Eunyoung Jin`s “The Re-distribution of the Sensible: On Poetry of the 2000s,” which was published in the journal “Creation and Criticism (Winter, 2008)” caused a great stir in Korean literature and triggered various follow-up discussions. In t...
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https://www.riss.kr/link?id=A100945626
2015
-
800
KCI등재
학술저널
125-164(40쪽)
2
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
Eunyoung Jin`s “The Re-distribution of the Sensible: On Poetry of the 2000s,” which was published in the journal “Creation and Criticism (Winter, 2008)” caused a great stir in Korean literature and triggered various follow-up discussions. In t...
Eunyoung Jin`s “The Re-distribution of the Sensible: On Poetry of the 2000s,” which was published in the journal “Creation and Criticism (Winter, 2008)” caused a great stir in Korean literature and triggered various follow-up discussions. In this piece, Eunyoung Jin made references mostly from “Politics of Aesthetics: The Distribution of the Sensible” by Jacques Ranciere, a French scholar of politics and aesthetics. Her referential focus was to newly consider the relationship between literature and politics. Even afterwards, Eunyoung Jin had drawn from Ranciere new thoughts that could turn a dichotomously contrasting relationship between a poet’s participation in reality and poetry’s artistic value into a (more) productive interactional relationship. In order to plan and practice a reformation of senses and thoughts whose literary and artistic creativity are based on social customs and on a larger scale, a new reformation of the society’s political geography, Eunyong Jin underwent various activities to re-contextualize Ranciere’s argument on constant reformation of “The Aesthetic Regime of Art” for situations in Korea. Writers who actively engaged in situations such as the Yongsan disaster and the Duriban struggle, while choosing to share various poetic tendencies and texts that hover between a so-called dichotomy of art and society are one good example. Ensuring that poetry and literature will maintain a continuous openness toward fluid and complex realities of the society, thereby giving the sensibility of a poet himor herself new artistic and political motives and reset the relationship between literature and politics above a new horizon was the position held by and practiced by Eunyoung Jin. Looking back at Eunyoung Jin’s work from a socio-economic context, her work is interlocked with the need to fundamentally change the way of thinking in respect of Korean society and the current economic system based on capitalism and a series of domestic and foreign situations such as the 2008 Candlelight Protest (in South Korea), the Financial crisis of 2008 that originated in the U.S. subprime mortgage crisis and the bankruptcy of Lehman Brothers and later spread worldwide and the Yongsan disaster in the beginning of 2009. These situations provided an opportunity to newly refresh in mind the Korean literature’s history of rapid advancement along with the modernization process of and also of rapid decline in the 1990s, i.e., the memory of literature`s revolutionary tendency. However, this memory is also connected with the evils of thought and practice that treat literature as a tool for revolutionary movement(s). Literary practice to confront the socio-economic contradiction that was structural and fixed from an abstract social-scientific perspective often simplified the reality of society where more diverse, complex and foreign situations coexisted and interpenetrated one another. In this regard, the reason Eunyoung Jin actively accepted Jacques Ranciere’s argument that emphasized the independent and creative confrontation of literary works, at least to overcome the abovementioned issue, rather than obsessing over the socio-economic foundation and the structural contradiction can be understood. In the end, regardless of the different socio-economic contexts between France and Korea, (it is clear that) the main idea for both Jacques Ranciere and Eunyoung Jin is the study and practice of possibilities. Eunyoung Jin is faithful to Ranciere’s fundamental principle that there is no pre-determined truth. Therefore, although the task of critically reviewing Eunyoung Jin`s understanding of Ranciere from a perspective of theoretical accuracy is necessary and has meaning, but is not without limitations as the focus of the problem is the study and practice of possibilities.
