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      뮤지컬, 영화화된 셰익스피어 극과 원작과의 비교연구 = 『로미오와 줄리엣』의 죽음과 화해의 장면을 중심으로

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      Romeo and Juliet by Shakespeare has been made into a musical piece, West Side Story and two pieces of movies, Romeo and Juliet directed by Franco Zeffirelli(1968) and Shakespeare”s Romeo+Juliet by Baz Luhrmann, all of which have gained great popular success. Analyzing how each of the popular works deals with the last scene of death and reconciliation and comparing them with that of its original work by William Shakespeare, I was to find the answer to what Shakespeare tries to tell through the senses and sensibilities of the 14 or 15-year-old boy and girl.
      Romeo+Juliet by Baz Luhrmann, tries to show that time error or fortune is the decisive factor to cause young lovers’ death. The intensity of the moment of death makes us forget the importance of the entrance of Friar Laurence in Shakespeare’s Romeo and Juliet. Friar Laurence enters between the death of Romeo and that of Juliet in Shakespeare’s play, which makes us somewhat yawn. Nevertheless, Franco Zeffirelli intentionally cross-cuts by inserting the Friar Laurence scene between the two deaths. Friar Laurence presses her to leave the tomb, when Juliet sees Romeo’s death and firmly refuses to go out and remains with dead Romeo. Shakespeare shifted the focus from death to choice behavior by inserting the scene of the entrance of Friar Laurence and by showing a strong-willed 14-year-old girl. Zeffirelli read delicately Shakespeare’s intention and never missed its core that gave their love “mythic intensity”(Fisher 21).
      In West Side Story, Maria lives after the death of Tony and makes the ancient grudge of two immigrant gangster groups in 50’s be resolved. By putting stress on resolving the national and racial problem of America, this musical piece has lost the original intensity and meaning of Shakespeare’s Romeo and Juliet which shifts the focus from death to the choice behavior.
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      Romeo and Juliet by Shakespeare has been made into a musical piece, West Side Story and two pieces of movies, Romeo and Juliet directed by Franco Zeffirelli(1968) and Shakespeare”s Romeo+Juliet by Baz Luhrmann, all of which have gained great popular...

      Romeo and Juliet by Shakespeare has been made into a musical piece, West Side Story and two pieces of movies, Romeo and Juliet directed by Franco Zeffirelli(1968) and Shakespeare”s Romeo+Juliet by Baz Luhrmann, all of which have gained great popular success. Analyzing how each of the popular works deals with the last scene of death and reconciliation and comparing them with that of its original work by William Shakespeare, I was to find the answer to what Shakespeare tries to tell through the senses and sensibilities of the 14 or 15-year-old boy and girl.
      Romeo+Juliet by Baz Luhrmann, tries to show that time error or fortune is the decisive factor to cause young lovers’ death. The intensity of the moment of death makes us forget the importance of the entrance of Friar Laurence in Shakespeare’s Romeo and Juliet. Friar Laurence enters between the death of Romeo and that of Juliet in Shakespeare’s play, which makes us somewhat yawn. Nevertheless, Franco Zeffirelli intentionally cross-cuts by inserting the Friar Laurence scene between the two deaths. Friar Laurence presses her to leave the tomb, when Juliet sees Romeo’s death and firmly refuses to go out and remains with dead Romeo. Shakespeare shifted the focus from death to choice behavior by inserting the scene of the entrance of Friar Laurence and by showing a strong-willed 14-year-old girl. Zeffirelli read delicately Shakespeare’s intention and never missed its core that gave their love “mythic intensity”(Fisher 21).
      In West Side Story, Maria lives after the death of Tony and makes the ancient grudge of two immigrant gangster groups in 50’s be resolved. By putting stress on resolving the national and racial problem of America, this musical piece has lost the original intensity and meaning of Shakespeare’s Romeo and Juliet which shifts the focus from death to the choice behavior.

