이광수의 장편소설에 나타난 계몽의식과 작가적 욕망의 문제 = The author's desire in L ee Kwang Soo' novels

다국어 초록 (Multilingual Abstract)

Lee kwang Soo had keep his passion for writing the novels, although he had said himself that he was not a writer. His novels show repeatedly the subject of a corruption of real society and its moral rebirth, based on the opposing structure of goodness and badness which divides into two parts of morally ideal society and corrupt real society. In Lee Kwang Soo' novels, the corrupt real society is a dark mirror of narcissism reflecting his desire for his moral self-justification. Lee Kwang Soo would want not only the readers which must enlighten by his moral ideas, but also the readers which recognize his own narcissist image of moral purity of his enlightenment ideas that had been capturing his consciousness through his whole life.
In Lee Kwang Soo' novels, there are many characters that assert a sacrifice for the nation and mankind, or identify themselves with the holy man such as Jesus and Buddha. It deeply connects his anxiety of self-identity and a sense of inferiority. Then we find a scrubby man to be troubled with heavy moral complex through his life, in an outer cover of moral rigorism of his novels.

목차 (Table of Contents)

• 1. 서론
• 2. 도덕적 명분으로서의 사랑
• 3. 감정의 과잉과 서사적 리얼리티의 부재
• 4. 욕망의 리얼리티와 관념의 리얼리티
• 5. 계몽의 실패
• 6. 도덕적 이상으로서의 근대
• 7. 결론
• 참고문헌
• Abstract

참고문헌 (Reference)

1 앤서니 기든스, "현대사회의 성·사랑·에로티시즘" 새물결 2003

2 최주한, "제국 권력에의 야망과 반감 사이에서" 소명출판사 2005

3 "이광수전집" 삼중당 1972

4 김윤식, "이광수와 그의 시대 1-2" 솔출판사 1999

5 이형진, "이광수 소설의 ‘유혹’과 ‘초월’" 2007

6 김붕구, "신문학 초기의 계몽사상과 근대적 자아, 한국인과 문학사상" 일조각 1964

7 서영채, "사랑의 문법" 만음사 2004

8 김성기, "모더니티란 무엇인가" 민음사 1994

9 재크린 살스비, "낭만적 사랑과 사회" 민음사

10 Peter Brooks, "The Melodramatic Imagination" Columbia University Press 1984

11 Niklas Luhmann, "Love as Passion" Harvard Univ. Press 1986

12 윤홍로, "20세기 한국소설연구" 국학자료원 2002