RISS 학술연구정보서비스

검색

인기 검색어

    다국어 입력

    http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.

    변환된 중국어를 복사하여 사용하시면 됩니다.

    예시)
    • 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
    • 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
    닫기
    KCI등재

    아메리칸 메소드 연기의 기원과 발전 = The Origin and Development of American Method Acting

    한글로보기

    https://www.riss.kr/link?id=A104801648

    • 0

      상세조회
    • 0

      다운로드
    서지정보 열기
    • 내보내기
    • 내책장담기
    • 공유하기
    • 오류접수

    부가정보

    다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

    In 1923 Bolesavsky and Ouspenskaya, who learned The Stanislavsky System of Acting from Stanislavsky in Russia, established American Laboratory Theatre due to the popularity of Russian Realism play in America. American Laboratory Theatre was the first theatre and the first acting institute which amricanized Russian System of Acting in 1920’s.
    Lee Strasberg and Stella Adler who seek new acting joined the theatre. In 1931, these American actors founded Group Theatre, which became the center of American theatrical world by americanizing Stanislavsky’s Russian system and changing paradigm of teaching acting. In Group Theatre Strasberg used the concept of Method instead of System. He trained to intense concentration, made use of improvisation, and emphasized emotional memory as the most important acting technique. Sanford Meisner and Elia Kazan joined Group Theatre after that.
    However, Stella Adler who learned acting from workshop with Stanislavsky in his latter years introduced Post-System of Stanislavsky, which enabled to balance between internal and external aspect of an actor. Furthermore, Sanford advocated his own Method Acting. Elia Kazan established Actors Studio with Strasberg.
    In 1940, Group Theatre was discharged and the members went their separate ways. They achieved what Moscow Art Theatre did in Russia in 1920’s in America in 1930’s. Moreover, actors who learned acting from them changed acting style in film in Hollywood after 1950’s. New American Method Acting which was shown by Marlon Brando and James Dean in 1950’s and Dennis Hopper, Robert De Niro, and Al Pacino in 1960’s has started modern acting in film. Their realism acting successfully americanized System of Acting started from Stanislavsky in Russia.
    번역하기

    In 1923 Bolesavsky and Ouspenskaya, who learned The Stanislavsky System of Acting from Stanislavsky in Russia, established American Laboratory Theatre due to the popularity of Russian Realism play in America. American Laboratory Theatre was the first ...

    In 1923 Bolesavsky and Ouspenskaya, who learned The Stanislavsky System of Acting from Stanislavsky in Russia, established American Laboratory Theatre due to the popularity of Russian Realism play in America. American Laboratory Theatre was the first theatre and the first acting institute which amricanized Russian System of Acting in 1920’s.
    Lee Strasberg and Stella Adler who seek new acting joined the theatre. In 1931, these American actors founded Group Theatre, which became the center of American theatrical world by americanizing Stanislavsky’s Russian system and changing paradigm of teaching acting. In Group Theatre Strasberg used the concept of Method instead of System. He trained to intense concentration, made use of improvisation, and emphasized emotional memory as the most important acting technique. Sanford Meisner and Elia Kazan joined Group Theatre after that.
    However, Stella Adler who learned acting from workshop with Stanislavsky in his latter years introduced Post-System of Stanislavsky, which enabled to balance between internal and external aspect of an actor. Furthermore, Sanford advocated his own Method Acting. Elia Kazan established Actors Studio with Strasberg.
    In 1940, Group Theatre was discharged and the members went their separate ways. They achieved what Moscow Art Theatre did in Russia in 1920’s in America in 1930’s. Moreover, actors who learned acting from them changed acting style in film in Hollywood after 1950’s. New American Method Acting which was shown by Marlon Brando and James Dean in 1950’s and Dennis Hopper, Robert De Niro, and Al Pacino in 1960’s has started modern acting in film. Their realism acting successfully americanized System of Acting started from Stanislavsky in Russia.

