메타드라마적 관점에서 본 사무엘 베켓과 이윤택의 극 = A Study on the Works of Samuel Beckett & Lee Yun Taek in Terms of Metadramatic Perspectives

다국어 초록 (Multilingual Abstract)

This study examines how metadramatic traditions are revived in the works of Samuel Beckett and Lee Yen Taek two modem dramatists representing English and Koran literature. Beckett`s Waiting for Godot explores the fundamental role of stage, actors and audience through metadramatic features, eventually invalidating the boundary between stage and auditorium. In Citizen K and Oku, Lee Yen Taek also makes significant use of metadraramatic devices such as play-within-a-play as well as co-existence of stage and auditorium. In order to gain these effects, he especially deconstructs and reconstructs gut, a traditional Korean ritual in which life and death interacts. In this respect, the two dramatists, transcending the space and tune of their activities, successfully achieve the reconstruction of the inherent dramatic tradition and extend literary horizon, thus satisfying the metadramatic premise that life is a dream and that the world is a stage.

참고문헌 (Reference)

1 박명진, "현대 희곡에 나타난 시공 구조의 해체와 일상화" 5 (5): 337-376, 1995

2 김광선, "한국 무대의 『파우스트』 수용—이윤택의 『파우스트』 공연을 중심으로" 4 (4): 201-222, 1999

3 류은희, "죽음의 의식(Ritual)과 연극적 상상력: 문화학적으로 접근해 본 이윤택과 토마스 베른하르트" 15 (15): 345-370, 2001

4 이윤택, "이윤택의 극작실습" 평민사 1998

5 이윤택, "이윤택연극론 : 해체와 재구" 게릴라 2003

6 신아영, "이윤택 희곡의 대중성 연구" 23 (23): 221-270, 2005

7 김미도, "열린 연극, 한국적 연극에의 지향, In 웃다, 북치다, 죽다" 평민사 171-181, 1997

8 김방옥, "삶과 죽음, 그 역설과 병존의 난장, In 웃다, 북치다, 죽다" 평민사 161-166, 1997

9 이미원, "사회성과 놀이성/일상성과 민족성’의 사이" 2 (2): 202-241, 2004

10 변형택, "사무엘 베켓(Samuel Beckett)극의 메타드라마적 특성" 동아대학교 대학원 2002

11 아리스토파네스, "개구리" 동인 2003

12 이윤택, "[단행본] 웃다, 북치다, 죽다" 평민사 1997

13 Malkin, Jeanette R., "Verbal Violence in Contemporary Drama" Cambridge UP 1992

14 Schwab, Gabriele, "The Politics of Small Differences: Samuel Beckett's The Unnamable, In Engagement and Indifference" New York State UP 42-57, 2001

15 Beckett, Samuel, "The Complete Dramatic Works" Faber 1986

16 Beckett, Samuel, "Proust and Three Dialogues with Georges Duthuit" John Calder 1965

17 Abel, Lionel, "Metatheatre: A New View of Dramatic Form" Hill 1969

18 Hornby, Richard, "Drama, Metadrama, and Perception" Associated UP 1986

19 Beckett, Samuel, "Dante [. . .] Bruno. Vico [. . .] Joyce, In Desjecta: Miscellaneous Writings and a Dramatic Fragment" Grove 41-62, 1984

20 황훈성, "Dance of Death: A Gestic Critical Approach to Ogu by Yun-Taek Lee " 국제비교한국학회 18 (18): 37-62, 2010

21 Federman, Raymond, "Beckett [f]or Nothing, In Engagement and Indifference" New York State UP 161-171, 2001

22 Fletcher, John, "A Faber Critical Guide: Samuel Beckett" Faber 2000

23 김숙현, "<도솔가 - 짜라투스트라는 이렇게 말했다>의 상호텍스트성 분석" 한민족문화학회 (29) : 331-367, 2009