서유구의 서화감상학 연구 : 『華筌』과 『藝翫鑑賞』을 중심으로

다국어 초록 (Multilingual Abstract)

This investigated how Chosun literary men accept the appreciation of China , observed the interest of Chinese drawing theory for Seoyugu's drawing theory during the 18-19C which the study and the art flow of Chosun and Ch‘ing were frequent
The 18-19 century was the time when the flow of Chosun and Ch‘ing is frequent and the research about the fine arts flows into mainly the drawing period field of Ch‘ing flowed into Chosun with the work and Japanese style putting first and did their fragmentary knowledges or the viewpoint against Ch’ing who is visible from the collection of works of the thing which does to give what kind of effect to the time picture and the follower worship of the powerful cattail appear how and the research of the back was many.
Pursuit of Bakhak(博學) is from the study tendency of eternity around the executive became the background it will be able to write the restraint. At the time of painting and writing beat, appreciation, the sleeve emblem and the production back from objection of China it refers the objection which is necessary from the field and HwaJeon(畵筌) and Yewangamsang(藝翫鑑賞) from actuality of Chosun which write an appreciation and is applying the sorting principle of eternal oneself the point is paid attention.
HwaJeon(畵筌) and Yewangamsang(藝翫鑑賞) from drawing theory of China referring the field in conversational general remarks production method, appreciation and actual appreciation referred those portion at most and they presented.
He is referring from drawing theory of China but, rightly it was sorting in actuality of Chosun and the strong point which those have and in art culture of Chosun it used it builds the objection frame. Reasoning it sees and from Chosun where is not the insensitive accommodating the eternity against a Chinese culture it was a grudge sort accommodating there is a possibility of knowing in the center.
Became known from the some branch objection against the conversation of eternity before drawing the picture, must build an intention the thing, when the painting and writing learning the eastern law Ron picture which will bloom, the enemy of the company which makes the anger law of the employee with the teacher it will be able to summarize with the attitude back from conversational general remarks.
With expression method of that outside the people, the neck which is a tube arithmetic, anger and the assistant item it shared the gruel anger back which is every especially and against the concrete expression law extraction it referred. From also against the oil painting law in making machine law Ron an eternity under presenting kyo there is. It has the conversational tube of document eulogy conservative follower drawing theory, north school register confronts to a Western civilization with study propensity and it has the attitude there is a possibility of the fact that Yoo weight.
Yewangamsang(藝翫鑑賞) it puts in the contents against the principal which appreciates the painting and writing and a method and the sleeve emblem law department civil official law from appreciation. From the eternity from with HwaJeon(畵筌) is referring from drawing theory of China with sameness. It will can present the basic principle of the appreciation which is a method which sees the picture first the attitude, when appreciating, piece must pay attention, the contents regarding merely, it respects the sleeve emblem of the picture and it keeps the light of the Buddhism which comparison being detailed, it shows.
Being important even from among the rest regarding the painting and writing, the YooyeJi(遊藝志) volume 4th( flaming arrow which puts in recording which is detailed and this EOonJi(怡雲志) volume 6th Yewangamsang(藝翫鑑賞) the appreciation is distinguishing the interest regarding the painting and writing of Chosun postscript follower worship of the powerful cattail. Also from economics self-acknowledgement with the system composition against the painting and writing of eternity the objection which puts in the contents which is huge stand it will pay attention from point.
HwaJeon(畵筌) and Yewangamsang(藝翫鑑賞) it accommodates the conservative conversational tube when like that must be evaluated from the point which is system and analysis painting and writing relation recording, the tube turns a ship construction time and from around the executive of eternity Hwacheon and example of restraint wan like appreciation height.

목차 (Table of Contents)

• <영문초록> = ⅱ
• Ⅰ. 머리말 = 1
• Ⅱ. 조선후기 회화적 배경 = 6
• A. 19세기 화단의 분위기 = 6
• Ⅲ. 서유구 회화관의 정립배경 = 12
• A. 경화세족의 서화고동 애호풍조 = 12
• B. 조선후기 화론 = 18
• Ⅳ. 《畵筌》과 《藝翫鑑賞》에 관한 분석 = 23
• A. 구성과 체제 = 24
• B. 《畵筌》 내용분석을 통한 서유구의 화화관 = 29
• 1. 《畵筌》에 나타난 이론 = 29
• 2. 제작방법의 측면 = 41
• a. 용필과 용묵법 = 41
• b. 채색하는 법 = 45
• 3. 그 밖의 표현 방법 = 48
• 4.서양화법 = 56
• C. 《藝翫鑑賞》에 나타난 감상론 = 62
• Ⅴ. 맺음말 = 69
• 참고문헌 = 73