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    이강백의 희곡 <영월행 일기>에 대한 시학적 접근 - 존재와 역사의 모순적 성향을 중심으로 - = Poetic Approach to < A Diary of Journey to Youngwoel > a drama written by Lee Kang-baek - Focusing on the Contradictoriness of the existence and history.

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    < A Diary of Journey to Youngwoel >, a drama written by Lee Kang-baek is based on virtual classics ≪ A Diary of Journey to Youngwoel ≫ as a material and presents the ontologic issues of political society and people. In oder to express various and complex issues effectively in the form of a drama that is unable to transcend the limitations of time, space and characters, Lee Kang-baek seemed to have deeply been interested in textual characteristics, especially, poetic features. Poetics used in the drama, such as metaphor, metonymy, symbol, and irony, are operated as effective ones to show the human image and world picture both in the past and at present, which occur in the 500 year distance, in various aspects. < A Diary of Journey to Youngwoel > is within the large frame of both the same and difference of the past and present, going over between the two. The same refers to something unchanging and universal in the world, though time flies, whereas the difference presents something evolving and changing. For example, something invisible and spiritual-human obsessive desire for power (the past) and materials (the present), and the consequent anxiety, freedom of the existence, pursuit of happiness, and impossibility of realization of such things-transcends time and space, remaining in the human society. On the contrary, visible and physical world, which is replaced into a monitoring system through metonymy, changes enormously owing to the development of science and civilization. That serves as a role to oppress the human dignity and freedom more precisely and quickly. In the respect, the drama involves the emptiness of advancement. In other words, < A Diary of Journey to Youngwoel > is a dramatic discourse upon the contradiction of the existence and history. In particular, the author tries to show the value recognition of both the existence and freedom in a dramatic discussion. That features dilemma in the point that the two are unforgivable values for people. Just as people don`t normally understand that their desperate pursuit of freedom as a true condition of life results in the worst death, it is hard to understand the thinking of a wife who is willing to become a servant of her husband, pursuing safe life rather than freedom in the modern society. Nevertheless, such a dilemma could and can always remain both in the past and at present in people`s life. Therefore, it means that human mind is hardly understandable so that it originally holds contradiction. < A Diary of Journey to Youngwoel > shows the issue through the dramatic comparison and contrast of a historic material and present circumstances in a discussion. Therefore, this drama is aimed at reflecting human existence and the truth of life by allowing readers to recognize the present through the past and vice versa.
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    < A Diary of Journey to Youngwoel >, a drama written by Lee Kang-baek is based on virtual classics ≪ A Diary of Journey to Youngwoel ≫ as a material and presents the ontologic issues of political society and people. In oder to express variou...

    < A Diary of Journey to Youngwoel >, a drama written by Lee Kang-baek is based on virtual classics ≪ A Diary of Journey to Youngwoel ≫ as a material and presents the ontologic issues of political society and people. In oder to express various and complex issues effectively in the form of a drama that is unable to transcend the limitations of time, space and characters, Lee Kang-baek seemed to have deeply been interested in textual characteristics, especially, poetic features. Poetics used in the drama, such as metaphor, metonymy, symbol, and irony, are operated as effective ones to show the human image and world picture both in the past and at present, which occur in the 500 year distance, in various aspects. < A Diary of Journey to Youngwoel > is within the large frame of both the same and difference of the past and present, going over between the two. The same refers to something unchanging and universal in the world, though time flies, whereas the difference presents something evolving and changing. For example, something invisible and spiritual-human obsessive desire for power (the past) and materials (the present), and the consequent anxiety, freedom of the existence, pursuit of happiness, and impossibility of realization of such things-transcends time and space, remaining in the human society. On the contrary, visible and physical world, which is replaced into a monitoring system through metonymy, changes enormously owing to the development of science and civilization. That serves as a role to oppress the human dignity and freedom more precisely and quickly. In the respect, the drama involves the emptiness of advancement. In other words, < A Diary of Journey to Youngwoel > is a dramatic discourse upon the contradiction of the existence and history. In particular, the author tries to show the value recognition of both the existence and freedom in a dramatic discussion. That features dilemma in the point that the two are unforgivable values for people. Just as people don`t normally understand that their desperate pursuit of freedom as a true condition of life results in the worst death, it is hard to understand the thinking of a wife who is willing to become a servant of her husband, pursuing safe life rather than freedom in the modern society. Nevertheless, such a dilemma could and can always remain both in the past and at present in people`s life. Therefore, it means that human mind is hardly understandable so that it originally holds contradiction. < A Diary of Journey to Youngwoel > shows the issue through the dramatic comparison and contrast of a historic material and present circumstances in a discussion. Therefore, this drama is aimed at reflecting human existence and the truth of life by allowing readers to recognize the present through the past and vice versa.

