<昭君出塞圖>의 전래와 제화시의 양상

다국어 초록 (Multilingual Abstract)

In this study, we are to reveal how <Sogunchulsaedo> on Wangsogun’s cross-border marriage has been handed down from China to Korea and the aspects of related painting poetry were. <Sogunchulsaedo> has been a material for paintings since the Northern Song and can be classified into paintings focusing only on cross-border marriage and paintings focusing on life after cross-border marriage. Since Korea has regarded Chinese writers and their works as the literary standard, Sogunchulsaedo is also likely to have been handed down from early and it can be identified through actual paintings and painting poetry. The most prominent feature of painting poetry related to Sogunchulsaedo is the remarkable description on the cross-border marriage scene. This can be characterized by the feature that the painting depicting cross-border marriage is directly poetized. The next feature is that deep sympathy on Wangsogun’s circumstances is expressed. Loyalty and fidelity for Han shown by Wangsogun lie in this sympathy. Deeply sympathizing with Wangsogun in political upheaval and ups and downs, noblemen have recognized Wangsogun as the symbol similar to them. Third, description recognizing Wangsogun as a being who lost her fidelity and criticizing her was not made. It can be said that this is because Wangsogun’s cross-border marriage has been recognized as loyalty for Han and the painting expressing sorrow and pain through cross-border marriage has been directly faced in Korea. Wangsogun related stories have been varied and handed down until modern times. Therefore, as a clue to explain the various aspects of Wangsogun related inheritance, this study can be said to be significant in terms of the exchange of Korea-China literature.

목차 (Table of Contents)

• 1. 머리말
• 2. <昭君出塞圖>의 형성과 형상화의 양상
• 3. <昭君出塞圖>의 전래와 향유의 양상
• 4. <昭君出塞圖> 관련 제화시의 양상과 특성
• 5. 맺음말
• 참고문헌
• Abstract

참고문헌 (Reference)

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2 전보옥, "중국 서사시의 고사 성립 배경 고찰 (Ⅱ) (昭君出塞故事를 중심으로)" 중국어문학연구회 15 : 29-53, 2000

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4 이홍주, "조선시대 궁중 채색인물화에 보이는 중국 원체 인물화의 영향" 홍익대학교 대학원 2007

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6 김소영, "곽말약의 《삼개반역적여성》 연구" 청주대학교 대학원 2005

7 정운채, "고사 수용 한시에 나타난 충신연주지사의 심리적 특성" 한국고시가문학회 5 : 539-572, 1998

8 여운필, "韓國漢詩의 王昭君 故事 受容樣相" 한국한시학회 9 : 5-44, 2001

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10 朴孝淑, "郭沫若 歷史劇『三個叛逆的女性』硏究" 梨花女子大學校 大學院 1998

11 윤인현, "用事와 點化의 差異" 한국고전연구학회 4 : 299-322, 1998

12 한상덕, "王昭君 形象의 變容과 그 意義 硏究 - 郭沫若과 曹禺의 同名史劇 ｢王昭君｣을 중심으로" 세계문학비교학회 (23) : 131-150, 2008

13 이택동, "朝鮮後期의 政治現實과 王昭君 素材 詠史詩" 한국고전연구학회 9 : 309-334, 2003

14 유미나, "<文姬別子圖>에 대한 조선후기 문사들의 인식" 석당학술원 52 (52): 287-322, 2012