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      공연 기획 관점적 접근을 통해 본 무용가 최승희의 월북이전 예술활동에 관한 연구

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      다국어 초록 (Multilingual Abstract)

      Even up to now, there are a lot of rhetoric words attached to the name of Seung-hee Choi (Nov. 24, 1911~Aug. 8, 1969), a Korean woman modern dancer. Her name is still re-titled with complimentary expressions such as ``Legend of Oriental Dance``, ``Dancing Girl of Korean Peninsula``, ``Flower of Joseon``, ``World-famous Dancer``, ``Legendary Woman Dancer`` and ``Immortal Woman of Myth.`` Choi developed her remarkable career of dancer across many international regions including Korea, Japan and Europe in the age of colonized Korea under the rule of Japanese imperialism. She lived her life with fetters of sorrow and pleasure till she went to North Korea with her husband. In the history of modern Korea, Choi is recognized as a rare figure of modern Korean woman who extended the boundary of her career into movie actress, singer and fashion model beyond dancer. A great number of conventional academic studies on Seung-hee Choi can be found in dancing and literature world, but most of those studies have focused primarily on artistic life, orientations, achievements and activities of Choi as well as her philosophical values. Based on the life story, artistic activities and critical biography of Choi, this study intends to take a new approach of art marketing to exploring her artistic achievements and values. The perfection of a performing art work is still valued so much as a means of creating audience value from its performance on stage, but the importance of multilateral promotions and novel planning is not to be overlooked. Whether Choi adopted such a planning and marketing means intentionally or unintentionally, her performing art activities demonstrate that she surely tried to promote herself by other means than perfection and value of a performing art work, and really wanted to get her performing art recognized by audience and make her dance known to more people. Thus, this study sought to take a new approach to the original artistry of Choi from the viewpoint of performing art planning and art marketing. Based on lots of existing academic literatures on Choi, this study attempted to define her identity as a s ort of brand and goods in the aspect of modern strategic planning, and took an approach of strategic planning to further examination into her artistic achievements, values and features on the basis of SWOT analysis.
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      Even up to now, there are a lot of rhetoric words attached to the name of Seung-hee Choi (Nov. 24, 1911~Aug. 8, 1969), a Korean woman modern dancer. Her name is still re-titled with complimentary expressions such as ``Legend of Oriental Dance``, ``Dan...

      Even up to now, there are a lot of rhetoric words attached to the name of Seung-hee Choi (Nov. 24, 1911~Aug. 8, 1969), a Korean woman modern dancer. Her name is still re-titled with complimentary expressions such as ``Legend of Oriental Dance``, ``Dancing Girl of Korean Peninsula``, ``Flower of Joseon``, ``World-famous Dancer``, ``Legendary Woman Dancer`` and ``Immortal Woman of Myth.`` Choi developed her remarkable career of dancer across many international regions including Korea, Japan and Europe in the age of colonized Korea under the rule of Japanese imperialism. She lived her life with fetters of sorrow and pleasure till she went to North Korea with her husband. In the history of modern Korea, Choi is recognized as a rare figure of modern Korean woman who extended the boundary of her career into movie actress, singer and fashion model beyond dancer. A great number of conventional academic studies on Seung-hee Choi can be found in dancing and literature world, but most of those studies have focused primarily on artistic life, orientations, achievements and activities of Choi as well as her philosophical values. Based on the life story, artistic activities and critical biography of Choi, this study intends to take a new approach of art marketing to exploring her artistic achievements and values. The perfection of a performing art work is still valued so much as a means of creating audience value from its performance on stage, but the importance of multilateral promotions and novel planning is not to be overlooked. Whether Choi adopted such a planning and marketing means intentionally or unintentionally, her performing art activities demonstrate that she surely tried to promote herself by other means than perfection and value of a performing art work, and really wanted to get her performing art recognized by audience and make her dance known to more people. Thus, this study sought to take a new approach to the original artistry of Choi from the viewpoint of performing art planning and art marketing. Based on lots of existing academic literatures on Choi, this study attempted to define her identity as a s ort of brand and goods in the aspect of modern strategic planning, and took an approach of strategic planning to further examination into her artistic achievements, values and features on the basis of SWOT analysis.

