RISS 학술연구정보서비스

검색

인기 검색어

    다국어 입력

    http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

    변환된 중국어를 복사하여 사용하시면 됩니다.

    예시)
    • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
    • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
    닫기
    KCI등재

    <사씨남정기>의 인물 형상과 지향 = On the Characters of 'Sassi Namjeong-Gi' and Its Intention

    한글로보기

    https://www.riss.kr/link?id=A101737120

    • 0

      상세조회
    • 0

      다운로드
    서지정보 열기
    • 내보내기
    • 내책장담기
    • 공유하기
      • URL 복사
    • 오류접수
    인용문이 복사되었습니다.

    부가정보

    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Sassi Namjeong-Gi' is said to be a work suggesting the model of domestic novel. The reason why it may be a good example of a fiction concerning affairs of family members is the author shows not only his intention of writing the novel but also how to make readers to consider characters as real human beings to his followers. There are three major characters in this work; A lady from a noble family, called 'Jeongok Sa', the lawful wife of 'Yeonsoo Yoo', the only male character playing major role in this novel, unwilling to be take his responsibility of balancing between the first wife and his vicious concubine, named 'Chaeran Gyo', the third character of those three.
    Jeongok Sa, the virtuous woman as a wife of Yeonsoo Yoo, represents the ideal type of housewife in medieval society. She is well-educated enough to be ready for giving up everything she has for fulfilling her obligation as a noble woman in the most difficult situation she may meet. On ordinary occasion when that kind of situation hardly happens, pretending like her seems pretty easy to ordinary females and this seems one of author's intention to educate ladies in Yi dynasty.
    The vicious concubine, Chaeran Gyo, can be described as a materialist persuading wealth. Apparently, she looked more real human than Jeongok Sa to the ordinary readers lower than noble class in Yi dynasty. However, this is true that she is a woman forced to do like that way by the unseen force of social framework in that era. That is not a personal issue but a public issue. Despite of the fact that social system is to blame, the author tries to hide the real problem of that society by charging her, herself alone. She can be considered as a scapegoat.
    The head of Yoo's family, Yeonsoo Yoo, has a power over his family but he has no ability to mediate between his wife and concubine. He abandons his authority as a leader. He locates himself as an on-looker. We can discover the fact that whether a family's issue is revealed or not is not the matter of ability of the head of that family from his failure as a husband. He is a stereotyped husband which social framework of Yi dynasty makes.
    Through the creation of human style that a society demands, this novel not only suggests the goal of the society, but also it reveals problems of that society. The humble lives of concubines and cruel treats toward 'Seoeul' (children from concubines) are generally accepted in Yi dynasty. The characters in this novel may be created from author's purpose of keeping social status of upper-class by presenting the goal and idea of the society with intentional distortion of the reality. Meanwhile, we may find, from the novel, the intention of the author for his own protection against any possible accusation of his criticizing the problems of social systems by elite class which he belongs to in his society.
    번역하기

    Sassi Namjeong-Gi' is said to be a work suggesting the model of domestic novel. The reason why it may be a good example of a fiction concerning affairs of family members is the author shows not only his intention of writing the novel but also how to m...

    Sassi Namjeong-Gi' is said to be a work suggesting the model of domestic novel. The reason why it may be a good example of a fiction concerning affairs of family members is the author shows not only his intention of writing the novel but also how to make readers to consider characters as real human beings to his followers. There are three major characters in this work; A lady from a noble family, called 'Jeongok Sa', the lawful wife of 'Yeonsoo Yoo', the only male character playing major role in this novel, unwilling to be take his responsibility of balancing between the first wife and his vicious concubine, named 'Chaeran Gyo', the third character of those three.
    Jeongok Sa, the virtuous woman as a wife of Yeonsoo Yoo, represents the ideal type of housewife in medieval society. She is well-educated enough to be ready for giving up everything she has for fulfilling her obligation as a noble woman in the most difficult situation she may meet. On ordinary occasion when that kind of situation hardly happens, pretending like her seems pretty easy to ordinary females and this seems one of author's intention to educate ladies in Yi dynasty.
    The vicious concubine, Chaeran Gyo, can be described as a materialist persuading wealth. Apparently, she looked more real human than Jeongok Sa to the ordinary readers lower than noble class in Yi dynasty. However, this is true that she is a woman forced to do like that way by the unseen force of social framework in that era. That is not a personal issue but a public issue. Despite of the fact that social system is to blame, the author tries to hide the real problem of that society by charging her, herself alone. She can be considered as a scapegoat.
    The head of Yoo's family, Yeonsoo Yoo, has a power over his family but he has no ability to mediate between his wife and concubine. He abandons his authority as a leader. He locates himself as an on-looker. We can discover the fact that whether a family's issue is revealed or not is not the matter of ability of the head of that family from his failure as a husband. He is a stereotyped husband which social framework of Yi dynasty makes.
    Through the creation of human style that a society demands, this novel not only suggests the goal of the society, but also it reveals problems of that society. The humble lives of concubines and cruel treats toward 'Seoeul' (children from concubines) are generally accepted in Yi dynasty. The characters in this novel may be created from author's purpose of keeping social status of upper-class by presenting the goal and idea of the society with intentional distortion of the reality. Meanwhile, we may find, from the novel, the intention of the author for his own protection against any possible accusation of his criticizing the problems of social systems by elite class which he belongs to in his society.

