캐릭터 서사의 논리와 캐릭터적인 실존 = The Logic of the Character Narrative and the Characteristic Exist

다국어 초록 (Multilingual Abstract)

The character narrative that emphasis the formative of character than the plot is in the limelight recently. This is a significant change. The whole society had a difficulty in communication, and it led to lower literacy of readers. Now readers look much more interested in characters rather than a difficult plot to understand. But the character narrative is taken captive on the logic of the exclusion by combined with the narrative of choice that rooted in neoliberalism. Survival entertainment programs including The king of mask singer(MBC, 2015∼ ) depend on the device of choice. Viewers want to compensate for the real-world experience mobilizing in unfair competition by undertaking the agony of choice. But of course as a result they are more to consolidating the competition structure of the real world. That resembles battle royale. Meanwhile, contestants of The king of mask singer play the character of mask, and they wait for the other that approve unconditionally do not care who they are. They don`t act, and claim only their identity. These characteristic exists can`t grow up as long as they don`t act. It`s interest that the webtoon`s popular characters are portrayed as characters who had difficulties in communication, and spun themselves into misery in an extreme desire of approval. But the formative of character such as these creates a sense of fatigue. Now necessary thing for us is not the narrative as a way to adapt to a miserable life, but the narrative to transform a miserable life and our society. In a sense, it called for a serious reflection during the last decade of the narrative flow.

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