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      미스 조선, 근대기 미인대회와 미인 이미지 = “Miss Joseon”, Beauty Contests and the Image of Beautiful Women in the Modern Mass Media

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      https://www.riss.kr/link?id=A100162650

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      In 1931, the two papers, the Osaka Mainichi Shimbun and the Samcheolly, reported that there had been two beauty contests held in Korea under the Japanese colonial rule to select Miss Joseon and Samcheollyilsaik, both of whom were to represent the beauty of Joseon. The titles of the beautiful women and the method of selecting them differed, but many of today’s historians regard it as historically significant that two events were held in Joseon and in the same period.
      The history of beauty contests is short and their popularity is widely regarded as a phenomenon of the modern world. The beauty contest of the modern world largely reflects significant changes in the viewpoints and aesthetic sensibility of human beings with respect to the age-long practice of worshipping the beauty of the female body. The modern concept of beauty contests was introduced to Korea through Japan, which had been more active in adopting the cultural practices of the West. The news of beauty contests in the West, and in the United States in particular, gradually spread new ideas and discourses on the beauty of the female body among the Korean population.
      The aesthetic sensibility of Korean people in the modern period is marked by a division in the traditional monistic view and a new perception of the aesthetic value and importance of the female body. The beauty contest was an event in which individual and social desires regarding the beauty of the human body were publically expressed and assessed, and where modern standards of beauty were formed and propagated, ultimately leading to efforts to control and regulate women’s bodies. The standards of female beauty established through such events were further evolved and spread to the general public via the mass media.
      A beauty contest was essentially a commercial event that developed amid the growing influence of the mass media and public interest in the beauty of the human figure, and which continued to grow through the close interrelationship between the media and the public. Beauty contests and the mass media in early 20th-century Korea educated and encouraged the general public to learn more about, and desire, the beauty of the female body. The beauty contests held during this period resulted in complex discourses consisting of a wide variety of modern signs which continue to generate much discussion even today.
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      In 1931, the two papers, the Osaka Mainichi Shimbun and the Samcheolly, reported that there had been two beauty contests held in Korea under the Japanese colonial rule to select Miss Joseon and Samcheollyilsaik, both of whom were to represent the beau...

      In 1931, the two papers, the Osaka Mainichi Shimbun and the Samcheolly, reported that there had been two beauty contests held in Korea under the Japanese colonial rule to select Miss Joseon and Samcheollyilsaik, both of whom were to represent the beauty of Joseon. The titles of the beautiful women and the method of selecting them differed, but many of today’s historians regard it as historically significant that two events were held in Joseon and in the same period.
      The history of beauty contests is short and their popularity is widely regarded as a phenomenon of the modern world. The beauty contest of the modern world largely reflects significant changes in the viewpoints and aesthetic sensibility of human beings with respect to the age-long practice of worshipping the beauty of the female body. The modern concept of beauty contests was introduced to Korea through Japan, which had been more active in adopting the cultural practices of the West. The news of beauty contests in the West, and in the United States in particular, gradually spread new ideas and discourses on the beauty of the female body among the Korean population.
      The aesthetic sensibility of Korean people in the modern period is marked by a division in the traditional monistic view and a new perception of the aesthetic value and importance of the female body. The beauty contest was an event in which individual and social desires regarding the beauty of the human body were publically expressed and assessed, and where modern standards of beauty were formed and propagated, ultimately leading to efforts to control and regulate women’s bodies. The standards of female beauty established through such events were further evolved and spread to the general public via the mass media.
      A beauty contest was essentially a commercial event that developed amid the growing influence of the mass media and public interest in the beauty of the human figure, and which continued to grow through the close interrelationship between the media and the public. Beauty contests and the mass media in early 20th-century Korea educated and encouraged the general public to learn more about, and desire, the beauty of the female body. The beauty contests held during this period resulted in complex discourses consisting of a wide variety of modern signs which continue to generate much discussion even today.

