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      Horror, Self, and Self-Consuming Writing:Poe’s “The Fall of the House of Usher”Eun-Hye KooPoe’s “The Fall of the House of Usher” demonstrates indeterminacy resulting in self-division. In the text, self-multiplication is realized by doubling the divided self of the narrator in the persons of Roderick Usher, and his twin sister, Madeline Usher. In Usher’s room, which is the indeterminate location and has an indeterminate form, the narrator paces, keeping time with the pacing of his double Roderick who suffers from schizophrenia. After the premature burial of Roderick’s double, Madeline, his mental disorder noticeably deepens, until he becomes a victim of the terror that exists only in his mind. In the final scene, as with the physical structure of the House of Usher, Roderick sinks into the abyss of the tarn. Death, selflessness, nothingness, and indeterminacy are inevitable result of the self-division. As “the voice of a thousand waters” become silent, the “House of Usher” (family, mansion, and story) as world of words is no more: the story is over, the text consumes itself into the tarn. Roderick’s, the narrator’s, and reader’s terror can be considered in the postmodern aesthetic context of Lyotard’s sublimity, which puts forth the unpresentable in presentation itself. In this fashion, fear and self-division become representative of the unpresentable and inscrutable nature of reality.
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      Horror, Self, and Self-Consuming Writing:Poe’s “The Fall of the House of Usher”Eun-Hye KooPoe’s “The Fall of the House of Usher” demonstrates indeterminacy resulting in self-division. In the text, self-multiplication is realized by doublin...

      Horror, Self, and Self-Consuming Writing:Poe’s “The Fall of the House of Usher”Eun-Hye KooPoe’s “The Fall of the House of Usher” demonstrates indeterminacy resulting in self-division. In the text, self-multiplication is realized by doubling the divided self of the narrator in the persons of Roderick Usher, and his twin sister, Madeline Usher. In Usher’s room, which is the indeterminate location and has an indeterminate form, the narrator paces, keeping time with the pacing of his double Roderick who suffers from schizophrenia. After the premature burial of Roderick’s double, Madeline, his mental disorder noticeably deepens, until he becomes a victim of the terror that exists only in his mind. In the final scene, as with the physical structure of the House of Usher, Roderick sinks into the abyss of the tarn. Death, selflessness, nothingness, and indeterminacy are inevitable result of the self-division. As “the voice of a thousand waters” become silent, the “House of Usher” (family, mansion, and story) as world of words is no more: the story is over, the text consumes itself into the tarn. Roderick’s, the narrator’s, and reader’s terror can be considered in the postmodern aesthetic context of Lyotard’s sublimity, which puts forth the unpresentable in presentation itself. In this fashion, fear and self-division become representative of the unpresentable and inscrutable nature of reality.

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      참고문헌 (Reference)

      1 "나사의 회전과 크리미아 전쟁" 52 (52): 733-753, 2006

      2 "‘Writing as a Deeper Form of Concentration’: An Interview with Don DeLillo" Jackson: UP of Mississippi 155-168, 2005

      3 "‘To be Loved and Cry Shame’: A Psychological Reading of Toni Morrison’s Beloved"" 26 (26): 169-195, 2001

      4 "‘Like the Pupil of an Eye’: Sexual Blinding of Women in Alice Walker’s Works"" 31 (31): 1-16, 1998

      5 "‘A View from Elsewhere’ Subversive Sexuality and the Rewriting of the Heroine’s Story in The Color Purple" 1108-106 14, 1991

      6 "the Rise of the Novel in America" 1986

      7 "the Primal Scene of The Turn of the Screw" 1988

      8 "the Ghostly Dialectic of Romance in The Scarlet Letter Texas Studies in Literature Language 24" 47-67, spring1982

      9 "the Fragment, and the Visual Art" 1999

      10 "or The Romance of Monte Beni 4 of The Century Edition of the Works of Nathaniel Hawthorne" 1968

      1 "나사의 회전과 크리미아 전쟁" 52 (52): 733-753, 2006

      2 "‘Writing as a Deeper Form of Concentration’: An Interview with Don DeLillo" Jackson: UP of Mississippi 155-168, 2005

      3 "‘To be Loved and Cry Shame’: A Psychological Reading of Toni Morrison’s Beloved"" 26 (26): 169-195, 2001

      4 "‘Like the Pupil of an Eye’: Sexual Blinding of Women in Alice Walker’s Works"" 31 (31): 1-16, 1998

      5 "‘A View from Elsewhere’ Subversive Sexuality and the Rewriting of the Heroine’s Story in The Color Purple" 1108-106 14, 1991

      6 "the Rise of the Novel in America" 1986

      7 "the Primal Scene of The Turn of the Screw" 1988

      8 "the Ghostly Dialectic of Romance in The Scarlet Letter Texas Studies in Literature Language 24" 47-67, spring1982

