왕슈의 십리홍장문화원(十里紅妝文化園)에 나타난 전통원림(園林) 건축 요소의 재현에 대한 연구

다국어 초록 (Multilingual Abstract)

In coping with the increasingly dominant process of Westernization, an essential task an architect faces in contemporary China is to create architecture that is culturally sensical and valid. For this reason, uncovering and interpreting the tradition of spatial art such as gardening has been a major subject of study by many leading Chinese architects. This study analyzes ShiliHongzhuang Cultural Center, a masterpiece by Wang Shu, the 2012 laureate of the Pritzker Prize and explores the specific ways by which the project represented and reproduced the characteristics of the traditional Chinese garden. This study first examines the theory of the traditional garden in terms of its layout, figures and materials. Second, the study investigates Wangs philosophy of gardening by reviewing his three articles and analyzes Wangs early work entitled Five Scattered Houses, a work regarded as the originator of his garden-style architecture, in order to draw out its characteristics in reference to traditional gardening. This study identifies six prototypical elements of commonality between the garden and the architecture such as aisle, courtyard, mountain house, water house, taihu house, and wapan wall under the categories of layout, figure and material. Lastly, this study analyzes how these architectural prototypes are represented in ShiliHongzhuang Cultural Center. The results illuminate how the Center evolves further from his early work to implement the prototypical elements in a more mature and advanced fashion. Wangs approach to design thus marks a significant point of reference for contemporary architecture that seeks to reconcile the tradition of gardening, the cultural identity, and the value of architectural creation.

목차 (Table of Contents)

• Abstract
• 1. 서론
• 2. 왕슈의 원림 이해
• 3. 십리홍장문화원에 나타난 조원 요소의 구성 특성
• 4. 결론
• REFERENCES