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    참고문헌 (Reference)

    1 이상호, "희곡원론" 도서출판 둥지 1993

    2 한국연극평론가협회, "한국현역극작가론" 예니 1987

    3 미셸 리우르, "프랑스 희곡사" 신아사 1992

    4 김성희, "이강백의 희곡세계와 연극미학" 한국극예술학회 7 : 1997

    5 이영미, "이강백의 한국연극사적 위치와 작품 세계, In <다섯>에서 <느낌…>으로" 예술의전당 1998

    6 김미도, "이강백의 ‘문학성’과 ‘연극성’ 연구" 한국연극학회 11 : 1998

    7 이강백, "이강백 희곡전집 6" 평민사 1999

    8 백현미, "이강백 희곡의 반복 구조와 반복의 철학" 한국극예술학회 9 : 1999

    9 이상우, "이강백 희곡의 극작세계와 <봄날>, In 연극 속의 세상 읽기" 내일을 여는 책 1995

    10 정우숙, "이강백 희곡 <물거품> 고찰" 태동 2 : 1992

    1 이상호, "희곡원론" 도서출판 둥지 1993

    2 한국연극평론가협회, "한국현역극작가론" 예니 1987

    3 미셸 리우르, "프랑스 희곡사" 신아사 1992

    4 김성희, "이강백의 희곡세계와 연극미학" 한국극예술학회 7 : 1997

    5 이영미, "이강백의 한국연극사적 위치와 작품 세계, In <다섯>에서 <느낌…>으로" 예술의전당 1998

    6 김미도, "이강백의 ‘문학성’과 ‘연극성’ 연구" 한국연극학회 11 : 1998

    7 이강백, "이강백 희곡전집 6" 평민사 1999

    8 백현미, "이강백 희곡의 반복 구조와 반복의 철학" 한국극예술학회 9 : 1999

    9 이상우, "이강백 희곡의 극작세계와 <봄날>, In 연극 속의 세상 읽기" 내일을 여는 책 1995

    10 정우숙, "이강백 희곡 <물거품> 고찰" 태동 2 : 1992

    11 이영미, "이강백 연구" 한국공연예술종합학교 한국예술연구소 1995

    12 김남석, "이강백" 연극과인간 2010

    13 이상호, "영월행 일기의 이항대립성과 그 의미" 한양대학교 미래문화연구소 (5) : 2012

    14 질 지라르, "연극이란 무엇인가" 고려원 1991

    15 볼프강 카이저, "언어예술작품론" 대방출판사 1982

    16 아리스토텔레스, "시학" 문예출판사 1992

    17 레이먼드 W. 깁스, "마음의 시학" 한국문화사 2003

    18 마틴 에슬린, "드라머의 해부" 청하 1987

    19 외젠느 이오네스코, "노트와 반노트" 동문선 1992

    20 Tennyson, G. B., "An Introduction to Drama" Holt, Rinehart Winston, Inc 1967

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    2021-01-01 등재 등재학술지 유지 (재인증) KCI등재
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    2007-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
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