This dissertation is the first comprehensive study of the harmonic theories of German composer and music theorist Sigfrid Karg-Elert (1887--1933), whose two major treatises date from the early 1930s. The dissertation's subtitle highlights the fo.
K...
This dissertation is the first comprehensive study of the harmonic theories of German composer and music theorist Sigfrid Karg-Elert (1887--1933), whose two major treatises date from the early 1930s. The dissertation's subtitle highlights the fo.
Karg-Elert's treatises synthesize three strains of thought in late nineteenth-century German theory that were previously somewhat self-contained: a model of pitch and harmonic space derived from the pure intervals of just intonation.
Though Karg-Elert generates and explains his pitch space using acoustical and mathematical principles, he ultimately reveals that the space is a model of perception, and that we continue to understand harmonic relations in the pure intervals of.