    더보기

    목차 (Table of Contents)

    • 1. 머리말
    • 2. 새로운 인물형 탄생과 양상
    • 1) 사정옥형 인물의 고정성과 상
    • 2) 교채란형 인물의 의지와 삶
    • 3) 유연수형 인물의 유형성
    • 1. 머리말
    • 2. 새로운 인물형 탄생과 양상
    • 1) 사정옥형 인물의 고정성과 상
    • 2) 교채란형 인물의 의지와 삶
    • 3) 유연수형 인물의 유형성
    • 3. 인물 형상화의 방식과 지향
    • 참고문헌
    • 영문초록
    더보기

    참고문헌 (Reference)

    1 이성권, "한국 가정소설사 연구" 국학자료원 1998

    2 조혜란, "옛 여인들 이야기" 박이정 1998

    3 김현양, "소설시대를 열어간 중세 지성" 한국고전문학작가론 소명출판 2003

    4 김병국, "서포 김만중의 생애와 문학" 서울대학교출판부 2001

    5 김부식, "삼국사기" 동서문화사 1976

    6 이금희, "사씨남정기의 주제와 사상 in: 서포 김만중의 문학과 사상" 중앙인문사 2005

    7 박일용, "사씨남정기의 이념과 미학" 한국고소설학회 6 : 1998

    8 사재동, "사씨남정기의 몇 가지 문제 in: 한국고전소설론" 새문사 1990

    9 곽정식, "사씨남정기의 구조와 의미" 한국고소설학회 1 : 1995

    10 소재영, "사씨남정기의 구조론 in: 김만중연구" 새문사 1983

    1 이성권, "한국 가정소설사 연구" 국학자료원 1998

    2 조혜란, "옛 여인들 이야기" 박이정 1998

    3 김현양, "소설시대를 열어간 중세 지성" 한국고전문학작가론 소명출판 2003

    4 김병국, "서포 김만중의 생애와 문학" 서울대학교출판부 2001

    5 김부식, "삼국사기" 동서문화사 1976

    6 이금희, "사씨남정기의 주제와 사상 in: 서포 김만중의 문학과 사상" 중앙인문사 2005

    7 박일용, "사씨남정기의 이념과 미학" 한국고소설학회 6 : 1998

    8 사재동, "사씨남정기의 몇 가지 문제 in: 한국고전소설론" 새문사 1990

    9 곽정식, "사씨남정기의 구조와 의미" 한국고소설학회 1 : 1995

    10 소재영, "사씨남정기의 구조론 in: 김만중연구" 새문사 1983

    11 신동욱, "사씨남정기와 삶의 건전성의 논리 in: 김만중연구" 새문사 1983

    12 이금희, "사씨남정기연구" 반도출판사 1991

    13 오출세, "사씨남정기에 반영된 고유사상 in: 서포 김만중의 문학과 사상" 중앙인문사 2005

    14 우쾌재, "사씨남정기에 나타난 작가의식 고찰 in: 서포김만중의 문학과 사상" 중앙인문사 2005

    15 우쾌재, "사씨남정기 in: 고전소설연구" 일지사 1993

    16 정출헌, "고전소설사의 구도와 시각" 소명출판 1999

    17 이승복, "고전소설과 가문의식" 월인 2000

    18 최시한, "가정소설연구" 민음사 1993

    19 이원수, "가정소설 작품세계의 시대적 변모" 경남대학교출판부 1997

    20 양승민, "<金甁梅>를 통해 본 <謝氏南征記>" 한국고소설학회 13 (13): 4-112, 2002

    더보기

    동일학술지(권/호) 다른 논문

    동일학술지 더보기

    더보기

    분석정보

    View

    상세정보조회

    0

    Usage

    원문다운로드

    0

    대출신청

    0

    복사신청

    0

    EDDS신청

    0

    동일 주제 내 활용도 TOP

    더보기

    주제

    연도별 연구동향

    연도별 활용동향

    연관논문

    연구자 네트워크맵

    공동연구자 (7)

    유사연구자 (20) 활용도상위20명

    인용정보 인용지수 설명보기

    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2028 평가 재인증평가 신청대상 (재인증)
    2022-01-01 등재 등재학술지 유지 (재인증) KCI등재
    2019-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2016-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2015-12-01 등재 등재후보로 하락 (기타) KCI등재후보
    2011-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2009-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2007-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2005-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2002-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    1999-07-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
    더보기

    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.31 0.31 0.28
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.3 0.32 0.556 0.11
    더보기

    이 자료와 함께 이용한 RISS 자료

    나만을 위한 추천자료

    해외이동버튼