『삼국유사』를 통해 본 신화와 역사의 접점 = The Intersection of Myth and History in Memorabilia of the Three Kingdoms

다국어 초록 (Multilingual Abstract)

This study examines Iryon’s historical focus on the wondrous and strange to rethink its implications. By acknowleding the legendary as historical fact, Iryon’s mention of the “wondrous and strange” (神異, sini) in the foreword of “Record of Strange Happenings” in Memorabilia confers historical legitimacy to these wondrous and strange events.
The previous literature on Iryon’s historical view has mainly discussed it from a historical or Buddhist perspective, but this study examines the Cho Sin and Tangun legends from a psychological and/or rite of passage structure, focusing on the Memorabilia of the Three Kingdoms’ worldview of the intersection of myth and history.
Aside from the foreword and conclusion, this study is organized into four chapters, with the second chapter questions the implications of the “wondrous and strange” in national history. The third chapter analyzes Cho Sin’s dream and how it coincided with reality from the viewpoint of Jungian psychology. The fourth chapter analyzes Tangun’s birth as part of the joining of the heavenly and earthly realms as a rite of passage. The final fifth chapter discusses the content of the second to fourth chapters and examines the implications of the “wondrous and strange” at the intersection of history and myth.
As History of the Three Kingdoms was a treatment of national history based on Confucian rationalism and ethics by Confucian scholars of the time, Iryon ineviatbly included the wondrous and strange in his history to compensate for this historical bias. This can be compared to how Jung understood the unconscious realm of dreams as a counterpoint to the ego’s conscious biases.
Iryon historicized the irrational wondrous and strange in his national history, and the process of combining Cho Sin’s irrational dream with reality in Cho’s biography mixes the dual concepts of the wondrous and strange versus Confucianism, and dream versus reality, to create a new history in a rite of passage structure. This process of ‘creating new values’ is also demonstrated in the symbolic joining of dual opposites such as heaven and earth, or male and female, in the Tangun myth.
The aforementioned process acts as an intersection of myth and history, where the wondrous and strange becomes a new impetus for advocating a new history. Thus the wondrous and strange is not a concept standing in opposition to rationality, but a device that overcomes the logic of rationality by joining with it.

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