존재론적 시각에서 본 춤과 몸의 관계성 연구 : 거울 이미지를 통한 = Study of relation between Body and Dance in Ontdogical view : By reflected image in mirror

다국어 초록 (Multilingual Abstract)

The function of phenomenon is that describe the real world which we live and go through. Therefore the philosophy of body has to start from ordinary life where you are actually from. In understand of dance body, body as a principal of perception is not simple material figure or representation of consciousness. It has open structure in interpretation wise. In addition, one who dances recognizes everything by body perception and the body is a tool to having a open experience. In other words, accomplishments of appearance in dance is based on movement between body and body instead of mental or consciousness. So that is just about merging into a body.
Dance is a body movement that expresses invisible essence to visible. There are many different style what is made by various interpretation which is derived from perception. Also the style of dance allow to have an experience ontological identity between dancer and world by dancer's view, and express the world's way of existence what dancer experienced. So dancer deliver a way of understanding the world through a piece of work.
Dance as art work, that is not object what can be existed itself. The dance is always based on our perception, body and world, besides as body belongs in this world, also dance can be significance in this world.
For dancer who makes dance as an art work, a mirror is considered as behavior's mirror. This is act of cognition that self, recognizing the principal body by others.
As well as, that is considered as oriental symbol of self-moral culture beside mirror for self-perception(mirror as a well from narcissism). As reflecting another image of oneself, dancer's mirror means self unification instead of dissolution. world's mirror on stage is not an individual mirror. Mirror is closer to nature's mirror, but not just a mirror made of mineral.
Consequently, mirror of a dancer functions as self-reflection by ironic relationship between a routine, which is training body, and an ideal, which comes from the training.