 연구" 충남대학교 1996

      7 "대한매일신보 한글판"

      8 Fiske, John, "대중문화의 이해" 경문사 2002

      9 대중문학연구회, "대중문학이란 무엇인가" 평민사 1995

      10 천정환, "근대의 책읽기" 푸른 역사 2003

      11 전은경, "근대 계몽기 문학과 독자의 발견" 역락 2009

      12 김영민, "구한말 일본인 발행 신문과 한국의 근대소설" 한국문학연구학회 1 (1): 7-44, 2006

      13 최기영, "구한말 ≪만세보≫에 관한 일고찰" 한국사연구회 (61) : 301-342, 1988

      14 홍찬기, "개화기 한국사회의 신문독자에 관한 연구" 한국언론정보학회 (7) : 98-117, 1996

      15 山本武利, "近代日本の新聞読者層" 法政大学出版局 1981

      16 杉浦正, "新聞社始" 每日新聞社 1971

      17 전은경, "『대한매일신보』의 <편편기담>과 b>/b>독자’의 출현" 한국현대문학회 (30) : 71-102, 2010

      18 김영민, "「만세보」와 부속국문체 연구" 대동문화연구원 (64) : 415-453, 2008

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      연월일 이력구분 이력상세 등재구분
      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2008-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2006-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2004-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2001-07-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      1999-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.56 0.56 0.56
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.54 0.53 0.99 0.1
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