김수영과 월트 휘트먼 비교연구 = Comparative Study between Kim Su-young and Walt Whitman

다국어 초록 (Multilingual Abstract)

This paper aims to find out the relationship between Kim Su-young and Walt Whitman on literature, which has been strongly hypothesized. Despite of some reliable clues, there have been no specific attempts to make this clear because their works seem to be different distinctly each other. As Whitman was an extroverted poet who glorified rich scenery of nature in America and sang love and freedom, Kim Su-young wrote poems which reflected everyday honestly, filled with sorrow and solitude. Kim Su-young, however, had constantly empathized and practiced `freedom` and `corporeity` from earlier works and an inquiry into the universality of `love`, which exactly showed an influence of Whitman to him. Some evidences show that Kim Su-young sought to absorb the authors he read. And Whitman was also possibly absorbed into Kim Su-young`s works, modified with the times and conditions in his unique way. This paper plans to examine influence of Whitman and modified aspect to Kim Su-young`s works as read works of Kim Su-young and Walt Whitman together. For that, this paper reads Kim Su-young through Whitman`s thought. Firstly, I payed attention to emphasis on establishment of the first person narrative-that is a saint persona and on corporeity. Each point seems like loose clothing so it looks like every answers possible though, it is worth underlying both first person narrative(a saint persona) and corporeity which were the unique aspect of Whitman present in Kim Su-young`s work at the same time. Secondly, I attempt to reveal apparent similarity and distinction. Comparing with Walt Whitman`s work which mainly expressed admiration to the nature and love-thy-neighbour actively, Kim Su-young`s works focused on the modern problems like solitude and sorrow. However, the way of expressing `love`, which is the main theme and is presented horizontal imagery, is apparently similar to each other. Catalog technic is a unique style of Whitman, and it is not simply for a rhythm or rhetorical effect but for an embodiment of `love`. In case of Kim Su-young`s late works, `Sarang-eh Byen-ju-gok`(Love Variation), `Pul-eh Young-sang` (Image of Grass), `Geo-dae-han Puri`(Great root), also show an identical technic and theme. This paper has limitations to look deeper the influential relationship between Kim Su-young and Walt Whitman empirically. But the influential relationship from Whitman to Kim Su-young would come up in the conclusion.

참고문헌 (Reference)

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