참고문헌 (Reference)
1 자크 랑시에르정치적인 것의 가장자리에서, "정치적인 것의 가장자리에서" 길 2008
2 진은영, "우리는 매일매일" 문학과지성사 2008
3 김춘식, "우리 문학의 이전과 이후: 2000년대 이전과 이후의 우리 시,『사이버문학광장 웹진』2010년 1월호"
4 신형철, "아름답고 정치적인 은유의 코뮌 : 진은영의 『우리는 매일매일』읽기" (58) : 396-415, 2009
5 이장욱, "시, 정치 그리고 성애학" (143) : 294-314, 2009
6 백낙청, "문학이 무엇인지 다시 묻는 일" (142) : 14-40, 2008
7 문성욱, "문학의 정치, 텍스트의 정치" (110) : 496-527, 2015
8 유재홍, "문학의 정치" 인간사랑 2011
9 진은영, "문학의 아토포스" 그린비 2014
10 자크 랑시에르, "무지한 스승 : 지적 해방에 대한 다섯 가지 교훈" 도서출판 궁리 2008
1 자크 랑시에르정치적인 것의 가장자리에서, "정치적인 것의 가장자리에서" 길 2008
2 진은영, "우리는 매일매일" 문학과지성사 2008
3 김춘식, "우리 문학의 이전과 이후: 2000년대 이전과 이후의 우리 시,『사이버문학광장 웹진』2010년 1월호"
4 신형철, "아름답고 정치적인 은유의 코뮌 : 진은영의 『우리는 매일매일』읽기" (58) : 396-415, 2009
5 이장욱, "시, 정치 그리고 성애학" (143) : 294-314, 2009
6 백낙청, "문학이 무엇인지 다시 묻는 일" (142) : 14-40, 2008
7 문성욱, "문학의 정치, 텍스트의 정치" (110) : 496-527, 2015
8 유재홍, "문학의 정치" 인간사랑 2011
9 진은영, "문학의 아토포스" 그린비 2014
10 자크 랑시에르, "무지한 스승 : 지적 해방에 대한 다섯 가지 교훈" 도서출판 궁리 2008
11 자크 랑시에르 감성의 분할 : 미학과 정치, "감성의 분할 : 미학과 정치" 도서출판 b 2008
12 신형철, "가능한 불가능 : 최근 ‘시와 정치’ 논의에 부쳐" (147) : 369-386, 2010
13 심보선, "‘촛불’은 질문이다" (56) : 25-52, 2008
14 이경진, "‘아토포스’라는 아직 알려지지 않은 아방가르드" (167) : 254-273, 2015
15 Jacques Rancière, "Politique de la littérature" Galilée 2007
16 Jacques Rancière, "Le Partage dusensible. Esthétique et politique" La Fabrique 2000
17 Jacques Rancière, "Le Maître ignorant. Cinq leçons sur l’émancipation intellectuelle" Fayard 1987
18 Jacques Rancière, "La Nuit des prolétaires. Archives du rêve ouvrier" Fayard 1981
19 Jacques Rancière, "La Méthode de l’égalité" Bayard 2012
20 Jacques Rancière, "La Leçon d’Althusser" Gallimard 1974
21 Gilles Deleuze, "Kafka-Pour une littérature mineure" Minuit 1975
22 Jacques Rancière, "Aux bords du politique" La Fabrique 1998
23 백지은, "'문학과 정치' 담론의 행방과 향방- 2000년대 중후반의 비평 담론을 중심으로" 한국비평문학회 (36) : 103-127, 2010
버림받은 자유 그리고 사랑 -고정희와 사르트르를 중심으로
교차되는 시선, 창조되는 이미지 -중국과 일본의 사진가가 포착한 북한 공동체와 개인의 정치적 이미지-
육체와 표면, 전후 일본의 정치 에로스 -미시마 유키오의 <우국>과 오시마 나기사의 <감각의 제국>
한,중 근대문학 비교의 쟁점: 이육사의 문학적 모색과 루쉰
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2022 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2019-01-01 | 평가 | 등재학술지 유지 (계속평가) | ![]() |
2016-01-01 | 평가 | 등재학술지 선정 (계속평가) | ![]() |
2015-12-01 | 평가 | 등재후보로 하락 (기타) | ![]() |
2015-11-09 | 학술지명변경 | 한글명 : Comparative Korean Studies -> 비교한국학 Comparative Korean Studies | ![]() |
2011-01-01 | 평가 | 등재학술지 유지 (등재유지) | ![]() |
2009-01-01 | 평가 | 등재 1차 FAIL (등재유지) | ![]() |
2006-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | ![]() |
2005-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | ![]() |
2004-01-01 | 평가 | 등재후보학술지 유지 (등재후보2차) | ![]() |
2003-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | ![]() |
2002-01-01 | 평가 | 등재후보학술지 유지 (등재후보1차) | ![]() |
2001-01-01 | 평가 | 등재후보학술지 선정 (신규평가) | ![]() |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.49 | 0.49 | 0.42 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.46 | 0.49 | 0.818 | 0.06 |