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      청한 설잠(雪岑)의 『연경별찬』에 수록된 「법화수품찬」 연구 ― 이전 「법화수품찬」들과 비교를 중심으로 ― = A study on 「Beophwasupumchan(法花隨品讚)」 included in 『Yeongyeongbyeolchan(蓮經別讚)』 by Cheonghan Seoljam(雪岑) — Focusing on comparison with previous 「Beophwasupumchan (法花隨品讚)」 —

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      The 『Lotus Sutra』, which reveals the truth of One Buddha Buddhism, is a representative Mahayana sutra. In the case of Korea, it was introduced and popular as early as the Three Kingdoms period, and was copied and published the most during the Goryeo and Joseon dynasties.
      Commemorating each of the 28 pieces of the Lotus Sutra by adding praise or odes to them is called the 「beobhwasupumchan」. It was written intensively in the late Goryeo Dynasty and early Joseon.
      In the late Goryeo Dynasty, State Preceptor Jeongmyeong(精明國師) Cheon-in(天因)’s 「Myobeop-yeonhwagyeongsupumbyeolchan(妙法蓮華經隨 品別讚)」 and state preceptor jinjeong-gugsa(眞靜國師) Cheonchaek’s(天頙) 「Beophwasupumchan (法花隨品讚)」 and 「Ganghwabeophwasupumchan(更 和法花隨品讚)」. Also, there are 「Beophwagyeongsong(法華經頌)」 by Hamheo Deuktong(涵虛得通) Gihwa(己和) and 『Yeongyeongbyeolchan(蓮經 別讚)』 by Cheonghan Seoljam(淸寒雪岑) Kim Si-seup(金時習) in the early Joseon Dynasty.
      As a result of comparing these 「Beophwasupumchan(法花隨品讚)」 in terms of form and content, the following characteristics were found.
      Cheonin(天因) mainly focused on summarizing the content for the purpose of informing and reciting the core of the 『Lotus Sutra』. Cheonchaek(天頙) summarized each part of the 『Lotus Sutra』 for the purpose of revealing the essence of Lotus Thought, while also expressing personal thoughts and emotions. Gihwa(己和) expressed personal inspiration in the shortest form. Seoljam(雪岑) accepted all of these to a certain extent and wrote 「Beophwasupumchan(法花隨品讚)」 in which the preoccupation was strengthened. In this way, the purpose of 「Beophwasupumchan(法花隨品 讚)」 shifted from public use to personal use, and the tendency toward shipping became stronger.
      「Beophwasupumchan(法花隨品讚)」 in 『Yeongyeongbyeolchan(蓮經別 讚)』 not only cites many Zen poems in its content, but also uses Zen poems structurally to strengthen the overall sense of Zen poetry. Each piece has a three-stage structure, and in the second stage, a number of Zen poems are used regularly to resolve doubts or questions raised about each piece of the 『Lotus Sutra』. Through this, the end of the 『Lotus Sutra』 is once again confirmed and emphasized. In addition, he begins and ends the 「Beophwasupumchan」 by quoting a Zen poem, revealing his realization and belief in the true nature of the law and the enlightenment of enlightenment.
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      The 『Lotus Sutra』, which reveals the truth of One Buddha Buddhism, is a representative Mahayana sutra. In the case of Korea, it was introduced and popular as early as the Three Kingdoms period, and was copied and published the most during the Gory...

