This study aims to analyze `Yongsansamgaedeolmeorigip` through LMA(Laban Movement Analysis). To examine the performance, this paper consists of 6 chapters; Body, Effort, Shape, and Space are important instruments in studying the meanings of it. With e...
This study aims to analyze `Yongsansamgaedeolmeorigip` through LMA(Laban Movement Analysis). To examine the performance, this paper consists of 6 chapters; Body, Effort, Shape, and Space are important instruments in studying the meanings of it. With each scene having conflict or interaction, it makes the climax and comes to its very end. The scene of seduction in the 2nd and 4th chapter employs Proximal Initiation and main movement applied in Rotation shows the voluptuous beauty of woman. Drive is emphasized, by combining Vision Drive with Rotation: use of Passion Drive and immersion of woman`s voluptuous charms makes an easier access to the 5th chapter. Connection structure of Initiation and Simultaneous, Crosslateral pattern of body, and combination of Action Drive lead into the climax. The union of Shaping(Gathering) and Passion Drive represented in the scene of taking off red-colored hansam, a symbol of Yongsansamgaedeolmeorigip, is not as appealing as the early parts. To get a maximal expression, I try to make up the established dance system through Vision Drive Effort and Spoke-like Directional.