      9 "the Fragment, and the Visual Art" 1999

      10 "or The Romance of Monte Beni 4 of The Century Edition of the Works of Nathaniel Hawthorne" 1968

      11 "and Tradition in the Nineteenth Century U of Chicago P" in (in): 1957

      12 "Writing on Black Women of the Diaspora" 1983

      13 "Women in Love" 1980

      14 "William Hathorne and the Bay Colony Adultery Laws of 1641-1642" 225-32 31, 1986

      15 "Underworld" New York: Scribner’s 1997

      16 "Understanding the Scarlet Letter" Connecticut: Greenwood 1995

      17 "U of Texas P" 1983

      18 "U of Minnesota P" 1986

      19 "U of Minnesota P" 1971

      20 "U of Georgia P" 1993

      21 "Turning the Screw of Interpretation" 1982

      22 "Toni Morrison’s World of Fiction" The Whitston Publishing Company 1993

      23 "Toni Morrison’s Beloved and The Apotropaic Imagination" Columbia: U of Missouri P 2002

      24 "Toni Morrison: Playing with Difference" Urbana: U of Illinois P 2003

      25 "Toni Morrison and the American Tradition: A Rhetorical Reading" New York: Peter Lang 1996

      26 "The Work of Art in the Age of Mechanical Reproduction" 217-51, 1969

      27 "The Will to Power" 1967

      28 "The Voices of Toni Morrison" Lincoln 1991

      29 "The Utopian Vision of D U of Chicago P" 1970

      30 "The Universe of Roderick Usher A Collection of Critical Essays" Prentice-Hall 1967

      31 "The Turn of the Screw" 1966

      32 "The Turn of the Screw" 1966

      33 "The Theory of Literature in German Romanticism State University of New York P" 1988

      34 "The Theoretical Dimensions of Henry James U of Wisconsin P" 1984

      35 "The Standard Edition of the Complete Psychological Works of Sigmund Freud" 219-252, 1955

      36 "The Standard Edition of The Complete Psychological Works of Sigmund Freud The Hogarth Press and the Institute of Psycho-analysis" 1917-19191973

      37 "The Souls of Black Folk" 1970

      38 "The Sins of the Fathers" 1966

      39 "The Romance of Real life Charles Brockden Brown and the Origins of American Culture" 1994

      40 "The Power of History" 7Sept.1997

      41 "The People of Boston" 375-79, 1988

      42 "The One Out of Sequence Conversations with Toni Morrison UP of Mississippi" 67-83, 1994

      43 "The Novels of Toni Morrison U of Tennessee P" k (k): 1991

      44 "The Manner and the Matter of Charles Brockden Brown’s Alcuin Critical Essays on Charles Brockde Brown" 71-86, 1981

      45 "The Location of Culture" New York: Routledge 2004

      46 "The Library of America" 1984

      47 "The Letter of the Law: Reading Hawthorne and the Law of Adultery" New York: Peter Lang 134-168, 1996

      48 "The House of Poe" 1985

      49 "The Gothic Novels: Wieland, Arthur Mervyn, Edgar Huntly" New York: The Library of America 1998

      50 "The Fragment as Romantic Form" 212-217,

      51 "The Flowering of New England" 1815-18651936

      52 "The Critique of Judgement" 1952

      53 "The Crime of Innocence in the Fiction of Toni Morrison U of Missouri P" 1989

      54 "The Crime Of Innocence in The Fiction Of Toni Morrison U of Missouri P" 1989

      55 "The Concise Oxford Dictionary of English Etymology" 1986

      56 "The Concept of Ambiguity The Example of James U of Chicago P" 1977

      57 "The Collected letters of D" Heinemann 1962

      58 "The Coincidental Art of Charles Brockden Brown U of North Carolina P" 1981

      59 "The Changing Same: Black Women’s Literature, Criticism, and Theory" Bloomington: Indiana UP 1995

      60 "The Awakening" New York: Elibron Classics 2006

      61 "The Ascendence of Don DeLillo" Aug.1997.10

      62 "The Art of the Novel" New York: Charles Scribner’s Son 1995

      63 "The Ancestors as Foundation in Their Eyes Were Watching God and Tar Baby" New York: Garland Publishing 183-208, 1997

      64 "The Ambivalence of Youth in the Early Republic" 362-80, 1986

      65 "Studies in Classic American Literature" 1961

      66 "Specters of Marx" 1994

      67 "Song of Solomon" 1977

      68 "Song of Solomon" 1987

      69 "Self-Consuming Narrator in Poe’s ‘Ligeia’ and ‘Usher’" biega (biega): 175-87, 1988

      70 "Selected Short Stories of Nathaniel Hawthorne" 1966

      71 "Profits of Altruism" 47-69, 1988

      72 "Playing in the Dark" Random House 1990

      73 "Plague and Politics in 1793" 225-27 46, 1985

      74 "Perspectives on Black Women Writers" 1985

      75 "Oxymoron as Central Figure in Hawthorne’s Strategy of Immunity From Choice in The Scarlet Letter" 604-633,

