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    RISS 인기검색어

      KCI등재후보

      일제강점기 비평가들의 민요인식

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      https://www.riss.kr/link?id=A76361928

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

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      한국어
      The subject of fusions between traditional music and western music was prominent under Japan's colonial rule 1910-1945, among which the acutest controversies were in Korean traditional folk songs. The music critics such as Kim guan, An giyeong, Gu wangsham, etc. recognized that Korean traditional music including folk songs were old-fashioned, so the new fusions with western music were necessary for new Korean contemporary music. Accordingly the harmony of pentatonic scale or an accompaniment by western musical instruments was mainly argued.
      These controversies were very important in modern point in that they are not cleared till now. However, these controversies proceeded from the overbalance of western music compared with Korean traditional music, so they were the aspects of Korean traditional music under the hegemony of western music.
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      The subject of fusions between traditional music and western music was prominent under Japan's colonial rule 1910-1945, among which the acutest controversies were in Korean traditional folk songs. The music critics such as Kim guan, An giyeong, Gu wan...

      The subject of fusions between traditional music and western music was prominent under Japan's colonial rule 1910-1945, among which the acutest controversies were in Korean traditional folk songs. The music critics such as Kim guan, An giyeong, Gu wangsham, etc. recognized that Korean traditional music including folk songs were old-fashioned, so the new fusions with western music were necessary for new Korean contemporary music. Accordingly the harmony of pentatonic scale or an accompaniment by western musical instruments was mainly argued.
      These controversies were very important in modern point in that they are not cleared till now. However, these controversies proceeded from the overbalance of western music compared with Korean traditional music, so they were the aspects of Korean traditional music under the hegemony of western music.

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      목차 (Table of Contents)

      • Ⅰ. 서론
      • Ⅱ. 전통음악과 서양음악의 융합에 관한 비평가들의 견해
      • Ⅲ. 일제강점기 비평가들의 민요 논쟁
      • Ⅳ. 결론
      • 참고문헌
      • Ⅰ. 서론
      • Ⅱ. 전통음악과 서양음악의 융합에 관한 비평가들의 견해
      • Ⅲ. 일제강점기 비평가들의 민요 논쟁
      • Ⅳ. 결론
      • 참고문헌
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