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      목차 (Table of Contents)

      • 인용문헌
      • Abstract
      • 인용문헌
      • Abstract
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      참고문헌 (Reference)

      1 신웅재, "제피렐리와 루어만의 「로미오와 줄리엣」 영화 비교: 낭만비극과 운명비극" 한국셰익스피어학회 39 (39): 335-350, 2003

      2 앤드루 램, "정영목 옮김" 풀빛 2000

      3 김희진, "영화로 읽는 셰익스피어, 셰익스피어로 읽는 현대문화" 동인 2006

      4 한용재, "『로미오와 줄리엣』에 나타난 어긋난 세계" 한국셰익스피어학회 44 (44): 545-566, 2008

      5 Donaldson, Peter, "“All Which It Inherits” : Shakespeare, Bibles, and Global Media" 52 : 183-200, 1999

      6 "http://www.aellea.com/script/westside.txt. Web"

      7 Luhrmann, Baz dir, "William Shakespeare’s Romeo+Juliet. with Leonardo Dicaprio, Claire Danes"

      8 Dunkling, Leslie, "When Romeo met Juliet" Trafford publishing 2010

      9 Robert Wise, "West Side Story. with Natalie Wood, Richard Beymer"

      10 Fisher, Burton D, "West Side Story" Opera Journeys Publishing 1950

      1 신웅재, "제피렐리와 루어만의 「로미오와 줄리엣」 영화 비교: 낭만비극과 운명비극" 한국셰익스피어학회 39 (39): 335-350, 2003

      2 앤드루 램, "정영목 옮김" 풀빛 2000

      3 김희진, "영화로 읽는 셰익스피어, 셰익스피어로 읽는 현대문화" 동인 2006

      4 한용재, "『로미오와 줄리엣』에 나타난 어긋난 세계" 한국셰익스피어학회 44 (44): 545-566, 2008

      5 Donaldson, Peter, "“All Which It Inherits” : Shakespeare, Bibles, and Global Media" 52 : 183-200, 1999

      6 "http://www.aellea.com/script/westside.txt. Web"

      7 Luhrmann, Baz dir, "William Shakespeare’s Romeo+Juliet. with Leonardo Dicaprio, Claire Danes"

      8 Dunkling, Leslie, "When Romeo met Juliet" Trafford publishing 2010

      9 Robert Wise, "West Side Story. with Natalie Wood, Richard Beymer"

      10 Fisher, Burton D, "West Side Story" Opera Journeys Publishing 1950

      11 Shakespeare, William, "The Riverside Shakespeare" Houghton Mifflin Company 1974

      12 Shakespeare, William, "The Riverside Shakespeare" Houghton Mifflin Company 1974

      13 Dillon, Janette, "The Cambridge Introduction to Shakespeare”s Tragedies" Cambridge University Press 2007

      14 Hindle, Maurice, "Studying Shakespeare on Film" Palgrave Macmillian 2007

      15 Zeffirelli, Franco dir, "Staging Shakespeare: Seminars on Production Problems" Garland 239-270, 1990

      16 Hapgood, Robert, "Shakespeare The Movie: popularizing the Plays on Film, TV, and Video" Routledge 80-94, 1997

      17 "Shakespeare The Movie II: popularizing the Plays on Film, TV, and Video, and DVD" Routledge 56-71, 2003

      18 김성곤, "Screenplay : William Shakespeare's Romeo+Juliet" 스크린영어사 1999

      19 Brown, John Russell, "S. Franco Zeffirelli’s Romeo and Juliet" 15 : 147-155, 1962

      20 Bryant, James C., "Romeo and Juliet: Critical Essays" Garland 321-336, 1993

      21 Jorgens, Jack, "Romeo and Juliet: Critical Essays" Garland 163-176, 1993

      22 Zeffirelli, Franco dir, "Romeo and Juliet. with Leonard Whiting and Olivia Hussey"

      23 Houghton, Norris, "Romeo and Juliet & West Side Story" Laurel-Leaf Random House 14-26, 1965

      24 김미예, "Mel Gibson의 Hamlet과 Kenneth Branagh의 Hamlet, 그리고 원작과의 비교" 14 : 133-153, 2008

      25 Zeffirelli, Franco dir, "Directors on Directing" Bobbs-Merrill 437-440, 1963

      26 Vela, Richard, "Apocalyptic Shakespeare: Essays on Visions of Chaos and Revelation in Recent Film Adaptations" Carolyn McFarland & Company, Inc., Publishers 2009

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2004-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2003-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2002-01-01 평가 등재후보학술지 유지 (등재후보1차) KCI등재후보
      1999-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

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      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.12 0.12 0.14
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.12 0.11 0.561 0.03
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