스피노자의 사유를 통해 본 라반의 심신평행론적 신체 = Laban’s Psychophysical Parallelistic Body Viewed from the Reasoning of Spinoza

다국어 초록 (Multilingual Abstract)

The purpose of this study is to consider Laban’s effort theory in comparison with the reasoning of Spinoza, and to analyze the meanings of a psychophysical parallelistic view in dance art, which appear in common in Laban’s theory and Spinoza’s reasoning.
Laban’s effort theory has been used widely not only currently in the dance field including choreography, education, and therapy, but also in diverse fields involving play, sports, cultural study, and communication. In the dance studies field, it has been composed mostly of realistic contents such as dance education, choreographer analysis, cultural anthropological study, and dance therapy. However, this study conducts a dance aesthetic consideration focusing on the psychophysical parallelistic view shown in the ideologies of Laban and Spinoza, which have not been studied yet. Laban’s psychophysical parallelistic view enhanced the meaning of a dancing body by focusing on internal impulse which triggers movements. Also, the view added scientific way of thinking to the body and movements, and proved that it was able to bring about change in mentality through physical training.

참고문헌 (Reference)

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2 데카르트, 르네, "철학의 원리" 아카넷 2002

3 스피노자, B., "에티카" 서광사 1990

4 들뢰즈, 질, "스피노자의 철학" 민음사 1999

5 다마지오, 안토니오, "스피노자의 뇌" 사이언스 북스 2007

6 박삼열, "스피노자의 『윤리학』연구" 선학사 2012

7 나일화, "스피노자(B. Spinoza)의 심신일원론에 근거한 무용에서의 신체와 표현의 의미" 한국무용예술학회 24 (24): 29-55, 2008

8 신상미, "몸과 움직임 읽기: 라반 움직임 분석의 이론과 실제" 이화여자대학교출판부 2010

9 김기화, "라반의 Effort 요인들의 의미생성구조와 여덟 가지 기본 Effort Action들의 정서적 기호해석 적용가능성 고찰" 한국무용연구학회 29 (29): 177-208, 2011