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    제작 기술을 통해 본 백제 흑색마연토기의 의미 = As Production Technology, The meaning of the Black Burnished Pottery in Baekje Dynasty

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    https://www.riss.kr/link?id=A104691096

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    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    Black burnished pottery is the representative type of Hanseong Baekjepottery. It played an important role as a prestige object in the Three KingdomsPeriod. However, despite this importance, there has not been much researchundertaken on the production technology of black burnished pottery. In thisstudy, a large amount of black burnished pottery excavated from PungnabEarthen Wall Fortress was subject to both visual observation and scientificanalysis, and its production technology was studied.
    As a result, the use of ne clay, compact burnishing, and carbon adsorption(the most important element) could be confirmed for the black burnishedpottery. These technological properties were features of the indigenous Baekjeceramic tradition and through their combination, a new type of productiontechnology was reborn.
    In this study, an attempt was made to establish the standard technologicalsignature of black burnished pottery from the Baekje center. Then this wascompared with the technological signature of black burnished pottery excavatedfrom regional locations. As a result, it was possible to conrm regional variationsin production technology, according to which the black burnished pottery wasdivided into four categories. First, black burnished pottery that was producedaccording to the same technological method as that of the Baekje center.
    Second, black burnished pottery that was produced in the Baekje center andthen sent to powerful regional people. Third, indigenous examples that weremade to imitate the black burnished pottery of the Baekje center. Finally, blackburnished pottery that was produced with regional technologies which havenothing to do with the pottery of the Baekje center.
    It is thus possible to maintain that, in studying the black burnished potteryproduction techniques of each region and in exploring their meanings, the results can be used as a clue in understanding the past and the politicalrelationship between the Baekje centre and regional communities.
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    Black burnished pottery is the representative type of Hanseong Baekjepottery. It played an important role as a prestige object in the Three KingdomsPeriod. However, despite this importance, there has not been much researchundertaken on the production ...

    Black burnished pottery is the representative type of Hanseong Baekjepottery. It played an important role as a prestige object in the Three KingdomsPeriod. However, despite this importance, there has not been much researchundertaken on the production technology of black burnished pottery. In thisstudy, a large amount of black burnished pottery excavated from PungnabEarthen Wall Fortress was subject to both visual observation and scientificanalysis, and its production technology was studied.
    As a result, the use of ne clay, compact burnishing, and carbon adsorption(the most important element) could be confirmed for the black burnishedpottery. These technological properties were features of the indigenous Baekjeceramic tradition and through their combination, a new type of productiontechnology was reborn.
    In this study, an attempt was made to establish the standard technologicalsignature of black burnished pottery from the Baekje center. Then this wascompared with the technological signature of black burnished pottery excavatedfrom regional locations. As a result, it was possible to conrm regional variationsin production technology, according to which the black burnished pottery wasdivided into four categories. First, black burnished pottery that was producedaccording to the same technological method as that of the Baekje center.
    Second, black burnished pottery that was produced in the Baekje center andthen sent to powerful regional people. Third, indigenous examples that weremade to imitate the black burnished pottery of the Baekje center. Finally, blackburnished pottery that was produced with regional technologies which havenothing to do with the pottery of the Baekje center.
    It is thus possible to maintain that, in studying the black burnished potteryproduction techniques of each region and in exploring their meanings, the results can be used as a clue in understanding the past and the politicalrelationship between the Baekje centre and regional communities.

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    참고문헌 (Reference)

    1 국립문화재연구소, "한성지역 백제토기 분류표준화 방안연구" 2011

    2 칼라 시노폴리, "토기연구법" 도서출판 考古 2008

    3 서현주, "영산강유역 토기문화의 변천 양상과 백제화과정" 백제학회 (6) : 79-105, 2011

    4 류기정, "분석과 고찰 : 분기와 연대 분석, In 鎭川 三龍里・山水里 土器 窯址群" 한남대학교박물관 2006

    5 朴淳發, "백제토기 탐구" 주류성 2006

    6 권오영, "백제의 생산기술과 유통체계 이해를 위하여, In 백제의 생산기술과 유통체계" 2005

    7 최석원, "백제시대 흑색마 연토기의 산출과 재현연구" 국립문화재연구소 (34) : 4-18, 2001

    8 오주연, "꺼먹이기법에 의한 기의 추상적 표현 연구" 서울산업대학교 산업대학원 2005

    9 한신대학교박물관, "風納土城X–慶堂地區 遺物包含層出土 遺物에대한 報告–" 2009

    10 예맥문화재연구원, "華川 原川里遺蹟" 2013

    1 국립문화재연구소, "한성지역 백제토기 분류표준화 방안연구" 2011

    2 칼라 시노폴리, "토기연구법" 도서출판 考古 2008

    3 서현주, "영산강유역 토기문화의 변천 양상과 백제화과정" 백제학회 (6) : 79-105, 2011

    4 류기정, "분석과 고찰 : 분기와 연대 분석, In 鎭川 三龍里・山水里 土器 窯址群" 한남대학교박물관 2006

    5 朴淳發, "백제토기 탐구" 주류성 2006

    6 권오영, "백제의 생산기술과 유통체계 이해를 위하여, In 백제의 생산기술과 유통체계" 2005

    7 최석원, "백제시대 흑색마 연토기의 산출과 재현연구" 국립문화재연구소 (34) : 4-18, 2001

    8 오주연, "꺼먹이기법에 의한 기의 추상적 표현 연구" 서울산업대학교 산업대학원 2005

    9 한신대학교박물관, "風納土城X–慶堂地區 遺物包含層出土 遺物에대한 報告–" 2009

    10 예맥문화재연구원, "華川 原川里遺蹟" 2013

    11 우보명, "荒廢山地에서의 산불이 森林植生 및 土壤에 미치는 影響에 관한 硏究 II" 68 : 1985

    12 成正鏞, "百濟와 中國의 貿易陶磁" 백제연구소 38 : 25-56, 2003

    13 朴淳發, "百濟土器의 形成過程–한강유역을 중심으로–" 23 : 1992

    14 이남석, "百濟 黑色磨硏土器의 考察" 16 : 2001

    15 한지수, "百濟 風納土城 출토 施釉陶器 연구 -경당지구 196호 유구 출토품과 중국 자료와의 비교를 중심으로-" 백제연구소 (51) : 1-39, 2010

    16 朴淳發, "百濟 國家의 形成 硏究" 서울大學校 大學院 1998

    17 朴淳發, "百濟 國家成立에 대한 理解" 12 : 1999

    18 朴淳發, "漢城百濟의 誕生" 서경문화사 2001

    19 朴淳發, "漢城百濟의 對外關係–國家 成立期 對外交涉의 實狀과 意義–" 30 : 1999

    20 김낙중, "榮山江流域 政治體의 成長과 變動 過程" 6 : 2011

    21 李漢祥, "威勢品으로 본 古代國家의 形成" 2007

    22 全南大學校博物館, "咸平 禮德里 萬家村古墳群" 2004

    23 崔秉鉉, "原三國土器의 系統과 性格" 38 : 1998

    24 한지수, "196호 유구 출토 중국 도기류, In 풍납토성XII" 한신대학교박물관 2011

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    2023 평가 계속평가 신청대상 (등재유지)
    2018-01-01 등재 우수등재학술지 선정 (계속평가)
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    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 1.49 1.49 1.24
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