소설의 영화화에 따른 서사성 변환 연구 : 「벌레 이야기」와 「밀양」을 중심으로 = A Study on Change of Narrativity due to Cinematization of Literature -Focused on the Intertextuality in Bug Story and Secret Sunshine

다국어 초록 (Multilingual Abstract)

In Bug Story and Secret Sunshine, the main character Shin-ae's anguish and religious conflict are described in more detail than the incident which causes her child's miserable sacrifice. Seemingly, Shin-ae tries hard to overcome her despair with christian faith, but she strives to cope with her tragedy within the limitations of human ability. She is not sure of salvation through the christian faith. Conversely, she is obsessed with the idea that she can get over difficulties with her efforts and will, that is to say, through self-deification. She loses her lovely son, but does not give up on her life. Rather, she can support herself, having strong will and hope. Eventually, these efforts lead to the fictional religion. Others who have never experienced her religious conflict, have no right to criticize that she has developed a blessing-oriented faith. Shin-ae's failure of salvation is a result of the religious dogma. Also, it expresses that she is locked in struggle with her will and fictional faith due to the limitation of human ability rather than she apologizes people around her with agape. She has never experienced both self denial as a sinner and a sense of gratitude and repentance which are the essence of christian faith. For this reason, she is not a born again christian, but just a bug. This story not only educates the reader that false religious faith is serious, but also shows univeral sympathy that religious salvation can not solve easily the problems of the human condition. The original novel, Bug Story, and the movie, Secret Sunshine, have differences in characters, surrounding environment, method of narration, structure derived from different genres, thematic consciousness and ending plot, even though they have common factors such as the existential situation and theodicean problems. The first part of the movie describes how the main character's child is kidnapped and killed in the process of settlement in a remote town. This event is portrayed as the climax of agony and anxiety. In the latter half of the film, the mother of the child writhes in desperate agony and faces the existential situation with religious conflict. At the end, a postive life is implied with secret and hopeful light. The main character, Shin-ae, plays the part of a long-suffering wife who acts out a series of deviant behaviors such as a suicide attempt, wrath and cursing in protest toward God after the failure of forgiveness. She is the most round character by means of motion picture techniques. Though she had a good relationship with others and received God's word once, she becomes a person who does not communicate well with others. When she does not find solutions and just feels despair, facing agony and protesting God, believers urge her to recognize the Providence of God and God's will. In this respect, the theodiciean interpretation justifying agony explains that hardship and adversity resulting from sin can be resolved through atonement. However, art questions and defies the Providence of God and deals intensively with the existential situation that superficial religion can not save people in agony.

목차 (Table of Contents)

• 1. 들어가는 말
• 2. 「벌레 이야기」의 작품 분석
• 3. 「밀양」의 작품 분석
• 4. 맺는 말
• 〈참고문헌〉
• [Abstract]

참고문헌 (Reference)

1 정혜선, "현대문학의 영상이미지 연구 : 장정일과 유하를 중심으로" 충남대학교 대학원 2005

2 현길언, "한국소설의 분석적 이해" 문학과비평사 282-, 1990

3 최재선, "한국 현대소설에 나타난 신정론" 한국문학과 종교학회 13-, 2008

4 임영천, "한국 현대문학과 기독교" 태학사 406-, 1995

5 손호현, "하나님, 왜 세상에 악이 존재합니까?화이트헤드의 신정론" 열린서원 25-, 2005

6 박상익, "이청준 소설의 매체 수사학적 특성 연구" 33 : 165-182, 2014

7 이청준, "원제 벌레이야기" 열림원 2007

8 김희선, "용서와 인간실존의 문제에 대한 두 태도 - 단편소설 ｢벌레이야기｣와 영화 <밀양>" 한국문학과종교학회 14 (14): 163-194, 2009

9 R. 야콥슨, "영화의 형식과 기호" 열린책들 185-, 1995

10 문학과영상서사연구회, "영화? 영화!문학의 시각으로 본 영화" 글누림 105-, 2006

11 최상식, "영상으로 말하기" 시각과 언어 44-, 2001

12 허만욱, "소설「벌레 이야기」와 영화 <밀양>의 모티프 변환 연구 - 작가의식과 메시지를 중심으로" 한국현대문예비평학회 (26) : 453-475, 2008

13 나소정, "다매체시대의 문학비평 (1) : 원작소설과 각색영화의 주제해석에 관하여 －이청준「벌레이야기」와 이창동 <밀양>" 한국문예창작학회 8 (8): 253-280, 2009

14 이창동, "People이창동 인터뷰 : 희망과 구원, 결국 인간의 것"

15 김경애, "<밀양>의 영상언어, 내러티브, 주제의식의 상호작용" 문학과영상학회 9 (9): 531-555, 2008