한국 근대 교회음악 수용사연구

다국어 초록 (Multilingual Abstract)

In describing the history of modern Korean church music, it is the field of Hymn that must not be excluded for it has been received as the symbol of the western music as well as church music. Indeed, in the process of receiving it, it had influenced a great deal on the western music, the spreading of view on music and education.
In the history of the Korean Christianity, the proportion of the Hymn is never be ignored. Because considable numbers of historical matters of Korean church are related to it. For instance, at the association and disintegration of denominations, on important matter of the Hymn.
This study has two object at a time. The one is to reveal the position & role of the Hymn in the history of modern Korean music and the other is to reveal it in: that of modern Korean Christianity. Therefore, this study is about the history of modern Korean Christianity as well as that of modern Korean music. This research has been done as following methods.
First, making a basis for various subjects and contents by pay attention to the performance and limit of already established preceding researches about the Hymn.
Second, providing bibliographical data as a basis for various researches on the Hymn through annotations of the original Hymn.
Third, providing the performance of it by observing the modern Korean Hymn's influence & position to the history of modern Korean music and modern Korean Christianity.
Fourth, finding what the Hymn had effect on not only externally but also internally and how it was unfolded as not the history of missionary music but that of ethnic church music.
As a result of studying on the reception history of modern Korean church music, I could get following conclusions.
First, though the Hymn is the most influencing music in popularizing the western music in Korea at the early stage of it. Before the 1920's when there was no place to learn the western music other than school, church is the only place where all social classes can learn and sing the Hymn
Second, the association and disintegration of church happened and came up to surface related with the Hymn. The forms of conflict appeared in between missionaries, denominations, and missionaries and Korean church or within the same religious group. The causes were ecclesiastical authority, economin copyright, the difference of views on theology and so on.
Third, after the 1980's ethnical music & Hymn, being hot issues, had already been tried. The methods are contrafactum and adoption Korean traditional music.
Fourth, the control of music was also done to the Hymn as a culture governance of Japan. the scripts against Japan were revised or deleted.
Fifth, after the receving the western music, the matter of joining between the western and Korean music in translation of lyrics and scripts themselves had been discussed and moreover up to the level of music & language grammar
Sixth, the Hymn also affected the spreading or the Korean language(Han-GeuI) to people. They learned Korean by singing the Hymn, therefore and bought a book of the Hymn ahead of the Bible.
Seventh, kinds of patriotic songs singing the independence of Korea were influenced by the Hymn in the aspect of form & content. In addition, at the period of composer absent secularly invented songs adopted the melodies of the Hymn. Thus it became the secular songs.
Eighth, such as partisanship & characteristics of Korean church and the views of each missionary was reflected in the Hymn. the missionary's view of church music came to a basis of building the ideolgy of modern Korean music and it had effect on forming the thought of general music.
Nineth, as the passage of receiving church music other than that of China which has been known till now, newly that of Japan is detected.
One of the biggest harvest in the study on the modern Hymn is that lots of hot issues about the church & Korean music, being discussed now, had already been discussed in the process of receiving the Hymn in the past. Therefore, This historical study on the modern Hymn will support considerable suggestions and standards to phenomena and hot issues of the present music.

다국어 초록 (Multilingual Abstract)

In describing the history of modern Korean church music, it is the field of Hymn that must not be excluded for it has been received as the symbol of the western music as well as church music. Indeed, in the process of receiving it, it had influenced a great deal on the western music, the spreading of view on music and education.
In the history of the Korean Christianity, the proportion of the Hymn is never be ignored. Because considable numbers of historical matters of Korean church are related to it. For instance, at the association and disintegration of denominations, on important matter of the Hymn.
This study has two object at a time. The one is to reveal the position & role of the Hymn in the history of modern Korean music and the other is to reveal it in: that of modern Korean Christianity. Therefore, this study is about the history of modern Korean Christianity as well as that of modern Korean music. This research has been done as following methods.
First, making a basis for various subjects and contents by pay attention to the performance and limit of already established preceding researches about the Hymn.
Second, providing bibliographical data as a basis for various researches on the Hymn through annotations of the original Hymn.
Third, providing the performance of it by observing the modern Korean Hymn's influence & position to the history of modern Korean music and modern Korean Christianity.
Fourth, finding what the Hymn had effect on not only externally but also internally and how it was unfolded as not the history of missionary music but that of ethnic church music.
As a result of studying on the reception history of modern Korean church music, I could get following conclusions.
First, though the Hymn is the most influencing music in popularizing the western music in Korea at the early stage of it. Before the 1920's when there was no place to learn the western music other than school, church is the only place where all social classes can learn and sing the Hymn
Second, the association and disintegration of church happened and came up to surface related with the Hymn. The forms of conflict appeared in between missionaries, denominations, and missionaries and Korean church or within the same religious group. The causes were ecclesiastical authority, economin copyright, the difference of views on theology and so on.
Third, after the 1980's ethnical music & Hymn, being hot issues, had already been tried. The methods are contrafactum and adoption Korean traditional music.
Fourth, the control of music was also done to the Hymn as a culture governance of Japan. the scripts against Japan were revised or deleted.
Fifth, after the receving the western music, the matter of joining between the western and Korean music in translation of lyrics and scripts themselves had been discussed and moreover up to the level of music & language grammar
Sixth, the Hymn also affected the spreading or the Korean language(Han-GeuI) to people. They learned Korean by singing the Hymn, therefore and bought a book of the Hymn ahead of the Bible.
Seventh, kinds of patriotic songs singing the independence of Korea were influenced by the Hymn in the aspect of form & content. In addition, at the period of composer absent secularly invented songs adopted the melodies of the Hymn. Thus it became the secular songs.
Eighth, such as partisanship & characteristics of Korean church and the views of each missionary was reflected in the Hymn. the missionary's view of church music came to a basis of building the ideolgy of modern Korean music and it had effect on forming the thought of general music
Nineth, as the passage of receiving church music other than that of China which has been known till now, newly that of Japan is detected.
One of the biggest harvest in the study on the modern Hymn is that lots of hot issues about the church & Korean music, being discussed now, had already been discussed in the process of receiving the Hymn in the past. Therefore, This historical study on the modern Hymn will support considerable suggestions and standards to phenomena and hot issues of the present music.

