Many collections of poems were published in Haebang Period(1945~1950) more than any other period. Many researchers have studied the poems of Haebang Period through the analysis of ideology and texts of poems. But this study by laying emphasis on texts...
Many collections of poems were published in Haebang Period(1945~1950) more than any other period. Many researchers have studied the poems of Haebang Period through the analysis of ideology and texts of poems. But this study by laying emphasis on texts failed to find the relation between poetry and various discourses related with it. Therefore this study tried to find prelude, epilogue, and afternote of poetry, and discourses in it. These discourses were merely not formal dedication or praise, but expressed writing strategy or identity of poets in Haebang Period. Many poetry at that time well reflected the situation of the publishing world in Haebang Period. The prelude, epilogue, and afternote of poetry hold the confession on writing of oneself and others, or critical discourses on writing of oneself. The dedication of poetry so far was treated additional materials for text explanations. But the dedication of the poet had the inner description of oneself, writing strategy, etc. Various additional words in poetry were chiefly organized in poetry in the form of prelude, epilogue, and afternote. These additional words were largely divided into two kinds. One was the writing that the poet himself organized, and the other was the additional words of others about the poetry. The former expressed discourses on poetry organization, or self-reflection about the past life and the present one. The latter expressed ideology and writing method of others, with the praise about poetry. This helped others to find identity of writing of themselves. Various narratives related with writing, writing strategy of each writer, and inner-landscape of them will try to study afterwards.