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      영산회상의 해금 시김새에 관한 고찰 = A Study on the Ornaments for Haegŭm in Yŏngsanhoesang

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      https://www.riss.kr/link?id=A328709

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      다국어 초록 (Multilingual Abstract)

      Through all classical music (Chongak) for Haegum(two stringed fiddle) 17 kinds of Sigimsae(ornaments) were used, 12 sorts of these were used in Yongsanhoesang.
      All ornaments can be classified three groups according to style. The first group is fore-ornament, the second group is back-ornament, and the third group is peculiar one.
      Each of ornament appears individually in every 9 tune of Yongsanhoesang(sangyongsan, chungyongsan, seryongsan, karakdori, sanghyonhwanip, hahyonhwanip, yombulhwanip, taryong, kunak)
      In slow tune various ornaments appear affluently, in quick tune they appear in contrast with slow one.
      Each of ornament has a special function.
      For example, ornament ㅅ is used for continuance of same tone and ornament ㄷ is used for start of phrase. The function of ornament 9 same with string instrument and ornament □□ is similar to other wind instrument.
      The remarkable fingering of all ornament is same as follow. In case of fore-ornament, the fingering of index finger-ring finger-middle finger and index finger-ring finger-index finger were applied.
      In case of back-ornament, the fingering of middle finger-ring finger-middle finger-index finger and index finger-ring finger-middle finger-index finger were applied.
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      Through all classical music (Chongak) for Haegum(two stringed fiddle) 17 kinds of Sigimsae(ornaments) were used, 12 sorts of these were used in Yongsanhoesang. All ornaments can be classified three groups according to style. The first group is fore-o...

      Through all classical music (Chongak) for Haegum(two stringed fiddle) 17 kinds of Sigimsae(ornaments) were used, 12 sorts of these were used in Yongsanhoesang.
      All ornaments can be classified three groups according to style. The first group is fore-ornament, the second group is back-ornament, and the third group is peculiar one.
      Each of ornament appears individually in every 9 tune of Yongsanhoesang(sangyongsan, chungyongsan, seryongsan, karakdori, sanghyonhwanip, hahyonhwanip, yombulhwanip, taryong, kunak)
      In slow tune various ornaments appear affluently, in quick tune they appear in contrast with slow one.
      Each of ornament has a special function.
      For example, ornament ㅅ is used for continuance of same tone and ornament ㄷ is used for start of phrase. The function of ornament 9 same with string instrument and ornament □□ is similar to other wind instrument.
      The remarkable fingering of all ornament is same as follow. In case of fore-ornament, the fingering of index finger-ring finger-middle finger and index finger-ring finger-index finger were applied.
      In case of back-ornament, the fingering of middle finger-ring finger-middle finger-index finger and index finger-ring finger-middle finger-index finger were applied.

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      목차 (Table of Contents)

      • 목차
      • Ⅰ. 緖論 = 189
      • Ⅱ. 本論 = 190
      • 1. 해금 시김새의 種類 = 190
      • 2. 樂曲別 시김새의 用例 = 193
      • 목차
      • Ⅰ. 緖論 = 189
      • Ⅱ. 本論 = 190
      • 1. 해금 시김새의 種類 = 190
      • 2. 樂曲別 시김새의 用例 = 193
      • 3. 영산회상의 해금 運指法 = 196
      • 4. 각 시김새의 機能 및 운지법과의 관련 = 198
      • Ⅲ. 結論 = 207
      • 참고문헌 = 208
      • Abstract = 209
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