목차 (Table of Contents)

• 목차 = 0
• 1. 서론 = 1
• 1.1. 연구의 목적 = 1
• 1.2. 연구의 대상 및 방법 = 3
• 1.2.1. 연구의 대상 = 3
• 1.2.2. 연구의 방법 = 4
• 1.3. 근대교회음악에 대한 연구상황과 문제점 = 6
• 1.3.1. 선행 연구상황 = 6
• 1.3.2. 주요 선행 연구물 = 9
• 1.3.3. 선행 연구의 문제점 = 11
• 1.3.4. 앞으로의 과제 = 14
• 2. 초기 찬송가의 전래 = 15
• 2.1. 중국찬송가의 번역 = 16
• 2.2. 개별 번역된 영어찬송가 = 18
• 2.3. 초기 찬송가의 소통 방법 = 18
• 2.4. 초기 찬송가의 편찬 = 19
• 2.4.1. 찬송가 편찬 계기 = 19
• 2.4.2. 가사판의 출간 이유 = 20
• 3. 근대찬송가의 사회 문화적 영향 = 22
• 3.1. 한글 보급에의 영향 = 22
• 3.2. 서양음악 전파에의 영향 = 26
• 3.3. 찬송가의 세속노래화 = 28
• 3.3.1. 여러 창가집에 수록된 곡 = 29
• 3.3.2.『최신창가집』(1914)에 수록된 곡 = 30
• 3.3.3.『보통창가집』(1912)에 수록된 곡 = 32
• 3.3.4.『창가집』(1915)에 수록된 곡 = 32
• 3.4. 애국·독립가류에의 영향 = 33
• 3.5. 선교 초기 한국인이 선호한 찬송가 = 37
• 3.6. 교회부흥에의 영향 = 41
• 3.6.1. 성결교의 부흥과 부흥성가 = 41
• 3.6.2. 구세군의 부흥과 구세군 악대 = 45
• 3.6.3.「백만명구령운동」과 찬송가 = 47
• 4. 민족 찬송가의 시도 = 50
• 4.1. 한국인 창작가사의 등장 = 51
• 4.1.1. 기존 찬송가에 붙인 가사 = 51
• 4.1.2. 창가 및 유행가에 붙인 가사 = 60
• 4.2. 애국찬송가 = 69
• 4.2.1. 충군애국적 찬송가 = 70
• 4.2.2. 윤치호의『찬미가』 = 75
• 4.3. 한국전통음악의 채용 = 79
• 4.3.1. 한국전통음악에 붙인 가사 = 80
• 4.3.2.『찬송가』의 한국전통음악 수록 = 84
• 4.4. 선교사의 토착화시도 = 85
• 4.4.1. 게일 = 86
• 4.4.2. 펜윅 = 89
• 4.4.3. 그로브 = 92
• 4.5. 한국인의 토착화시도 = 99
• 4.5.1. 길선주 = 99
• 4.5.2. 김인식 = 101
• 4.5.3. 구왕삼 = 103
• 4.5.4. 김형준 = 104
• 5. 근대 교회음악관 = 106
• 5.1. 교회의 세속음악에 대한 시각 = 106
• 5.2. 교회의 한국전통음악에 대한 시각 = 111
• 5.3. 찬송가론 = 117
• 5.3.1. 예배에서의 찬송가의 목적과 영향 = 117
• 5.3.2. 올바르게 찬송하는 방법 = 129
• 5.4. 교회음악에 대한 미학적 인식 = 134
• 5.5. 성가대론 = 137
• 6. 근대찬송가의 번역상의 문제들 = 141
• 6.1. 영어와 한국어의 율격 구조의 차이 = 142
• 6.2. 영어와 한국어의 액센트의 차이 = 146
• 6.3. 직역과 의역의 문제 = 148
• 6.3.1. 번역방식에 대한 게일의 비판 = 149
• 6.3.2. 베어드부인의 번역 방법 = 150
• 6.3.3. 피터스의 번역원칙 = 153
• 6.3.4.『신정찬숑가』(1931)의 번역원칙 = 154
• 7. 근대찬송가를 둘러 싼 교회의 연합과 대립 = 158