      The 『Lotus Sutra』, which reveals the truth of One Buddha Buddhism, is a representative Mahayana sutra. In the case of Korea, it was introduced and popular as early as the Three Kingdoms period, and was copied and published the most during the Goryeo and Joseon dynasties.
      Commemorating each of the 28 pieces of the Lotus Sutra by adding praise or odes to them is called the 「beobhwasupumchan」. It was written intensively in the late Goryeo Dynasty and early Joseon.
      In the late Goryeo Dynasty, State Preceptor Jeongmyeong(精明國師) Cheon-in(天因)’s 「Myobeop-yeonhwagyeongsupumbyeolchan(妙法蓮華經隨 品別讚)」 and state preceptor jinjeong-gugsa(眞靜國師) Cheonchaek’s(天頙) 「Beophwasupumchan (法花隨品讚)」 and 「Ganghwabeophwasupumchan(更 和法花隨品讚)」. Also, there are 「Beophwagyeongsong(法華經頌)」 by Hamheo Deuktong(涵虛得通) Gihwa(己和) and 『Yeongyeongbyeolchan(蓮經 別讚)』 by Cheonghan Seoljam(淸寒雪岑) Kim Si-seup(金時習) in the early Joseon Dynasty.
      As a result of comparing these 「Beophwasupumchan(法花隨品讚)」 in terms of form and content, the following characteristics were found.
      Cheonin(天因) mainly focused on summarizing the content for the purpose of informing and reciting the core of the 『Lotus Sutra』. Cheonchaek(天頙) summarized each part of the 『Lotus Sutra』 for the purpose of revealing the essence of Lotus Thought, while also expressing personal thoughts and emotions. Gihwa(己和) expressed personal inspiration in the shortest form. Seoljam(雪岑) accepted all of these to a certain extent and wrote 「Beophwasupumchan(法花隨品讚)」 in which the preoccupation was strengthened. In this way, the purpose of 「Beophwasupumchan(法花隨品 讚)」 shifted from public use to personal use, and the tendency toward shipping became stronger.
      「Beophwasupumchan(法花隨品讚)」 in 『Yeongyeongbyeolchan(蓮經別 讚)』 not only cites many Zen poems in its content, but also uses Zen poems structurally to strengthen the overall sense of Zen poetry. Each piece has a three-stage structure, and in the second stage, a number of Zen poems are used regularly to resolve doubts or questions raised about each piece of the 『Lotus Sutra』. Through this, the end of the 『Lotus Sutra』 is once again confirmed and emphasized. In addition, he begins and ends the 「Beophwasupumchan」 by quoting a Zen poem, revealing his realization and belief in the true nature of the law and the enlightenment of enlightenment.

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      참고문헌 (Reference)

      1 리영자, "천책스님의 호산록" 도서출판 해조음 2009

      2 회암지소, "인천안목" 향내나는 오솔길 2013

      3 "연경별찬"

      4 권원순, "연경별찬" 법공양 2017

      5 삼조승찬, "신심명·증도가" 법공양 1999

      6 차차석, "설잠의 연경별찬에 나타난 법화천태사상-특히 불신관을 중심으로-" 한국불교학회 21 : 1996

      7 조승래, "설잠의 불교사상의 특징과 시적 변용 연구" 동방문화대학원대학교 2016

      8 "만덕산백련사제이대정명국사후집"

      9 "만덕산백련사제사대진정국사호산록"

      10 심경호, "김시습 평전" 돌베개 2003

      1 리영자, "천책스님의 호산록" 도서출판 해조음 2009

      2 회암지소, "인천안목" 향내나는 오솔길 2013

      3 "연경별찬"

      4 권원순, "연경별찬" 법공양 2017

      5 삼조승찬, "신심명·증도가" 법공양 1999

      6 차차석, "설잠의 연경별찬에 나타난 법화천태사상-특히 불신관을 중심으로-" 한국불교학회 21 : 1996

      7 조승래, "설잠의 불교사상의 특징과 시적 변용 연구" 동방문화대학원대학교 2016

      8 "만덕산백련사제이대정명국사후집"

      9 "만덕산백련사제사대진정국사호산록"

      10 심경호, "김시습 평전" 돌베개 2003

      11 채상식, "고려후기 원묘국사 요세의 백련결사와 그 역사적 의의" 천태불교문화연구원 6 : 188-189, 2004

      12 강남석, "고려 천태사상의 연구" 원광대 2001

      13 이기운, "『연경별찬』을 통해 본 설잠(김시습)의 문학과 사상" 한국동서비교문학학회 6 : 2002

      14 최기표, "20. 진정국사 천책"

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