RISS 학술연구정보서비스

검색

인기 검색어

    다국어 입력

    http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

    변환된 중국어를 복사하여 사용하시면 됩니다.

    예시)
    • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
    • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
    닫기

    피아노 연주시 부정적인 긴장의 해소에 관한 연구 = A Study on the Relief of Improper Tension in Piano Performing

    한글로보기

    https://www.riss.kr/link?id=A3079433

    • 0

      상세조회
    • 0

      다운로드
    서지정보 열기
    • 내보내기
    • 내책장담기
    • 공유하기
    • 오류접수
    인용문이 복사되었습니다.

    부가정보

    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Tension -physical and mental- is of course part of the human condition. Especially performing in front of audience produces stress, greater or less, on the part of players whether the player is the maestro or young student. Since music is an art in time, which cannot be corrected once it is produced, the player is always under stress and pressure with anxiety about what might be happen during the performance. Especially, pianists who play from memory feel a great stress and pressure, sometimes even a stage-fear. These stress and pressure give rises to mental and physical tensions. If the tension reaches to a serious point, it causes physical problem so called muscular problem.
    The physical problem will prevent the player from expressing his/her thoughts freely. Therefore, it will influence badly on physical relaxation and control. Consequently this will result in failure of performance unless the player removes these improper tensions and physical problem. Tensions, however, does not always have negative effects on playing. It enhances creativity and brings enthusiasm to the performance. Proper tensions are essential parts of succesful performance.
    The purpose of this paper is to research for some ways to avoid the negative effects of conflicting tensions in the way to transform them into creative tensions. Followings are suggestions on how to relieve and eliminate improper tensions.
    a) self-confidence and sense of achievement which come from thorough study and perfect memory of the work is the best way to get rid of fear and anxiety.
    b) Since tension, especially bodily tension, has an effect on breathing, the player needs to give attention to breathing in daily life in preparation for proper breathing whether in practice or in performance.
    c) The Player should be able to use his whole body properly; his head, neck, back, shoulders, arms and fingers.
    d) The relief of tension comes when the player's body movement is in accord with the musical movement.
    e) The player, by producing tension and removing it consciously, can overcome fear and anxiety and even transform them into creative force.
    f) Food control -take food which contains vitamin B, C and minerals, and avoid indigestion food or caffeine.

    번역하기

    Tension -physical and mental- is of course part of the human condition. Especially performing in front of audience produces stress, greater or less, on the part of players whether the player is the maestro or young student. Since music is an art in ti...

    Tension -physical and mental- is of course part of the human condition. Especially performing in front of audience produces stress, greater or less, on the part of players whether the player is the maestro or young student. Since music is an art in time, which cannot be corrected once it is produced, the player is always under stress and pressure with anxiety about what might be happen during the performance. Especially, pianists who play from memory feel a great stress and pressure, sometimes even a stage-fear. These stress and pressure give rises to mental and physical tensions. If the tension reaches to a serious point, it causes physical problem so called muscular problem.
    The physical problem will prevent the player from expressing his/her thoughts freely. Therefore, it will influence badly on physical relaxation and control. Consequently this will result in failure of performance unless the player removes these improper tensions and physical problem. Tensions, however, does not always have negative effects on playing. It enhances creativity and brings enthusiasm to the performance. Proper tensions are essential parts of succesful performance.
    The purpose of this paper is to research for some ways to avoid the negative effects of conflicting tensions in the way to transform them into creative tensions. Followings are suggestions on how to relieve and eliminate improper tensions.
    a) self-confidence and sense of achievement which come from thorough study and perfect memory of the work is the best way to get rid of fear and anxiety.
    b) Since tension, especially bodily tension, has an effect on breathing, the player needs to give attention to breathing in daily life in preparation for proper breathing whether in practice or in performance.
    c) The Player should be able to use his whole body properly; his head, neck, back, shoulders, arms and fingers.
    d) The relief of tension comes when the player's body movement is in accord with the musical movement.
    e) The player, by producing tension and removing it consciously, can overcome fear and anxiety and even transform them into creative force.
    f) Food control -take food which contains vitamin B, C and minerals, and avoid indigestion food or caffeine.

    더보기

    분석정보

    View

    상세정보조회

    0

    Usage

    원문다운로드

    0

    대출신청

    0

    복사신청

    0

    EDDS신청

    0

    동일 주제 내 활용도 TOP

    더보기

    주제

    연도별 연구동향

    연도별 활용동향

    연관논문

    연구자 네트워크맵

    공동연구자 (7)

    유사연구자 (20) 활용도상위20명

    이 자료와 함께 이용한 RISS 자료

    나만을 위한 추천자료

    해외이동버튼