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    소설과 영화의 이야기 소통 = Mutual understanding of Story in the Novel and the Film

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    https://www.riss.kr/link?id=A45035916

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    The film is introducing a new story. In order to view all the perspectives of the story, we should open to other people's points of view, and be willing to listen and exchange ideas. This process is called a communication. From the viewing standpoint, an alternative reading of the film and novel. Although novelists are still trying to learn exactly why novels need a story, film studies show that a story is necessary for reciprocal cooperation of novel and film. Without a story, novels may become restricted to a subject matter. In a theory, there is a difference between the story of film and the story of novel, but practically both are one and the same. Film, 「The Chukje(축제)」 and Lee, Cheongjun's 「The Chukje」 accept each other.
    A person views a film and a novel with knowledge of the world and a narrative of personal experiences. In the film, to attract and impress spectators, directors use techniques to enhance their credibility, coming across as more susceptive of than they really are and making their stories seen comprehensive and complete. In the novel, all stories must be a certain the original form.
    「The Chukje」 and 「The Chukje」have made almost simultaneously. The with each other story is mixed consequently and naturally, with each other it means that has become the cause which is important provides the subject matter of story. The communication of two people became accomplished continuously.
    Recently Korean films have been international as well as domestic interest. In the light of this fact, stories of films and novels are everywhere.
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    The film is introducing a new story. In order to view all the perspectives of the story, we should open to other people's points of view, and be willing to listen and exchange ideas. This process is called a communication. From the viewing standpoint,...

    The film is introducing a new story. In order to view all the perspectives of the story, we should open to other people's points of view, and be willing to listen and exchange ideas. This process is called a communication. From the viewing standpoint, an alternative reading of the film and novel. Although novelists are still trying to learn exactly why novels need a story, film studies show that a story is necessary for reciprocal cooperation of novel and film. Without a story, novels may become restricted to a subject matter. In a theory, there is a difference between the story of film and the story of novel, but practically both are one and the same. Film, 「The Chukje(축제)」 and Lee, Cheongjun's 「The Chukje」 accept each other.
    A person views a film and a novel with knowledge of the world and a narrative of personal experiences. In the film, to attract and impress spectators, directors use techniques to enhance their credibility, coming across as more susceptive of than they really are and making their stories seen comprehensive and complete. In the novel, all stories must be a certain the original form.
    「The Chukje」 and 「The Chukje」have made almost simultaneously. The with each other story is mixed consequently and naturally, with each other it means that has become the cause which is important provides the subject matter of story. The communication of two people became accomplished continuously.
    Recently Korean films have been international as well as domestic interest. In the light of this fact, stories of films and novels are everywhere.

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    참고문헌 (Reference)

    1 "이야기하기의 이론" 2001

    2 Faulstich, Werner, "영화의 분석" 미진사 2003

    3 "영화와 회화" 2003

    4 송지연,프랑시스 바누아, "영화와 문학의 서술학" 2003

    5 Paech, "영화와 문학에 대하여" 1997

    6 로버트 리처드슨,이형식, "영화와 문학" 2000

    7 Joseph Boggs, "영화보기와 영화읽기" 제3문학사 1991

    8 Mckee, Robert, "시나리오 어떻게 쓸 것인가" 황금가지 2002

    9 "문학작품의 영화로의 전환방식 35집" 2001

    10 "메타픽션적 영화소설:현대소설의 유형" 1997

    1 "이야기하기의 이론" 2001

    2 Faulstich, Werner, "영화의 분석" 미진사 2003

    3 "영화와 회화" 2003

    4 송지연,프랑시스 바누아, "영화와 문학의 서술학" 2003

    5 Paech, "영화와 문학에 대하여" 1997

    6 로버트 리처드슨,이형식, "영화와 문학" 2000

    7 Joseph Boggs, "영화보기와 영화읽기" 제3문학사 1991

    8 Mckee, Robert, "시나리오 어떻게 쓸 것인가" 황금가지 2002

    9 "문학작품의 영화로의 전환방식 35집" 2001

    10 "메타픽션적 영화소설:현대소설의 유형" 1997

    11 "말글그림:영상문화와 기호학" 2000

    12 "돌, 나무, 강물의 시간:현대문학" 2003

    13 이청준, "그와의 한 시대는 그래도 아름다웠다" 현대문학 2003

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