    더보기

    참고문헌 (Reference)

    1 조성덕, "후기 메소드 영화연기 훈련기술을 응용한 영상연기 훈련법 -마이스너와 애들러 연기론의 고찰 및 융합 가능성 중심으로-" 한국영상제작기술학회 1 (1): 63-80, 2013

    2 박서연, "오디션 연기의 미학과 방법론 연구" 한국영화학회 (59) : 127-156, 2014

    3 송낙원, "오디션 연기와 모놀로그" 커뮤니케이션북스 2014

    4 오윤홍, "영화연기의 사실성(事實性)에 관한 연구-영화 <돼지가 우물에 빠진 날>을 중심으로-" 한국영화학회 (58) : 231-259, 2013

    5 조성덕, "영화연기 고유성 측면에서 바라본할리우드 메소드 연기의 반작용" 한국영화학회 (55) : 519-542, 2013

    6 O’Brien, M. E., "영화 연기" 연극과인간 2003

    7 정인숙, "아메리칸 액팅 메소드의 이해" 연극과인간 2014

    8 김석만, "스타니슬랍스키 연극론" 이론과 실천 1993

    9 Tucker, P., "스크린 연기의 비밀" 시공사 2013

    10 Stanislavski, C., "나의 예술 인생" 책숲 2012

    1 조성덕, "후기 메소드 영화연기 훈련기술을 응용한 영상연기 훈련법 -마이스너와 애들러 연기론의 고찰 및 융합 가능성 중심으로-" 한국영상제작기술학회 1 (1): 63-80, 2013

    2 박서연, "오디션 연기의 미학과 방법론 연구" 한국영화학회 (59) : 127-156, 2014

    3 송낙원, "오디션 연기와 모놀로그" 커뮤니케이션북스 2014

    4 오윤홍, "영화연기의 사실성(事實性)에 관한 연구-영화 <돼지가 우물에 빠진 날>을 중심으로-" 한국영화학회 (58) : 231-259, 2013

    5 조성덕, "영화연기 고유성 측면에서 바라본할리우드 메소드 연기의 반작용" 한국영화학회 (55) : 519-542, 2013

    6 O’Brien, M. E., "영화 연기" 연극과인간 2003

    7 정인숙, "아메리칸 액팅 메소드의 이해" 연극과인간 2014

    8 김석만, "스타니슬랍스키 연극론" 이론과 실천 1993

    9 Tucker, P., "스크린 연기의 비밀" 시공사 2013

    10 Stanislavski, C., "나의 예술 인생" 책숲 2012

    11 Weston, J., "감독을 위한 영화 연기 연출법" 비즈앤비즈 2012

    12 Brestoff, R., "The Great Acting Teachers and Their Methods" A Smith and Kraus Book 1995

    13 Adler, S., "The Art of Acting" Applause Theatre & Cinema Books 2000

    14 Meisner, S., "Sanford Meisner on Acting" Vintage 1987

    15 Easty, E. D., "On Method Acting" Ivy Books 1989

    16 윤용아, "Modification of the Method for Screen Acting Considering Korean Sense and Sensibility" 한국영상제작기술학회 1 (1): 192-201, 2014

    17 Kazan, E., "Kazan on Directing" Vintage 2010

    18 Boleslavsky, R., "Acting : The First Six Lessons" Theatre Arts Books 1933

    19 Strasberg, L., "A Dream of Passion: The Development of the Method" Plume 1988

    더보기

    분석정보

    View

    상세정보조회

    0

    Usage

    원문다운로드

    0

    대출신청

    0

    복사신청

    0

    EDDS신청

    0

    동일 주제 내 활용도 TOP

    더보기

    주제

    연도별 연구동향

    연도별 활용동향

    연관논문

    연구자 네트워크맵

    공동연구자 (7)

    유사연구자 (20) 활용도상위20명

    인용정보 인용지수 설명보기

    학술지 이력

    학술지 이력
    연월일 이력구분 이력상세 등재구분
    2022 평가 재인증평가 신청대상 (재인증)
    2019-01-01 등재 등재학술지 유지 (계속평가) KCI등재
    2016-01-01 등재 등재학술지 선정 (계속평가) KCI등재
    2015-12-01 등재 등재후보로 하락 (기타) KCI등재후보
    2013-05-28 학회명변경 한글명 : 영상기술학회 -> 한국영상제작기술학회 KCI등재
    2011-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
    2010-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
    2008-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
    더보기

    학술지 인용정보

    학술지 인용정보
    기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
    2016 0.1 0.1 0.1
    KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
    0.11 0.12 0.369 0
    더보기

    이 자료와 함께 이용한 RISS 자료

    나만을 위한 추천자료

    해외이동버튼