춘앵전과 무산향의 미적 특성

다국어 초록 (Multilingual Abstract)

Now I`d like to summerize the points of my argument as below : Through insighting various aspects, I come to conclude that, abovementioned two out-standing solo-dancings, `Chun-ang-jeon` and `Musan-hyang`, seem to be similar, in the point of their framwork of story, to other `Jung-jae`s(it means traditional Korean dancings that were created by the same author, maybe Prince Hyo-myungs) in the late of Yi-dynasty. But in their real contents, they have not only many differences but their own characteristics from each other. First in view of their dancing-motions; `Chun-ang-jeon` shows such static Techniques as `I-su-ko-je`, `Su-su-mu`, `Bi-rl`, and `hoe-du` ; while `Mu-san-hyang` reveals such dynamic skills as `Hoe-sun`, `Jyun-hwan`, `Dasu`, `Su-shin-yeo-hap-jerl-i-i-mu`, and `Byun-su`. Secondly, in view of their framework of story : through both works are composed of the general forms of a framework-namely, Starting, Development, Climax, and Ending. But `MTu-san hyang`, has much more stronger impression through using the repetition-technique of returning the Climax once again on the point of Ending part. Thirdly, in view of their using space ; `Chun-ang-jeon` has the beauty of symmetry that may be focussed on the `point`. On the other hand, `Mu-san-hyang` ahs the beauty of respective stream of circle that may be focused on the `line` and `circle`. Morever, though are performed in restrictive space such as on `Hwa-mun-seok` or `Dae-moo ban`, `Chun-and=jeon shows the inddor, static, and tranquil feeling : yet `Mu-san-hyang` reveals the outdoor, dynamic, and stung felling resulted from being performed such places as pavilion and side-flcxr of the Korean traditional house. Briefly speaking, `Chun-ang-jeon` has plani-effect ad static impression, but `:Iu-san-hyartg` reveals cubic-effeca and dynanuc impression, resulted from their own space limitations. There a big musical difference between YUCHOSINZIGOGO of CHUNANGZON and HYANGDANGGYOJU of MUSANHYANG, KOANAKYONGSANHOISANG which give strong feeling orchestrally in the music marching to the dances. The Characteristic of the two dances shows the contrast of strong and tender feeling of the colorific costumes, too. Thus each dance-CHUNANGZON and MUSANHYANG-has contrastive beauty as bright and dark, strong and wead in structural and spatial aspects, the stylings of the dances, costumes, dancing tools and music etc.