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    岸曙와 素月의 한시 번역과 창작시의 율격 = An Essay on characteristic of syllabic meter in poetry translation of Kim-euk and Kim-sowol

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    https://www.riss.kr/link?id=A76172717

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    The versification rules of Tang Poetry influenced overwhelmingly over East Asian poets as the standard of poem since Tang age. In spite of strictness of these rules, Tang Poetry was accepted as the influential aesthetic form. Poets must have learn the Chinese character with a characteristic of ideograph and a tone of voice, and very complicated versification rules.
    This experience of accepting the prominent position of Tang poetry had wide-ranging effect on recognition of the poetry. In result, modern korean poet in 1910's who wrote a fixed form poetry got a potential reason of accepting the syllabic metric system.
    In this paper I compared the translated Tang poetry of Kim-Euk and Kim-Sowol to their lyric poetry. With the consequence that I found some remarkable idiosyncrasy in their versification method.
    In the case of Kim-Euk's poetry, he had positively accepted the formal characteristics of Tang poetry in his poetry writing and had increasingly lost the tension and personality of his lyric poetry. In Kim-Sowol's poety some case was found that he lost the tension of his poetic language while he strictly observe the syllabic rules in his traslated Tang poetry.
    And some differences was found in their later poetry. Kim-Euk had maintained a optimistic view of syllabic system, and finally published 먼동틀제 at dawn, an epic poem written on fixed form method. Kim-Sowol had shown the weakened inclination of fixed syllabic poem over his early day's poetry.
    It is not easy to find the clear relation between Tang poetry and modern poetry. But it is possible that the form of Tang poetry influenced as the formal boundary of poetry verification to korean modern poets. Especially those two poets who have important position in formative period of ballad poem in 1920's fixed syllabic system, had been influenced quitely.
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    The versification rules of Tang Poetry influenced overwhelmingly over East Asian poets as the standard of poem since Tang age. In spite of strictness of these rules, Tang Poetry was accepted as the influential aesthetic form. Poets must have learn the...

    The versification rules of Tang Poetry influenced overwhelmingly over East Asian poets as the standard of poem since Tang age. In spite of strictness of these rules, Tang Poetry was accepted as the influential aesthetic form. Poets must have learn the Chinese character with a characteristic of ideograph and a tone of voice, and very complicated versification rules.
    This experience of accepting the prominent position of Tang poetry had wide-ranging effect on recognition of the poetry. In result, modern korean poet in 1910's who wrote a fixed form poetry got a potential reason of accepting the syllabic metric system.
    In this paper I compared the translated Tang poetry of Kim-Euk and Kim-Sowol to their lyric poetry. With the consequence that I found some remarkable idiosyncrasy in their versification method.
    In the case of Kim-Euk's poetry, he had positively accepted the formal characteristics of Tang poetry in his poetry writing and had increasingly lost the tension and personality of his lyric poetry. In Kim-Sowol's poety some case was found that he lost the tension of his poetic language while he strictly observe the syllabic rules in his traslated Tang poetry.
    And some differences was found in their later poetry. Kim-Euk had maintained a optimistic view of syllabic system, and finally published 먼동틀제 at dawn, an epic poem written on fixed form method. Kim-Sowol had shown the weakened inclination of fixed syllabic poem over his early day's poetry.
    It is not easy to find the clear relation between Tang poetry and modern poetry. But it is possible that the form of Tang poetry influenced as the formal boundary of poetry verification to korean modern poets. Especially those two poets who have important position in formative period of ballad poem in 1920's fixed syllabic system, had been influenced quitely.

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    목차 (Table of Contents)

    • 1. 한시의 시형식과 현대시
    • 2. 안서 김억의 경우
    • 3. 김소월의 경우
    • 4. 결론
    • 참고문헌
    • 1. 한시의 시형식과 현대시
    • 2. 안서 김억의 경우
    • 3. 김소월의 경우
    • 4. 결론
    • 참고문헌
    • Abstract
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    참고문헌 (Reference)

    1 "한시의 율격에 대한 민족어시의 대응" (33) : 1998

    2 "한시 양식의 소통성과 그 양상" 37 : 2001.8

    3 "평민 漢詩의 작자층에 대하여" 1989

    4 "조선심을 배경삼아" ?동아일보? 1924

    5 "전통문화의 지속과 단절이 갖는 문학사적 의미" 단국한문학회 12 : 1994

    6 "오일도,조지훈,김종길의 한시와 현대시 상관성 비교연구" 2000

    7 "시와 시인들" 민음사 1997

    8 "시단의 일년" ?동아일보? 1925

    9 "근대 이전의 한시 학습 방식에 관하여: 古風 제작과 抄集 選集의 이용" 어문연구학회 (115) : 2002

    10 "격조(格調)와 신운(神韻)" (151) : 2002

    1 "한시의 율격에 대한 민족어시의 대응" (33) : 1998

    2 "한시 양식의 소통성과 그 양상" 37 : 2001.8

    3 "평민 漢詩의 작자층에 대하여" 1989

    4 "조선심을 배경삼아" ?동아일보? 1924

    5 "전통문화의 지속과 단절이 갖는 문학사적 의미" 단국한문학회 12 : 1994

    6 "오일도,조지훈,김종길의 한시와 현대시 상관성 비교연구" 2000

    7 "시와 시인들" 민음사 1997

    8 "시단의 일년" ?동아일보? 1925

    9 "근대 이전의 한시 학습 방식에 관하여: 古風 제작과 抄集 選集의 이용" 어문연구학회 (115) : 2002

    10 "격조(格調)와 신운(神韻)" (151) : 2002

    11 "개화기 한문학의 변이양상" 1985

    12 "詩形의 音律과 呼吸" 1919

    13 "素月의 리듬意識" 1988

    14 "?한국고전문학비평의 이해?" 120-121, 1991

    15 "<朝鮮詩形에 關하야>를 듯고서" ?조선일보? 1928.10

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    학술지 이력

    학술지 이력
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    2025 평가 재인증평가 신청대상 (재인증)
    2022-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2021-12-01 등재 등재후보로 하락 (재인증) KCI등재후보
    2018-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2015-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2011-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2009-01-01 등재 등재학술지 유지 (등재유지) KCI등재
    2006-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2005-05-26 학술지등록 한글명 : 한국시학연구
    외국어명 : The Korean Poetics Studies
    KCI등재후보
    2005-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
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    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.67 0.67 0.74
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.74 0.71 1.366 0.11
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