본질 강화로 귀결되는 성형수술의 역설 = 〈미녀는 괴로워〉〈신데렐라〉〈시간〉을 중심으로

다국어 초록 (Multilingual Abstract)

Nowadays, plastic surgery is no more special events in the Korean society. Even one of the foreign presses, Financial Times, has reported in 2008 that it is generalized as a kind of accessaries in South Korea. There have been various and intensive arguments around this issue and trend, so pros and cons. The film industry responded to it and produced three films in 2006 dealing with their heroines who get plastic surgery due to different reasons : 200 Pounds Beauty, Cinderella, Time. All of them suggest some specific type of power relation judging a fluid or mutable identity through it. Especially 200 Pounds Beauty and Cinderella foreground bodies as an important stage where intersect social pressure making main characters get an operation as well as a criterion defining 'normal' or 'standard', and a personal desire reflecting his/her will to mainstream or high class's habitus at any risk. Meanwhile, Time focuses on ambiguousness and contradiction of one's identity in the most complex and dramatic way among three though is it's interest in mutable one through the operation relatively locked in a private sphere, so called obsessive love.
However, despite these differences and characteristics, they revive the traditional belief about identity astonishingly similarly and reinforce it. All of them, in result, don't doubt or repudiate a fixed and eternal identity while emphasizing mutation through the operation which presumes a visible change in the first place; main characters with it are respectively punished as forms of humiliation, catastrophe and penalty. The core of anti-essentialism IS a doubt of substance which originates from arbitrariness of the power in a specific time and space. For it defines and mystifies the essence not on the base of reasonable reasons but of it's own will. Unfortunately, all of the three don't suggest any potential alternative power or system at all. They rather underscore a tragedy, disorder or scandal restoring a 'real' and 'eternal' identity.

목차 (Table of Contents)

• 1. 들어가는 말
• 2. 고정적으로 내재하는 본질로서의 정체성 신화와 모순
• 3. ‘본질’에 대한 집착하는 귀결되는 영화 속 성형수술
• 4. 나가는 말
• 참고문헌
• Abstract

참고문헌 (Reference)

1 황경상, "혜화경찰서 ‘검거의 달인’ 정우갑 경사…정종필 경장"

2 박효순, "한국여성 성형은 액세서리의 하나, 유력지 FT ‘외모주의’ 꼬집어"

3 강민경, "학생들의 외모탐구생활/외모지상주의/우라질네이션"

4 경향신문, "취업 위해서라면 성형도 ‘OK’"

5 국민일보 쿠키뉴스, "중국판 ‘아내의 유혹?’…복수女, 성형 위해 한국 찾아"

6 마누엘 카스텔, "정체성 권력" 한울아카데미 2008

7 김주현, "외모꾸미기 미학과 페미니즘" 책세상 2009

8 하상복, "세계화의 두 얼굴:부르디외 & 기든스" 김영사 2007

9 엘리자베스 하이켄, "비너스의 유혹: 성형수술의 역사" 문학과 지성사 2008

10 정희준, "미국 신보수주의와 대중문화 읽기" 책세상 2007

11 홍성민, "문화와 아비투스" 나남출판 2000

12 크리스 바커, "문화연구와 담론분석: 언어와 정체성에 대한 담화" 커뮤니케이션북스(주) 2009

13 경향신문, "대학생 70% 성형 바람직, 10%는 한곳 이상 수술해"

14 오정연, "누구나 외모에 대한 편견은 있지 않나" (584) : 2007

15 양홍주, "내 인생은 나의 것, 성형수술 전성시대"

16 피에르 부르디, "구별짓기:문화와 취향의 사회학 下" 새물결 2005

17 피에르 부르디, "구별짓기:문화와 취향의 사회학 上" 새물결 2006

18 "《뉴시스》“페이스 오프 성 폭행범 3년 도피 행각 종지부”, 2010.4.7"

19 "http://news.naver.com/main/read.nhn?mode=LPOD&mid=etc&oid=003&aid=0003175680"

20 Finkelstein, Joanne, "The Art of Self Invention: Image and Identity in Popular Visual Culture" I.B. Tauris 2007

21 Hanke,Robert, "John Woo's Cinema of Hyperkinetic Violence: From A Better Tomorrow to Face/Off" 24 (24): 1999

22 Lawler, Steph, "Identity: Sociological Perspectives" Polity Press 2009

23 Toffoletti, Kim, "Cyborgs and Barbie Dolls: Feminism, Popular Culture and the Posthuman Body" I. B. Tauris 2007

24 MacCabe,Colin, "An Interview with Stuart Hall,December 2007" 50 (50): 2008

25 "<신데렐라>(DVD), 봉만대 감독"

26 "<시간>(DVD>, 김기덕 감독"

27 "<미녀는 괴로워>(DVD), 김용화 감독"

28 영화진흥위원회, "2007년 한국영화산업 결산"

29 영화진흥위원회, "2006년 1월-12월 영화산업 통계"