시조의 외국어 번역에 관한 시론 = 시조의 감성 구조와 套語의 활용을 중심으로

다국어 초록 (Multilingual Abstract)

I attempted to translate Si-jo into a foreign language on this essay. In this process, it is seemed to clear that we regulate the formal element in translating of Si-jo. If this regulation is to be a standard criticism on the modern Si-jo, the translation will be an easy work.
According to this point, I propose this translation as follows :
First, we must use a term that is considered the construction of meaning besides to its type in the first tribrach on the last of the 3 verses of a Si-jo. For this work, it is desirable for our to develope and practical use the regulated words[套語].
Second, we have to watch the intrinsic construction of Si-jo. We must compose six meaning frame or at least three meaning when we write Si-jo works. So that, Si-jo must to be recognized its aesthetic values.
Third, we must arrange the verse of Si-jo as the form of 5 lines for translating, like a traditional Si-io. The form of 5 arranged lines was the form of Gagok-chang[歌曲唱].