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      참고문헌 (Reference)

      1 정병호, "한국근대인물사 I. -최승희와 그녀의 춤에대한 재평가" 현대미학사 1999

      2 김민이, "학술연구 동향을 토대로 본 최승희의 예술활동 정체성 연구" 경희대학교 대학원 2008

      3 주나연, "최승희의 예술세계가 한국 신무용에 미친 영향" 계명대학교 교육대학원

      4 정수웅, "최승희-격동의 시대를 살다간 어느 무용가의 생애와 예술" 눈빛 2004

      5 최현주, "소셜 네트워크 서비스와 공연예술: 활용가치와 가능성" 한국지식경영학회 12 (12): 59-69, 2011

      6 강이향, "생명의 춤, 사랑의 춤" 지양사 1989

      7 박미영, "민족주의 무용가로서의 최승희 연구" 대한무용학회 49 (49): 149-160, 2006

      8 안제승, "무용학개론" 신원문화사 1992

      9 이애순, "무용예술연구" 국학자료원 2002

      10 최승희, "매일신보(논설)"

      1 정병호, "한국근대인물사 I. -최승희와 그녀의 춤에대한 재평가" 현대미학사 1999

      2 김민이, "학술연구 동향을 토대로 본 최승희의 예술활동 정체성 연구" 경희대학교 대학원 2008

      3 주나연, "최승희의 예술세계가 한국 신무용에 미친 영향" 계명대학교 교육대학원

      4 정수웅, "최승희-격동의 시대를 살다간 어느 무용가의 생애와 예술" 눈빛 2004

      5 최현주, "소셜 네트워크 서비스와 공연예술: 활용가치와 가능성" 한국지식경영학회 12 (12): 59-69, 2011

      6 강이향, "생명의 춤, 사랑의 춤" 지양사 1989

      7 박미영, "민족주의 무용가로서의 최승희 연구" 대한무용학회 49 (49): 149-160, 2006

      8 안제승, "무용학개론" 신원문화사 1992

      9 이애순, "무용예술연구" 국학자료원 2002

      10 최승희, "매일신보(논설)"

      11 김경회, "동북아 무용가 최승희의 작품 분석" 대한무용학회 49 (49): 19-46, 2006

      12 이승엽, "극장공연과 공연제작" 역사넷 2001

      13 한성준, "고수50"

      14 최승희, "고국을 생각한다" (210) :

      15 김영훈, "경계의 미학: 최승희의 삶과 근대체험" 비교문화연구소 11 (11): 173-206, 2005

      16 李景熙, "石井漠·崔承喜·趙澤元의 공연활동분석을 통한 신무용 의미에 관한 조사 연구" 慶熙大學校 敎育大學院 1998

      17 Philp Kotler, "Standing Room Only" Harvard Business School Press 1997

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      학술지 이력

      학술지 이력
      연월일 이력구분 이력상세 등재구분
      2027 평가예정 재인증평가 신청대상 (재인증)
      2021-01-01 평가 등재학술지 유지 (재인증) KCI등재
      2018-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2015-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2011-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2009-01-01 평가 등재학술지 유지 (등재유지) KCI등재
      2006-01-01 평가 등재학술지 선정 (등재후보2차) KCI등재
      2005-01-01 평가 등재후보 1차 PASS (등재후보1차) KCI등재후보
      2004-01-01 평가 등재후보학술지 유지 (등재후보1차) KCI등재후보
      2003-01-01 평가 등재후보학술지 유지 (등재후보1차) KCI등재후보
      2002-01-01 평가 등재후보학술지 유지 (등재후보1차) KCI등재후보
      2001-07-01 평가 등재후보학술지 선정 (신규평가) KCI등재후보
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      학술지 인용정보

      학술지 인용정보
      기준연도 WOS-KCI 통합IF(2년) KCIF(2년) KCIF(3년)
      2016 0.72 0.72 0.71
      KCIF(4년) KCIF(5년) 중심성지수(3년) 즉시성지수
      0.78 0.85 0.652 0.24
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