      76 "Notes on the Phantom A Complement to Freud’s Metapsycology" 287-292,

      77 "No Respecter of Persons City University of New York" Unpublished Dissertation 1994

      78 "New Dimensions of Spirituality of the Novels of Toni Morrison" 1987

      79 "Nature in American Nature" 1958

      80 "Nature and American Literature" New York: Russel 1999

      81 "Narrative Strategies in the Fiction of Toni Cade Bambara" 1989

      82 "My Good Mama; Women in Edgar Huntley and Arthur Mervyn Studies in American Fiction 9" 33-46, 1981

      83 "Moral Mapping and Spiritual Guidance in The Color Purple" 482-84, 1983

      84 "Memories of My Ghost Brother" New York: Plume 1996

      85 "Love and Death in the American Novel" 1982

      86 "Living by the Word" selectedwritings1973-19871986

      87 "Leaves of Grass" Doubleday 127-93, 1971

      88 "Introduction" 559-568, 1999

      89 "In Search of Some Peace of Mind" 478-90, 1988

      90 "In Search of Our Mothers’ Gardens" 1983

      91 "Images of Violence in Toni Morrison’s Sula" New Delhi: Arnold Associates 1996

      92 "Images from a Stolen Camera: An Autoethnographic Recursion" January2007

      93 "History and Expedition" Chicago: Mclury 1998

      94 "Hester Prynne in History" 202-32 4, 1960

      95 "Gifted Simplicity of Vision" 135-153, 1982

      96 "Ghostly Matters" Minnesota: U of Minnesota P 1997

      97 "From Hoover’s FBI to Eisentein’s Unterwelt: DeLillo Directs the Postmodern Novel" 696-723, 1999

      98 "Footsteps of Ann Hutchinson The Context of The Scarlet Letter" 459-39 94, 1972

      99 "Flying as Symbol and Legend" 1993

      100 "Fantasia of the Unconscious and Psychoanalysis and the Unconscious" 1983

      101 "E"Sewing, Quilting, Knitting: Handcraft and Freedom in The Color Purple and A Women’s Story" 29 (29): 236-245, 2001

      102 "Explanation in ‘The Fall of the House of Usher’ Studies in Short Fiction 23" shin : 419-28, 1986

      103 "Exile on Main Street" 42-48, 15Sept.1997

      104 "Excavating the Underworld of Race and Waste in Cold War History: Baseball, Aesthetics, and Ideology" New York: Hall 258-281, 2000

      105 "Essays in Postmodern Theory and Culture" 1987

      106 "Don DeLillo’s Underworld: A Reader’s Guide" New York: Continuum 2002

      107 "Don DeLillo: Balance at the Edge of Belief" New York: Peter Lang 2004

      108 "Dimensions of a New Identity" 1974

      109 "Dimensions of New Identity" 1974

      110 "Dictee" Berkeley: Third Women 1995

      111 "Dangerous Freedom: Fusion and Fragmentation in Toni Morrison’s Novels" Jackson: UP of Mississippi 1995

      112 "Critics on Henry James U of Miami P" 1972

      113 "Critical Issues: Henry James" London: Macmillan 2000

      114 "City of Nature U of Delaware P" 1980

      115 "Circles of Sorrow Lines of Struggle The Novels of Toni Morrison" 1988

      116 "Charles Brockden Brown and the Culture of Contradictions" 137-54, 1974

      117 "Black Women Writers in Africa and Diaspora" 1992

      118 "Becoming Incorporated: Spectacular Authorship and DeLillo’s Mao II" 643-674, 1999

      119 "Awful Symmetries in Don DeLillo’s Underworld" New York: Hall 302-316, 2000

      120 "Asian/American: Historical Crossings of a Racial Frontier" Stanford: Stanford UP 1999

      121 "Arthur Mervyn and the Problem of the Unreliable Narrator" 8-18, 1970

      122 "Art and Expression in the Age of Emerson and Whitman" 1941

      123 "Architects of the Abyss the Indeterminate fictions of Poe U of Missouri P" 1989

      124 "An Introduction to the Writings and Their Social Context" 1982

      125 "An Interview with Don DeLillo" 86-100 97, 1993

      126 "American Magic and Dread: Don DeLillo’s Dialogic with Culture" Philadelphia: U of Pennsylvania P 2000

      127 "American Literature" New York: Columbia UP 1999

      128 "Afterthoughts on Don DeLillo’s Underworld" 17 : 48-71, 1998

      129 "Adultery in the Novel" 1979

      130 "A Study of the Short Fiction Boston" 1990

      131 "A Study of the Short Fiction" 1991

      132 "A Study in Influence" 1987

      133 "A Handbook of Critical Approaches to Literature" 1992

      134 "A Grammar of Motives U of California P" 1969

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