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      목차 (Table of Contents)

      • I. 머리말
      • Ⅱ. 미인대회의 도입과 미인 이미지
      • Ⅲ. 조선의 미인대회와 대표미인들
      • Ⅳ. 맺음말
      • 참고문헌
      • I. 머리말
      • Ⅱ. 미인대회의 도입과 미인 이미지
      • Ⅲ. 조선의 미인대회와 대표미인들
      • Ⅳ. 맺음말
      • 참고문헌
      • ABSTRACT
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      참고문헌 (Reference)

      1 홍선표, "화용월태의 표상: 한국 미인화의 신체 이미지" 2004

      2 이화형, "한국근대여성의 일상문화" 국학자료원 2004

      3 홍선표, "한국근대미술사" 시공아트 2009

      4 한국광고단체연합회 편, "한국광고 100년" 한국광고단체연합회 1996

      5 조선연구회 편, "조선미인보감" 민속원 2007

      6 모던일본사, "일본잡지 모던일본과 조선" 어문학사 2009

      7 이영아, "예쁜 여자 만들기" 푸른역사 2011

      8 이경민, "기생은 어떻게 만들어졌는가" 사진아카이브연구소 2005

      9 오창섭, "근대의 역습" 홍시커뮤니케이션 2013

      10 권창규, "근대 문화자본의 태동과 소비 주체의 형성 : 1920∼30년대 광고 담론을 중심으로" 연세대학교대학원 2011

      1 홍선표, "화용월태의 표상: 한국 미인화의 신체 이미지" 2004

      2 이화형, "한국근대여성의 일상문화" 국학자료원 2004

      3 홍선표, "한국근대미술사" 시공아트 2009

      4 한국광고단체연합회 편, "한국광고 100년" 한국광고단체연합회 1996

      5 조선연구회 편, "조선미인보감" 민속원 2007

      6 모던일본사, "일본잡지 모던일본과 조선" 어문학사 2009

      7 이영아, "예쁜 여자 만들기" 푸른역사 2011

      8 이경민, "기생은 어떻게 만들어졌는가" 사진아카이브연구소 2005

      9 오창섭, "근대의 역습" 홍시커뮤니케이션 2013

      10 권창규, "근대 문화자본의 태동과 소비 주체의 형성 : 1920∼30년대 광고 담론을 중심으로" 연세대학교대학원 2011

      11 井上章一, "美人コンテスト百年史" 朝日文芸文庫 1997

      12 "皇城新聞"

      13 "每日申報"

      14 "東亞日報"

      15 "朝鮮日報"

      16 "朝鮮中央日報"

      17 "朝光"

      18 "時事新聞"

      19 佐伯順子, "明治美人論" NHK出版 2012

      20 黒岩比佐子, "明治のお嬢さま" 角川学芸出版 2008

      21 "新女性"

      22 "大阪每日新聞"

      23 "京城日報"

      24 "三千里"

      25 Elwood Watson, "There she is, Miss America" Palgrave Macmillan 2004

      26 Candace Savage, "Beauty Queens: A Playful History" Abbeville Press 1998

      27 Elissa Stein, "Beauty Queen" Chronicle Books 2006

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가 재인증평가 신청대상 (재인증)
      2021-01-01 등재 등재학술지 유지 (재인증) KCI등재
      2018-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 등재 등재학술지 유지 (등재유지) KCI등재
      2009-03-23 학회명변경 한글명 : (재)성강문화재단 한국미술연구소 -> 한국미술연구소
      영문명 : Sung Kang Foundation -> Center for Art Studies
      KCI등재
      2008-01-01 등재 등재학술지 선정 (등재후보2차) KCI등재
      2007-01-01 등재 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2005-06-29 학회명변경 한글명 : (재)성강문화재단 -> (재)성강문화재단 한국미술연구소
      영문명 : Sungn Gang Culture Foundation -> Sung Kang Foundation
      KCI등재후보
      2005-01-01 등재 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.84 0.84 0.81
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.72 0.61 0.836 0
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