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      모리슨의 『사랑』: 흑인 부성과 상상적 자아 = The Black Fatherhood and the Imaginary Self in Morrison’s Love

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      https://www.riss.kr/link?id=A105932450

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      다국어 초록 (Multilingual Abstract) kakao i 다국어 번역

      This paper aims at analyzing the ironical relation of the black fatherhood and the imaginary self working through the repression and the dominance embedded in the unfair structure of black patriarchy in Toni Morrison’s Love. Emotionally detached by fathers, May, Heed, Christine, and Junior give themselves over to the patriarchy, the man who looms even larger in their imaginary self than in their real lives.
      To overcome the trauma of their parental abandonment and betrayal, they seek the physical and psychic solace, and the protection in Bill Cosy. However, the fantasy experiencing from Cosy’s hotel and resort magnify the desire for support from the larger symbolic structures to prevent anxiety and fear. Even though May, Heed, Christine, and Junior see Cosy through idealizing eyes, his patriarchy mimics the hierarchy and the exclusive structure of the white dominant culture.
      The imaginary self on Cosy’s patriarchy can trigger the vicious circle of repression and discrimination. Accordingly, parental affection, family nurturing, and community solidarity can contribute for black women to recover their earlier friendship and love by perceiving the reality of Cosy’s patriarchy.
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      This paper aims at analyzing the ironical relation of the black fatherhood and the imaginary self working through the repression and the dominance embedded in the unfair structure of black patriarchy in Toni Morrison’s Love. Emotionally detached by ...

      This paper aims at analyzing the ironical relation of the black fatherhood and the imaginary self working through the repression and the dominance embedded in the unfair structure of black patriarchy in Toni Morrison’s Love. Emotionally detached by fathers, May, Heed, Christine, and Junior give themselves over to the patriarchy, the man who looms even larger in their imaginary self than in their real lives.
      To overcome the trauma of their parental abandonment and betrayal, they seek the physical and psychic solace, and the protection in Bill Cosy. However, the fantasy experiencing from Cosy’s hotel and resort magnify the desire for support from the larger symbolic structures to prevent anxiety and fear. Even though May, Heed, Christine, and Junior see Cosy through idealizing eyes, his patriarchy mimics the hierarchy and the exclusive structure of the white dominant culture.
      The imaginary self on Cosy’s patriarchy can trigger the vicious circle of repression and discrimination. Accordingly, parental affection, family nurturing, and community solidarity can contribute for black women to recover their earlier friendship and love by perceiving the reality of Cosy’s patriarchy.

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      참고문헌 (Reference)

      1 Homans, Margaret, "Women of Color Writers Feminist Theory" 25 : 73-95, 1994

      2 Caruth, Cathy, "Unclaimed Experience: Trauma, Narrative, and History" John Hopkins UP 1996

      3 Smith, Valerie, "Toni Morrison: Writing the Moral Imagination" Wiley Blackwell 2012

      4 Bailllie, Justine, "Toni Morrison and Literary Tradition: The Invention of an Aesthetic" Bloomsbury Academic 2015

      5 Silverblatt, Michael, "Toni Morrison Conversations" UP of Mississippi 216-223, 2008

      6 Showalter, Elaine, "The New Feminist Criticism" Pantheon 1985

      7 Mckinney-Whetstone, Diane, "The Nature of Love" 34 (34): 201-216, 2003

      8 Gallego, Mar, "The Cambridge Companion to Toni Morrison" Cambridge UP 2007

      9 Schreiber, Evelyn Jaffe, "Race, Trauma, and Home in The Novels of Toni Morrison" Louisiana State UP 2010

      10 Evans, Elliott Butler, "Race, Gender, and Desire" Temple UP 1989

      1 Homans, Margaret, "Women of Color Writers Feminist Theory" 25 : 73-95, 1994

      2 Caruth, Cathy, "Unclaimed Experience: Trauma, Narrative, and History" John Hopkins UP 1996

      3 Smith, Valerie, "Toni Morrison: Writing the Moral Imagination" Wiley Blackwell 2012

      4 Bailllie, Justine, "Toni Morrison and Literary Tradition: The Invention of an Aesthetic" Bloomsbury Academic 2015

      5 Silverblatt, Michael, "Toni Morrison Conversations" UP of Mississippi 216-223, 2008

      6 Showalter, Elaine, "The New Feminist Criticism" Pantheon 1985

      7 Mckinney-Whetstone, Diane, "The Nature of Love" 34 (34): 201-216, 2003

      8 Gallego, Mar, "The Cambridge Companion to Toni Morrison" Cambridge UP 2007

      9 Schreiber, Evelyn Jaffe, "Race, Trauma, and Home in The Novels of Toni Morrison" Louisiana State UP 2010

      10 Evans, Elliott Butler, "Race, Gender, and Desire" Temple UP 1989

      11 Morrison, Toni, "Playing in the Dark: Whiteness and the Literary Imagination" Vintage 1993

      12 Hirsch, Marianne, "New Essays on Song of Solomon" Cambridge UP 69-92, 1995

      13 Wyatt, Jean, "Love’s Time and the Reader: Ethical Effects of Nachtriglichkeit in Toni Morrison’s Love" 16 (16): 193-221, 2008

      14 Morrison, Toni, "Love" Vintage International 2005

      15 Collins, Patricia Hill, "Black Social Politics: African Americans, Gender, and New Racism" Routledge 2005

      16 Wardi, Anissa Janine, "A Laying on of Hands: Toni Morrison and the Materiality of Love" 30 (30): 201-218, 2005

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      2026 평가예정 재인증평가 신청대상 (재인증)
      2020-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2017-01-01 평가 등재학술지 유지 (계속평가) KCI등재
      2013-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2010-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2007-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2006-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2004-01-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.45 0.45 0.45
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.4 0.38 0.67 0.23
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