• 7.1. 초기 교회의 분파성과 찬송가 = 158
• 7.2. 『찬양가』를 둘러 싼 교파 및 선교사간의 대립 = 159
• 7.2.1. 언더우드의『찬양가』(1894) 단독 출간 = 160
• 7.2.2. 감리교의『찬양가』거절과『찬미가』의 중판 = 160
• 7.2.3. 북장로회의『찬양가』거절과『찬성시』편찬 = 161
• 7.2.4. 북장로회의 선교정책「신조」(Credo)에 반함 = 163
• 7.2.5. 용어번역문제 = 164
• 7.3. 감리교 통합과『찬미가』(1904) = 165
• 7.4. 『찬숑가』(1908)를 둘러 싼 장-감의 연합 = 167
• 7.4.1. 교파연합운동과 연합찬송가의 시도 = 167
• 7.4.2. 연합찬송가의 필요성 = 170
• 7.4.3. 연합정신의 편찬 원칙 = 171
• 7.4.4. 펜윅의 찬송관과 불연합 = 171
• 7.5.『신정찬숑가』(1931)를 둘러 싼 장-감의 대립 = 173
• 7.5.1.『신정찬숑가』의 편찬 = 173
• 7.5.2.『신정찬숑가』에 대한 비판 = 174
• 7.5.3. 장로교의『신정찬숑가』거절 = 178
• 7.5.4. 감리교의『신정찬숑가』채용 = 185
• 7.5.5. 찬송가를 둘러 싼 장-감 및 교단내의 대립 = 189
• 7.6.『신편찬숑가』(1935)를 둘러 싼 장-감 및 교단내의 대립 = 189
• 7.6.1. 장로교의『신편찬숑가』편찬 = 189
• 7.6.2. 감리교의『신편찬숑가』거절 = 192
• 7.6.3. 『신편찬숑가』의 단독 출간 비판 = 194
• 7.6.4. 「한글맞춤법통일안」의 비채택과 비판 = 201
• 7.6.5. 『신편찬숑가』에 대한 장로교내의 비판 = 204
• 7.6.6. 찬송가를 둘러 싼 장로교내의 교권 대결 = 212
• 8. 민족교회의 형성과 근대찬송가 = 215
• 8.1. 선교사의 교권으로부터의 독립과 찬송가 = 215
• 8.2. 일제의 선교사와의 분리정책과 찬송가 = 222
• 9. 일제의 박해와 찬송가 통제 = 226
• 9.1. 일제의「출판법」에 의한 노래책 통제 = 226
• 9.2. 윤치호『찬미가』의 금지 = 229
• 9.2.1. 〈애국가〉와「애국찬송」의 수록 = 229
• 9.2.2. 찬송 가사의 성격 = 231
• 9.2.3.「105인 사건」과『찬미가』의 금지 = 233
• 9.3. 일제의 기독교 통제와 찬송가 = 234
• 9.4.『신정찬숑가』의 수정과 금지 = 238
• 9.5.『신편찬송가』의 수정과 금지 = 247
• 10. 근대찬송가의 수용경로 = 258
• 10.1. 중국을 통한 수용 = 258
• 10.1.1. 초기 찬송가의 중국 영향 = 258
• 10.1.2. 성공회성가의 중국 영향 = 260
• 10.2. 본국을 통한 수용 = 263
• 10.3. 일본을 통한 수용 = 264
• 10.3.1. 선교사들의 입국 경로 = 264
• 10.3.2. 찬송가의 일본에서의 인쇄 = 265
• 10.3.3. 한·일 찬송가의 유사점 = 267
• 11. 근대찬송가의 편찬자·번역자 = 271
• 11.1. 근대찬송가의 편찬자 = 271
• 11.1.1. 『찬미가』의 편찬자들 = 272
• 11.1.2. 『찬양가』의 편찬자 언더우드 = 275
• 11.1.3. 『찬셩시』의 편찬자 = 276
• 11.1.4. 『복음찬미』의 편찬자 펜윅 = 277
• 11.1.5. 성공회 성가의 편찬자들 = 277
• 11.1.6. 『찬미가』(1905)의 편찬자 윤치호