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    감성의 응용 : 현상학적 체험 공간으로서 “정자”에 나타난 감성의 트랜스액션 = Transaction of Emotion shown in JungJa as Phenomenological Experiential Space

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    https://www.riss.kr/link?id=A100013199

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    The aim of this study lies, by analyzing various transactions shown in “JungJa” through phenomenological experience, in looking into what emotion space which is relating nature and human beings forms, and this study further tries to search what the emotion is which this territory aims to reach through interrelation of “nature-human-space.” Hereupon this study presents three points as fundamental concepts for understanding the emotion of space; firstly sense as a starting point for the body to converse with the world, secondly timing as the integration of perception though merging the senses of “past-present-future”, and thirdly mobility as forming harmonious relation through the repetition of both above mentioned. On the basis of these, the results of the interrelation of emotion shown in JungJa as phenomenological experiential space are as follows. The physical structural space of JungJa as the space relating nature and human beings is multi-perceptional area where various elements of perception of nature or the world co-exist and it is not only the area integrating the perceived senses through the change of time but also the area integrating nature, space, and the human beings` interrelation ofpast-present-future. Furthermore, JungJa exist as the non-physical phenomenological space which carries continuity through mobility. That is, the JungJa is the space relating nature and human beings through “senses”, at the same time it is a microcosm becoming one with nature through the appreciation resulting from the changes of “time”, and the JungJa can be understood, through movement, as the space of topological change converting into nature by becoming part of nature as the object, not as the subjective space. In the JungJa, as a being within the world, the human beings feel various emotion through the entanglement of senses, while the area of space in the JungJa doesn`t remain in physical space, rather it reveals itself as phenomenological space expanding into nature.
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    The aim of this study lies, by analyzing various transactions shown in “JungJa” through phenomenological experience, in looking into what emotion space which is relating nature and human beings forms, and this study further tries to search what th...

    The aim of this study lies, by analyzing various transactions shown in “JungJa” through phenomenological experience, in looking into what emotion space which is relating nature and human beings forms, and this study further tries to search what the emotion is which this territory aims to reach through interrelation of “nature-human-space.” Hereupon this study presents three points as fundamental concepts for understanding the emotion of space; firstly sense as a starting point for the body to converse with the world, secondly timing as the integration of perception though merging the senses of “past-present-future”, and thirdly mobility as forming harmonious relation through the repetition of both above mentioned. On the basis of these, the results of the interrelation of emotion shown in JungJa as phenomenological experiential space are as follows. The physical structural space of JungJa as the space relating nature and human beings is multi-perceptional area where various elements of perception of nature or the world co-exist and it is not only the area integrating the perceived senses through the change of time but also the area integrating nature, space, and the human beings` interrelation ofpast-present-future. Furthermore, JungJa exist as the non-physical phenomenological space which carries continuity through mobility. That is, the JungJa is the space relating nature and human beings through “senses”, at the same time it is a microcosm becoming one with nature through the appreciation resulting from the changes of “time”, and the JungJa can be understood, through movement, as the space of topological change converting into nature by becoming part of nature as the object, not as the subjective space. In the JungJa, as a being within the world, the human beings feel various emotion through the entanglement of senses, while the area of space in the JungJa doesn`t remain in physical space, rather it reveals itself as phenomenological space expanding into nature.

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