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      The Invention of the Other, Ethics, and the Question of “Geopolitical Unconscious” in Contemporary Korean Films: Silmido, TaeGukGi: Brotherhood of War, and Shiri

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      https://www.riss.kr/link?id=A104070609

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      다국어 초록 (Multilingual Abstract)

      By analysing Silmido (2003), TaeGukGi: Brotherhood of War (2004) and, finally, Shiri (1998), this paper discusses how each film works to respond to an encounter with the traumatic Other. The representation of the Other necessarily leads us to raise the issue of ethics. The term “ethics” here refers precisely to “ethics of the Real” (Zupančič 2000) in which the subject redefines the mode of being in this encounter with the traumatic Real, thus becoming a true subject. One of the prevailing tropes of contemporary Korean film is the way in which the protagonist’s suicide keeps utopian impulses permanently parenthesised through the logic of sacrifice. Silmido and TaeGukGi demonstrate this. In contrast, Shiri opens up the inherent contradictions of all such ideas by revealing that the female protagonist maintains fidelity towards her own “acts” without being drawn into the logic of sacrifice. In so doing, this film enables us to cognitively map out the “geopolitical unconscious” of South Korea, i.e., the unrepresentable totality of the current South Korean capitalist system.
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      By analysing Silmido (2003), TaeGukGi: Brotherhood of War (2004) and, finally, Shiri (1998), this paper discusses how each film works to respond to an encounter with the traumatic Other. The representation of the Other necessarily leads us to raise th...

      By analysing Silmido (2003), TaeGukGi: Brotherhood of War (2004) and, finally, Shiri (1998), this paper discusses how each film works to respond to an encounter with the traumatic Other. The representation of the Other necessarily leads us to raise the issue of ethics. The term “ethics” here refers precisely to “ethics of the Real” (Zupančič 2000) in which the subject redefines the mode of being in this encounter with the traumatic Real, thus becoming a true subject. One of the prevailing tropes of contemporary Korean film is the way in which the protagonist’s suicide keeps utopian impulses permanently parenthesised through the logic of sacrifice. Silmido and TaeGukGi demonstrate this. In contrast, Shiri opens up the inherent contradictions of all such ideas by revealing that the female protagonist maintains fidelity towards her own “acts” without being drawn into the logic of sacrifice. In so doing, this film enables us to cognitively map out the “geopolitical unconscious” of South Korea, i.e., the unrepresentable totality of the current South Korean capitalist system.

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      참고문헌 (Reference)

      1 하승우, "포스트-정치 시대, 한국영화의 재난과 공포에 관한 상상력" 한국라깡과현대정신분석학회 15 (15): 81-101, 2013

      2 Aaron, Michele, "pectatorship: The Power of Looking On" Wallflower 2007

      3 Levinas, Emmanuel, "Totality and Infinity: An Essay on Exteriority" Duquesne University Press 1969

      4 Lacan, Jacques, "The Seminar of Jacque Lacan: Book I, Freud’s Papers on Technique, 1953-54" Cambridge University Press 1988

      5 Jameson, Fredric, "The Political Unconscious: Narrative as a Socially Symbolic Act" Cornell University Press 1981

      6 Žižek, Slavoj, "The Plague of Fantasies" Verso 1997

      7 Žižek, Slavoj, "The Neighbor: Three Inquiries in Political Theology" University of Chicago Press 134-190, 2005

      8 Reinhard, Kenneth, "The Neighbor: Three Inquiries in Political Theology" University of Chicago Press 11-75, 2005

      9 Jameson, Fredric, "The Geopolitical Aesthetic: Cinema and Space in the World System" BFI Publishing 1992

      10 Zylinska, Joanna, "The Ethics of Cultural Studies" Continuum 2005

      1 하승우, "포스트-정치 시대, 한국영화의 재난과 공포에 관한 상상력" 한국라깡과현대정신분석학회 15 (15): 81-101, 2013

      2 Aaron, Michele, "pectatorship: The Power of Looking On" Wallflower 2007

      3 Levinas, Emmanuel, "Totality and Infinity: An Essay on Exteriority" Duquesne University Press 1969

      4 Lacan, Jacques, "The Seminar of Jacque Lacan: Book I, Freud’s Papers on Technique, 1953-54" Cambridge University Press 1988

      5 Jameson, Fredric, "The Political Unconscious: Narrative as a Socially Symbolic Act" Cornell University Press 1981

      6 Žižek, Slavoj, "The Plague of Fantasies" Verso 1997

      7 Žižek, Slavoj, "The Neighbor: Three Inquiries in Political Theology" University of Chicago Press 134-190, 2005

      8 Reinhard, Kenneth, "The Neighbor: Three Inquiries in Political Theology" University of Chicago Press 11-75, 2005

      9 Jameson, Fredric, "The Geopolitical Aesthetic: Cinema and Space in the World System" BFI Publishing 1992

      10 Zylinska, Joanna, "The Ethics of Cultural Studies" Continuum 2005

      11 Schmitt, Carl, "The Concept of the Political. Translated by George Schwab" University of Chicago Press 1996

      12 Myers, Tony, "Slavoj Žižek" Routledge 2003

      13 Diffrient, David Scott, "Seoul as Cinematic Cityscpae: Shiri and the Politico-Aethetics of Invisiblity" 11 (11): 76-91, 2000

      14 Dalton, Bronwen, "Political oppositions in industrialising Asia" Routledge 221-243, 1996

      15 Žižek, Slavoj, "Looking Awry: An Introduction to Jacques Lacan through Popular Culture" The MIT Press 1992

      16 Baek, Moonim, "Korean Cinema’s Aesthetics and Historical Imagination" Sodo 75-92, 2006

      17 Žižek, Slavoj, "Iraq: The Borrowed Kettle" Verso 2004

      18 Žižek, Slavoj, "Interrogating the Real" Continuum 285-306, 2005

      19 Žižek, Slavoj, "How to Read Lacan" W.W. Norton & Company 2006

      20 Downing, Lisa, "Film and Ethics: Foreclosed Encounters" Routledge 2010

      21 Badiou, Alain, "Ethics: An Essay on the Understanding of Evil" Verso 2001

      22 Zupančič, Alenka, "Ethics of the Real: Kant, Lacan" Verso 2000

      23 Žižek, Slavoj, "Enjoy Your Symptom!: Jacques Lacan in Hollywood and Out" Routledge 1991

      24 Žižek, Slavoj, "Did Somebody Say Totalitarianism?: Five Interventions in the (Mis) Use of a Notion" Verso 2002

      25 Evans, Dylan, "An Introductory Dictionary of Lacanian Psychoanalysis" Routledge 1996

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2023 평가예정 해외DB학술지평가 신청대상 (해외등재 학술지 평가)
      2020-01-01 평가 등재학술지 유지 (해외등재 학술지 평가) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2017-03-07 학회명변경 영문명 : The Academy of Korean -> The Academy of Korean Studies KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-04-09 학술지등록 한글명 : The Review of Korean Studies
      외국어명 : The Review of Korean Studies
      KCI등재
      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2004-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2003-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2001-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.25 0.25 0.22
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.18 0.2 0.769 0.07
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