King Lear’s uncertainty about his own identity unleashes a question that potentially echoes in the present day in view of parents’ treatment of their children and vice versa. This paper intends to give an account of how relevant King Lear’s ques...
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https://www.riss.kr/link?id=A105964256
한영림 (경북대학교)
2018
Korean
다시공연하기 ; <셰익스피어 in 광주> ; <리어 꿈꾸다> ; 한국 ; 싱가포르 ; restaging ; Shakespeare in Gwangju ; Lear Dreaming ; Korea ; Singapore
KCI등재
학술저널
683-703(21쪽)
0
0
상세조회0
다운로드다국어 초록 (Multilingual Abstract)
King Lear’s uncertainty about his own identity unleashes a question that potentially echoes in the present day in view of parents’ treatment of their children and vice versa. This paper intends to give an account of how relevant King Lear’s ques...
King Lear’s uncertainty about his own identity unleashes a question that potentially echoes in the present day in view of parents’ treatment of their children and vice versa. This paper intends to give an account of how relevant King Lear’s question “Who am I?” is to its appeal in Asian cultures. Illustrative cases for the discussion are the Korean production of Shakespeare in Gwangju adapted and directed by Kim Jihun for the City Theatre Company of Gwangju in 2012, and the Singaporean production of Lear Dreaming conceived and directed by Ong Keng Sen for his company TheatreWorks in 2012. These two productions bear on the form of restaging: Kim readapts Michoo Theatre Company’s 2009 staging of Shakespeare in the Year King Cheoljong 13, and Ong does his own 1997 staging of Lear: An Intercultural Theater Collaboration of Six Asian Countries.
The two restagings have a demonstration of how to respond to King Lear’s question. Shakespeare in Gwangju is concerned with what becomes of the world after his death: the world is overloaded with the legacy of violence and oppression that his wrongdoing left behind. It has the effect of evoking a history of people revolting against tyranny that Gwangju has, thereby presenting a public outcry as an answer to his question. Lear Dreaming is focused on what becomes of King Lear after he was overthrown by his daughter: he falls into silence and dreams of life and death. He is depicted as an individual whose dream conveys the sense of vulnerability, thereby taking his own life as an answer to his own question. Thus the former has more to do with the community’s political life, whereas the latter with the protagonist’s inner life.
참고문헌 (Reference)
1 배삼식, "철종 13년의 셰익스피어"
2 아시아문화중심도시 추진단, "윌리엄 셰익스피어, 광주에서 환생하다−광주광역시립극단 재 창단 기념 공연 <셰익스피어 in 광주>" 아시아문화중심도시
3 김성현, "셰익스피어 옷 입힌 ‘광주 이야기’" 조선일보
4 김지훈, "셰익스피어 in 광주. 공연프로그램"
5 김지훈, "셰익스피어 in 광주"
6 키시다 리오, "리어: 아시아 6개국 인터컬추럴연극 공동작업" 일본국제교류기금
7 키시다 리오, "리어 꿈꾸다" 씨어터웍스
8 김태성, "광주시립극단 24년만의 부활 <셰익스피어 in 광주>" 뉴스1
9 Anan, Nobuko, "Women in Asian Performance: Aesthetics and Politics" Routledge 110-123, 2017
10 Wells, Stanley, "William Shakespeare: The Complete Works" Clarendon 2005
1 배삼식, "철종 13년의 셰익스피어"
2 아시아문화중심도시 추진단, "윌리엄 셰익스피어, 광주에서 환생하다−광주광역시립극단 재 창단 기념 공연 <셰익스피어 in 광주>" 아시아문화중심도시
3 김성현, "셰익스피어 옷 입힌 ‘광주 이야기’" 조선일보
4 김지훈, "셰익스피어 in 광주. 공연프로그램"
5 김지훈, "셰익스피어 in 광주"
6 키시다 리오, "리어: 아시아 6개국 인터컬추럴연극 공동작업" 일본국제교류기금
7 키시다 리오, "리어 꿈꾸다" 씨어터웍스
8 김태성, "광주시립극단 24년만의 부활 <셰익스피어 in 광주>" 뉴스1
9 Anan, Nobuko, "Women in Asian Performance: Aesthetics and Politics" Routledge 110-123, 2017
10 Wells, Stanley, "William Shakespeare: The Complete Works" Clarendon 2005
11 Peterson, William, "Theatre and Adaptation: Return, Rewrite, Repeat" 165-179, 2014
12 Yong, Li Lan, "The Oxford Companion to Shakespeare" Oxford UP 503-, 2015
13 Wells, Stanley, "Shakespeare: A Dramatic Life" Sinclair-Stevenson 1994
14 Lupton, Julia Reinhard, "Shakespeare Dwelling: Designs for the Theater of Life" The U of Chicago P 2018
15 Porter, Lisa, "Ong Keng Sen’s Lear Dreaming: Humanity and Power in Process" 43 : 80-90, 2013
16 Bullough, Geoffrey, "Narrative and Dramatic Sources of Shakespeare. Vol. 6" Routledge and Kegan Paul 1966
17 Tiatco, Anril Pineda, Sir, "Lear Dreaming" 30 (30): 532-538, 2013
18 Hata Yuki, "Lear (in Japanese and English). Performance Programme"
19 Cahn, Victor L., "Introducing Shakespeare’s Tragedies: A Guide for Teachers" Rowman & Littlefield 2017
20 Laera, Margherita, "From Identity to Mondialisation: TheatreWorks 25" Editions Didier Millet 244-249, 2013
21 Oon, Clarissa, "A Stronger, More Potent Lear: But the Less Bloated Reworking of the Tragedy Offers No Fresh Insights from the 1999 Original" The Straits Times
셰익스피어 극 속 권력, 상징자본, 그리고 발화수용력: 『리어왕』, 『오셀로』, 『자에는 자로』를 중심으로
Russell T Davies’s Visualization of the Invisible War in A Midsummer Night’s Dream
『당신 뜻대로』에서 아든 숲에서 듀크가 만난 ‘노 수도자’는 누구인가?
학술지 이력
연월일 | 이력구분 | 이력상세 | 등재구분 |
---|---|---|---|
2027 | 평가예정 | 재인증평가 신청대상 (재인증) | |
2021-01-01 | 평가 | 등재학술지 유지 (재인증) | |
2018-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2015-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2011-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2009-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2007-01-01 | 평가 | 등재학술지 유지 (등재유지) | |
2004-01-01 | 평가 | 등재학술지 선정 (등재후보2차) | |
2003-01-01 | 평가 | 등재후보 1차 PASS (등재후보1차) | |
2002-01-01 | 평가 | 등재후보학술지 유지 (등재후보1차) | |
1999-07-01 | 평가 | 등재후보학술지 선정 (신규평가) |
학술지 인용정보
기준연도 | WOS-KCI 통합IF(2년) | KCIF(2년) | KCIF(3년) |
---|---|---|---|
2016 | 0.12 | 0.12 | 0.14 |
KCIF(4년) | KCIF(5년) | 중심성지수(3년) | 즉시성지수 |
0.12 | 0.11 | 0.561 | 0.03 |